The Squid's Ear Magazine


Aranda, Irene / Johannes Nastejo / Nuria Andorra: Inner Core (Relative Pitch)

Referencing geothermal physics in the titles of their improvisations, these three Spanish improvisers create a riveting and radical set of experimental works, with Irene Aranda working inside and out of the piano, Johannes Nastejo extending and adapting his double bass, and percussionist Nuria Andorra using an arsenal of metallic and percussive objects.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Irene Aranda-piano

Johannes Nastejo-double bass

Nuria Andorra-percussion


Click an artist name above to see in-stock items for that artist.




UPC: 5902249001020

Label: Relative Pitch
Catalog ID: RPR1071
Squidco Product Code: 26131

Format: CD
Condition: New
Released: 2018
Country: USA
Packaging: Digipack
Recorded at Ateneu, in Barcelona, Spain, on December 2nd and 3rd, 2016, by Sixto Camara.

Descriptions, Reviews, &c.

"Hearing the music of Irene Aranda, Johannes Nästesjö and Nuriá Andorrà is a visceral experience. It is not a music of surfaces, of polishing, taming and ordering. Inner Core channels seismic dynamics that resonate and refract through the subterranean strata of rock and mantle.

The six improvisations in this collection take their titles from principles of geothermal physics, drawing parallels between improvisation and the molecular and sub-molecular where matter and energy are entwined.

Assemblages of metallic sound emanate from Andorrà's arsenal of percussive objects, Nästesjö extended double bass, and Arranda's virtuosic explorations at the keyboard and inside the piano. Their ideas collide, repel and coalesce like rogue particles, balancing explosive intensity with an equilibrium that emerges from the push and pull of contemporary forces. Inner Core captures a highly evolved trio concept that erases the borders between avant-jazz and experimental improvisation"-Joseph O'Connor


Artist Biographies

"Irene Aranda (born September 2, 1980 in Jaén) is a Spanish jazz pianist who also performs in the field of improvised music.

Aranda comes from a family of musicians and received from the age of seven years music lessons from her grandparents. From 1990 she attended the Conservatory of her native city, where in 1998, after she had been self - taught with jazz in 1992, became part of the big band in 1998, she belonged to 2001. In 1999 she completed her piano studies in Jaén to continue in Granada. She also attended master classes with Chano Domínguez, Perico Sambeat and Nikki Iles.

Aranda first appeared on Spanish festivals with her own groups, in 2012 she also performed at the International Jazzfestival Münster. She also played in a duo with Agustí Fernández."

See also http://www.irenearanda.com/

-Wikipedia (https://de.wikipedia.org/wiki/Irene_Aranda)
1/27/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Johannes Nästesjö works within the genre of modern jazz, improvised and contemporary music as a professional double-bass player and teacher. He has for the last years toured frequently in several different countries in Europe, as well as Brazil, Vietnam, Gambia, Mali and USA and has appeared on 29 recordings. During the last years he has been working with Tom Chant, Agustí Fernández, Joe Morris, Ramon Lopez, Marco Mesquida, Ramon Prats, Albert Cirera, Peter Nilsson, Hans Nyman, Martin Küchen, Håkon Berre, Sture Ericson, Fred Lonberg Holm, Lotte Anker, Ståle Liavik & Vasco Trilla and many more."

-Johannes Nastejo Website (http://nastesjo.com/?page_id=2)
1/27/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Núria Andorrà, percussionist and improviser.

She has a degree in percussion from Esmuc, after she studieds at the Staatliche Hochschule für Musik Karlsruhe, with a scholarship of the Cultural Government of Catalonia and the Ministry of Education from Spain. After that she studied a master in Contemporary Music at the same university with I. Nakamura, J. Brener and Thomas Hoffer.

Currently she is doing his doctoral studies abut "the free improvisation on the contemporary music".

She was a resident artist from Ateneu Barcelonès, Antic Teatre and Phonos Fundation. Nowadays she is artistic director from Improject Ensemble, resident at the ESMUC.

Her main collaborations have been with contemporary music groups Icarus Ensemble (Italy), Abstrai Ensemble (France), Murtra Ensemble (Catalonia), Barcelona 216 (Catalonia), Patchwork Ensemble (Madrid). She was a member of the artistic committee of Contemporánica Music Ensemble, resident group of Art Center Cal Massó Reus.

She Improvised with Agustí Fernández, Le Quan Nihn, Ingar Zahr, Mats Gustafsson, Pablo Ledesma, Nate Wooley, Frances-Marie Uitti, Joe Morris, Ramon Prat, Tom Chant, Johannes Nästesjö, Nenad Markovic, Ivi Rausi. Joachim Badenhorst, Yasmine Azaiez, Anne-liis Poll, Susana Santos.

