"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/29/2024

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"Maria do Mar, violinist born in Lisbon, has a path marked by classical music and teaching, although she has always collaborated with artists from other musical areas. Since 2012, following her participation in the "Atelier de Improvisation et Direction de Ensemble in real-time (Conduction)" directed by Butch Morris, she began to explore free improvisation and other languages ​​in the contemporary music scene, taking part in a violin and Electric bass duo with the musician and composer Ricardo A. Freitas.She has developed improvisational work with various musicians, performing in concerts, cycles and festivals, with names like Carlos "Zingaro",., Joana Guerra, Ricardo Jacinto, Christophe Berthet, Maria Radich. In the context of the Moving Theater she participated in the Suzuki workshop / Viewpoints by Lowri Jenkins and Jane Pupo. She is seeking a broader musical universe and the development of a personal language, where the musical boundaries are fading and new possibilities opens up with no creative limits."

-Zaratan (Translated by Google) (http://www.zaratan.pt/en/event/74)
11/29/2024

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"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/29/2024

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Cellist Yu Lin Humm is a member of String Theory and Suspensão. She studied music at the Accademia Internazionale della Musica in the field of study of classical music.

-Squidco 11/29/2024

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"Ulrich Mitzlaff completed his cello studies in the seventies at Tübingen (Germany) with Professor Stefan Zarnescú. Since 1996 he lives at Lisbon, Portugal, where he works as cellist and composer of contemporary and experimental music, improvisation, free-jazz, conceptual composition and sound-art. He collaborates with various artists in multidisciplinary and electro-acoustic projects and he is member of the art-association "granular".

At the moment, he participates in music-projects like: the Duo Ulrich Mitzlaff / Miguel Mira, with a new and very surprising CD "Cellos" that was presented early springtime this year; Separados Frutos, an experimental music and spoken word formation with Nuno Rebelo, Vera Mantero and Manuel Guimarães; the Open Speech TRIO with Carlos Bechegas and Miguel Feraso Cabral; the Duo Carlos "Zingaro" / Ulrich Mitzlaff and the Fruit Music Quartet with Franziska Schroeder, Pedro Carneiro and Pedro Rebelo.

With Carlos "Zingaro" he was performing in many different constellations and formations that had a significant impact on his playing. The same is to say about his collaborations with Nuno Rebelo, Carlos Bechegas, Miguel Mira and Carlos Santos.

He was interpreting the original music composed by Nuno Rebelo in 2001 for "como rebolar alegremente sobre um vazio interior", choreography by Vera Mantero for the Ballet Gulbenkian, and in 2003 for "Silicone Não", choreography by Paulo Ribeiro for the Companhia Paulo Ribeiro. He was collaborating in 2000 and 2001 with Américo Rodrigues in his multi-dimensional piece "...como um relâmpago...".

He composed and presented live in 2008 the music for the choreography created by Romulus Neagu "The Invisibility of the Small Perceptions". With Romulus Neagu he works also in the duo "ImproFormance", an instant dance-performance.

In 2008 he created and interpreted the music for the documentary film by Miguel Clara Vasconcelos over the choreographic project of Romulus Neagu "The Invisibility of the Small Perceptions", and in 2009 he composed and interpreted the music for the dramatic short film by Miguel Clara Vasconcelos "Pedrinez". He interpreted the original music written by Paulo Curado for the animation film "Cândido" by "Zepe" - José Pedro Cavalheiro in 2007.

He participated in many international festivals like "Festival LEM Primavera" (Barcelona 2009), "Festival Portugal and the World" (Brussels 2007), "Metasonic LX" (Lisbon 2006), "Metasonic III" (Lisbon 2010), "Festival Músicas do Mundo" (Sines 2006), "Festival Alkantara" (Lisbon 2006), "Sonorities" festival of contemporary music (Belfast, Northern Ireland 2005), "CAMP 03 - international festival for electronic music, sound art and visual arts" (Tübingen, Germany 2003) and "CAMP 05" (Montemor-o-Novo 2005), "Encontros de Música Experimental- EME" (Setúbal 2000 and 2001), "Ó da Guarda" (Guarda 1999, 2005 and 2008) among many others.

He was playing in various concerts with Fried Dähn, Rodrigo Amado, Emídio Buchinho, Reinhold Friedl, Vitor Joaquim, Thomas Maos, Stefano de Bonis, Josep-Maria Balanyà, Bart Maris, Miguel Cardoso, Pedro Lopes, Hernâni Faustino, Stefano Zorzanello, Gregg Moore, Liba Villavecchia, Paulo Curado, Bertrand Gauguet, Miguel Leiria Pereira, Ernesto Rodrigues, Mark Whitecage, Phill Niblock and many others. He worked in the duo I/O with Carlos Santos (MAX/MSP) in the field of electro-acoustic improvisation and he was collaborating with the Lisbon Improvisation Players of Rodrigo Amado."

-Creative Sources (http://creativesourcesrec.com/artists/u_mitzlaff.html)
11/29/2024

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"Helena Espvall is a cello player who is comfortable in indie rock and improvised music circles. She was born and raised in Sweden, playing guitar and cello in rock bands and a silent movie orchestra. Moving to the U.S. and settling in Philadelphia in 2000, Espvall further explored Arabic music, performed with the Amnesiac Music & Dance Ensemble, and joined the contemporary psychedelic-folk group Espers, recording the CDs Weed Tree and II with them. Her penchant for playing free jazz has resulted in collaborations with guitarist Eugene Chadbourne. She is a featured artist with saxophonist/flutist Oluyemi Thomas on his recording Before the Beginning, and with From Quagmire on Habitats in the Wound. Espvall's debut CD as a leader, Nimis & Arx, from the Pax/Fire Museum label is produced by George Korien, where she plays cello, guitar, and recorder, sings and uses electronics. Other artists she has worked with include Katt Hernandez, Lukas Ligeti, Masaki Batoh, Gui Mallon, Nick Castro, Bert Jansch, Sharron Kraus, Fürsaxa, Vashti Bunyan, Samara Lubelski, Marissa Nadler, Damon & Naomi, Arborea, Curia, Golden Ball, the Valerie Project, Polineros, and Scorces.

Helena Espvall is a Swedish-American musician noted for her participation in the post-millennial psych-folk and free improv scenes. Her primary instruments are cello, guitar and voice."

-Helena Espvall Website (https://helena-espvall.keepvid.io/fr)
11/29/2024

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"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
11/29/2024

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Italian double bassist Gianna de Toni is a member of the Portuguese-based groups IKB and String Theory.

-Squidco 11/29/2024

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Joao Madeira: "I was born in Lisboa and I've dedicated most of my energy to the doublebass since I was 12. When I went to study at the Conservatório de Lisboa my role model was doublebassist João Panta Nunes, and lately my studies were oriented by Jorge Lee, at Cascais. I have a degree in Musicology, investigation work on Fado's candidature to World Immaterial Heritage by UNESCO, and coordination of the Music Department at INATEL/FNAT. Since 1999 I have a strong activity (studio and performance) in several styles and genres, but improvised music and original composition (whatever the style...) are the places where my musical language riches its higher satisfaction and plenitude. In the recordings you are about to hear it's me who plays all the instruments. My passion is at the simple act of artistic creation. For me, music is all about musicians and genuine expression! It doesn't matter the genre neither the instrument per si. In theater I have collaborations (musician, composer, actor) with Companhia do Chapitô and Artistas Unidos, amongst others. I also love books (...) I've studied aesthetics and Portuguese literature since I remember, and love to read and write poetry."

-Reverb Nation (https://www.reverbnation.com/eudemadeira/song/9496502-mejardim-joo-madeira)
11/29/2024

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"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
11/29/2024

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"Marc's classical bass career began at the Manhattan School of Music, and took an unexpected fortuitous detour to Portugal twenty years ago when he was invited to audition for the Gulbenkian Musica Orchestra in Lisbon. Marc is now the first bass chair and soloist of this much-travelled international symphony. As well as heading up the bass section of the Gulbenkian Orchestra, Marc mentors various educational projects and teaches at the Piaget University Institute and the Higher National Academy of Orchestra.

"My journey has been marked by a series of people who taught me and offered such great opportunities that one of the things that move me is being able to give back what I've received. Working with young musicians is one of the most gratifying experiences of my career." "

-Upton Bass (https://uptonbass.com/about/who-plays-an-upton-bass-upton-bass-string-instrument-co/marc-ramirez/)
11/29/2024

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"Andre Hencleeday is interested in detail and simplicity using improvisation, field recording, acousmatic and intuitive composition as main sonic languages. He is a member of Variable Geometry Orchestra, OWWK, &c."

-https://soundcloud.com/ahencleeday (Soundcloud)
11/29/2024

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"Rodrigo Pinheiro was born in 1973 in Covilhã, a small town in the center of Portugal. He started learning the piano when he was five at the Conservatory of Covilhã and later at the Conservatory of Lisbon until he was eighteen. He soon got involved with the free Portuguese improvisation scene, having played with Américo Rodrigues, José Oliveira, Nuno Rebelo, Rodrigo Amado, Luís Desirat, Bruno Parrinha or Ernesto Rodrigues. Pinheiro's intuitive approach to improvisation and exploration of the piano timbres, using both classical and extensive techniques, makes his music energic, polyrhythmic and full of contrasts. Moreover, he has honed his technique at workshops of improvisa- tion and composition where he has played with virtuous names, such as Carlos Zíngaro, Peter Kowald, Gunther Muller or Patrick Brennan. He has also performed with several musicians, like Hiroshi Kobayashi, Cristin Wilboltz, Nathan Fuhr, Blaise Siwula, Per Anders Nilsson, John Zorn, Nobuyasu Furuya, Jason Stein, Nate Wooley, John Butcher, Lotte Anker, Joe McPhee, Keir Neuringer, among others. In 2010 Pinheiro formed his project RED Trio, with Hernâni Faustino (bass) and Gabriel Ferrandini (drums). The band has recorded four albums with Clean Feed and Nobusiness Records and performed live at jazz and improvised music festivals and concerts in Portugal, USA, Netherlands, Germany, Austria, Poland and Romenia. He is also a member of the Nobuyasu Furuya Quintet, which has two released albums by Chitei Records e Nobusiness Records. His most recent projects are his trio earNear, with João Camões (viola) and Miguel Mira (cello), and the Clocks and Clouds' quartet, with Luís Vicente (trumpet), Hernani Faustino (bass) and Marco Franco (drums)."-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
11/29/2024

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"Guitarist Miguel Almeida is also a researcher and educator, locate in the Lisbon area of Portugal. He is associated with Universidade Nova de Lisboa, Conservatório de Música de Sintra, and was educated at Universidade Nova de Lisboa."

-Linked In (https://pt.linkedin.com/in/miguelalmeidamusic/en)
11/29/2024

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