She has also worked the composer Carlos Santos at the shows "patetisme il:lustrat" and " Piturrino fa de music". With the composer Hèctor Parra at "Frec3", and with Oliver Rappoport at "Leviatán".

As a pedagogue he has been teaching improvisation in Esmuc, and it has also been a percussion teacher in Conservatory of music of the diputació de Tarragona and Conservatory of Liceu from Barcelona."

- Website (http://nuriaandorra.com/bio-2/)
1/27/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Planck Mass 16:04

2. Incoming Matter 1:56

3. Nucleation 8:09

4. Inner Core 9:52

5. Allotropism 10:10

6. Zeldovich Factor 8:19

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
European Improvisation, Composition and Experimental Forms
Trio Recordings
Instruments with Preparations
Last Copy of Items that will not be restocked...

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Other Recommended Releases:
Tatakai Trio (Kuchen / Lindsjo / Strid)
HappI
(Relative Pitch)
A trio of well-versed Swedish free improvisers--Martin Kuchen on soprano & sopranino saxophones, Raymond Strid on drums, and Anders Lijndsjo on guitar--in 8 studio improvisations of unusual and highly rhythmic and upbeat interplay, titled with happy adjectives, an apt description of the joy these three find in unconventional approaches to improvisation.
Butcher, John / John Edwards / Mark Sanders
Last Dream Of The Morning
(Relative Pitch)
A studio album between three UK master improvisers -- John Butcher on sax, John Edwards on double bass, and Mark Sanders on drums -- the trio pushing the envelope in technique and dialog in nearly telepathic playing that transports the listener into their environment, as the music builds and releases in effortless ways that are stunning and exulant; highly recommended.
Honsinger, Tristan / Nicolas Calioa / Joshua Zubot
In The Sea
(Relative Pitch)
The transatlantic string trio of Amsterdam-based cellist Tristan Honsinger (also on voice) with Montreal free improvisers violinist Joshua Zubot and double bassist Nicolas Caloia in an album of informed improvisation that bring an upbeat approach to authoritative dialog which is both sharp-witted and irreverent, but never less than engaging.
Corsano / Courviosier / Wooley
Salt Task
(Relative Pitch)
First recorded meeting of Chris Corsano (drums), Sylvie Courvoisier (piano), and Nate Wooley (trumpet) in the studio in Brooklyn, 2015, for a completely open, sensitive set of improvisations that are constantly on the edge, at times explosive, and always in a focused dialog.
Morris, Joe
Shock Axis
(Relative Pitch)
A limited edition release of guitarist Joe Morri's new NY-area aggressive improvising trio with younger players Dave Parmelle on drums and Chris Cretella on electric bass, shredding with awesome technical skill and intense harmonic and melodic force, really powerful stuff!
Shipp, Matthew Chamber Ensemble
The Gospel According to Matthew & Michael
(Relative Pitch)
Frequent collaborators, Matthew Shipp (piano) and Michael Bisio (bass) are joined by fellow Downtown New Yorker Mat Maneri on viola create what they refer to as a chamber ensemble, performing the 15 improvised and inspired chapters of Shipp & Bisio's "Gospel".
Fujiwara, Tomas Trio
Variable Bets
(Relative Pitch)
Merging different sub-genre of NYC's rich jazz and creative music scene, drummer Tomas Fujiwara's trio with Brandon Seabrook on guitar and Ralph Alessi on trumpet furtively builds into a free jazz album of contrasting dynamics and superb playing.
Gauci, Stephen / Kirk Knuffke / Ken Filiano
Chasing Tales
(Relative Pitch)
The NY trio of saxophonist Stephen Gauci, cornetist Kirk Knuffke and bassist Ken Filiano in a set of group improvisations plus compositions from each player, great melodic and interactive playing from three exceptional players.
Halvorson, Mary / Kirk Knuffke / Matt Wilson
Sifter
(Relative Pitch)
Presenting compositions from all three players, the NY-based trio of Kirk Knuffke (cornet), Mary Halvorson (guitar) & Matt Wilson (drums) this exceptional trio play a stripped down, rocking blend of free form improvisation.
Estamos Trio
People's Historia
(Relative Pitch)
Taking song titles from the Arawak language, the Estamos Trio of Thollem McDonas (piano), Milo Tamez (drums) and Carmina Escobar (voice & electronics) brings together artists from the Mexican/U.S. border, creating beautiful creative works.
Bynum, Taylor Ho / John Hebert / Gerald Cleaver
Book of Three: Continuum
(Relative Pitch)
Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.



Customers Who Bought This Item Also Bought:
Jackson, Keefe / Jim Baker / Julian Kirshner
Routines
(Kettle Hole Records)
Three leaders in the Chicago free improv scene--Keefe Jackson on tenor & sopranino saxophones, Jim Baker on piano & synthesizer and Julian Kirshner on drums--in a collective album of concentrative conversation, a group of equals that function together through close listening and interactive support in expressive playing that leaves ego out of the equation.
Pulverize the Sound (Evans, Peter / Tim Dahl / Mike Pride)
Black
(Relative Pitch)
Appropriately recorded at Seizures Palace in Brooklyn, the 3rd release from the NY trio Pulverize the Sound of Peter Evans on trumpet, Tim Dahl on electric bass and Mike Pride on drums & glockenspiel, expands on this 10 year working band's assertive approach to collective free improv, doing so with innovation, breathtaking technical skill and a wide range of mood and texture.
Laubrock, Ingrid / Tom Rainey
Counterfeit Mars
(Relative Pitch)
Relentlessly playing through the pandemic, the husband & wife duo of tenor & soprano saxophonist Ingrid Laubrock and drummer Tom Rainey honed their skills, developing this album of primarily composed pieces worked out through improvising; thirteen succinct, fascinating and sometimes quirky dialogs, displaying a depth that only two such close collaborators could achieve.
Fowler, Chad / William Parker / Anders Griffen
Broken Unbroken
(Mahakala Music)
Led by New York wind and reed player Chad Fowler, who performs here on stritch, saxello & alto flute, this collective free jazz album brings together frequent collaborators, bassist William Parker (with whom Fowler plays in Dopolarians) and drummer & trumpeter Anders Griffen (heard on Thinking Unthinking and the Music of Frank Lowe) for two extended improvisations from contemplative to assertive.
Millar, E / Christof Kurzmann
Rare Entertainment
(Mystery & Wonder)
The first meeting of Austrian improviser Christof Kurzmann (The Magic I.D., Schee) and Montreal sound artist Elizabeth Millar (Sound of the Mountain, Ensemble Supermusique) in two tremendous multi-part performances live at the 2019 Suoni Per il Popolo Festival in Montreal, works of mysteriously vibratory backdrop, insinuating narrative voice and unsettling sonic interaction.
Ullen, Lisa / Elsa Bergman / Anna Lund
Space
(Relative Pitch)
The debut of this thoroughly modern piano trio from Sweden of pianist Lisa Ullen, bassist Elsa Bergman and drummer Anna Lund, merging traditional and free jazz forms along with influences from contemporary compositional music, approaching their collective music using a diverse set of strategies and techniques that yield a spectrum of captivating conversations.
Courvoisier / Halvorson
Searching For The Disappeared Hour
(Pyroclastic Records)
The second collaboration between pianist Sylvie Courvoisier and guitarist Mary Halvorson, six years after Crop Circles and a product of their tours together and the result of their both writing compositions specifically for their duo project, showing a level of communication that allows incredible inventiveness and moments of poignant exchange; exceptional.
Schoenbeck, Sara
Sara Schoenbeck
(Pyroclastic Records)
A document of bassoonist Sara Shoenbeck's collaborations recorded between 2019-2021 in recording studios across North America, showing the inspired curiosity she brings to improvisation through a diverse set of duos performed with Harris Eisenstadt, Nicole Mitchell, Nels Cline, Roscoe Mitchell, Matt Mitchell, Mark Dresser, Wayne Horvitz, Peggy Lee and Robin Holcomb.
Williams, Mars Presents
An Ayler Xmas Vol.5
(Astral Spirits / Soul What Records)
The fifth in the An Ayler Xmas series from saxophonist Mars Williams, mashing holiday classics with works by saxophonist Albert Ayler, with the amazing sextet of Josh Berman on cornet, Jim Baker on piano, viola & Arp Synth, Brian Sandstrom on bass, guitar & trumpet, Steve Hunt on drums, Peter Maunu on violin and Kent Kessler or Krzysztof Pabian on bass.
Allbee, Liz
Rille
(Relative Pitch)
Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Garcia, Violeta / Chris Pitsiokos
Uanmortaim
(Relative Pitch)
From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation.
Lillischwerdt
Small Pauer [3'' CD]
(Euphorium)
A 3" CD of three technically impressive, intricate improvisations: first in a solo piano piece by pianist Oliver Schwerdt, followed by a duo with drummer & percussionist Christian Lillinger with Schwerdt also on small instruments, ending in a piano trio format with double bassist Robert Landfermann, a high-speed affair of quick-witted interplay and almost telepathic communication.
Dunmall, Paul / Mark Sanders
Unity
(577 Records)
Despite countless collaborations in a variety of settings, UK saxophonist Paul Dunmall and drummer/percussionist Mark Sanders have never recorded one of the most straight-forward of pairings — the saxophone and drum duo — correcting their omission with his superb album of exploratory and exuberant dialogs, five tracks showing the skill and kinship between the two.
Mateen, Sabir / Patrick Holmes / Federico Ughi
Survival Situation
(577 Records)
Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC