The trio of Frantz Loriot (violin), Sean Ali (contrabassist) and Carlo Costa (percussion), a grouping named for still life paintings that concentrate on composition and color, presenting three extended compositions of rich acoustic sound, extending their instruments through masterful technique to create exquisitely detailed and compellingly self-controlled conversation.
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Sample The Album:
Frantz Loriot-viola
Sean Ali-double bass
Carlo Costa-percussion
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UPC: 700261452067
Label: Neither/Nor Records
Catalog ID: n/n 008
Squidco Product Code: 26140
Format: CD
Condition: New
Released: 2017
Country: USA
Packaging: Cardboard Gatefold
Recorded at Firehouse Space in Brooklyn, New York, on October 17th, 2015, by Nathaniel Morgan.
"Implicit in the album title is the sonic endeavor that we have undertaken in our fourth album. The three pieces of Environ trace a textural mapping of an aural landscape. Sound heard as dust, slowly and steadily accumulating then wisped into a chaotic flurry that settles and layers the ground. Beneath, a fungal network sounds an invocation to the atmosphere - to listen outward as we hear inward."-Sean Ali
"Natura MortaÕs Environ (Neither/Nor Records) released early this year, is a fusion of musical purity and avant-garde noise expression. Environ is pure in the way the band works with a limited amount of instruments to create such a wide range of sound. The album features Frantz Loriot on viola, Sean Ali on bass, and Carlo Costa on drums/percussion. There is a simplicity throughout the album; a product of three musicians and their stripped-down sound. While each instrument is discernible, Natura Morta reconstructs conventional sound and creates a kind of wild landscape, where we hear the strings and drums morphing into abstracted forms. Here, a strumming of the bass changes to a vigorous scraping and soon we begin to question whether we are still listening to the same instrument. CostaÕs drumming on the album creates a similar effect. I couldnÕt help listening to Environ and thinking about one of my favorite modern art museums. The textures of noise, producing a sense of complexity in its usage of basic musical elements remind me of the art at Dia Beacon (in Beacon, New York). Each piece is minimal in the application of color, line, and form, but the entirety of the museum commands such dramatic force in the way our senses are impacted. We see a vast and open gallery, filled with only natural light, and large sculptures, light installations, and paintings. While the pieces are completely unlike each other, their arrangement is powerful when viewed all at once. Environ works in this way too. The album is textured in a similar application of minimalism.
ÒPulvisÓ opens the album, beginning in a kind of race. As strings mimic steps, we hear a hurried crawl interrupted by a distressed screeching comparable to a reel being wound. After 4:30, we hear a steady ÒdrippingÓ which turns into a rushing of emptiness. We do not know what creates this silent noise breaking through our ears; a minute of soft scratching. This progresses to a synthesized, almost dystopic impression of chimes angrily moving in the wind. After the eleven minute-mark, we hear ÒbeadsÓ rattling, most likely an exercise on the drums. This sound lingers until the track ends with a slow drum beat and flick of bass strings. ÒVentusÓ follows, drums galloping through the first few minutes. The track has a sense of organization in the way the instruments work together. One element is predominant and then fades out to allow the next sound a space to command the listenerÕs attention. ÒEnvironÓ implements a musical grating throughout the entire album, and the scraping noise, present on the first track, is also a significant element of ÒVentus.Ó The percussion is heavy and slow, developing a rhythm toward the songÕs conclusion.
EnvironÕs final song, ÒMyceliaÓ (not including the digital bonus track) brings the album to a solid end. Each track is unique in the sounds produced, but the album also has a great sense of unified structure. The songÕs use of instruments creates a similar synthesized sound as the other tracks. What I enjoyed most about this one, was the bandÕs ability to imitate spoons hitting glasses and running along smooth surfaces. The texture of sound was most apparent on this track, as the opening begins with imagery of glass and metal, and quickly gets rough with the flitting of strings and fingers moving against them. At 6:00, we hear something like a horn. This is most likely more string distortion. The album is wild, and I feel like I am standing in the earth barefoot amongst animals moving about. Sounds of crickets and small bugs buzzing in the night fill the air. It feels savage and intriguing. We are flooded by Natura MortaÕs ability to mimic rain, rushing over us, as ÒMyceliaÓ comes to a silent close."-Jeanne Landers, Jazz Right Now
Get additional information at Jazz Right Now
Artist Biographies
• Show Bio for Frantz Loriot "French-Japanese violist Frantz Loriot performs solo as well as in various ensembles by way of improvisation and electronics, crossroads of different musical genres: improvised music, experimental, rock, contemporary music and electronics. He has contributed to multidisciplinary projects related to dance, image and poetry. Frantz Loriot leads two large ensembles, the European Notebook Large Ensemble, a 10 piece ensemble with Swiss, Japanese, Belgian and Italian musicians with which he released "Urban Furrow" on the Portuguese label Clean Feed (July 2015) and the NYC based 12 piece Systematic Distortion Orchestra in which Frantz reunites some of the finest NYC based improvisers and with which he released "The Assembly" on the NYC based label NowOut recordings. Beside these projects, Frantz released his debut solo recording "Reflections on an Introspective Path" on the NYC based label Neither/Nor. For the year 2016, Frantz got invited by the prestigious Météo - Mulhouse Music festival to be artist in residence for a new creation called Der dritte Treffpunkt. For this occasion, Frantz led and reunited a new French-Swiss quartet, Der Verboten, with pianist Cédric Piromalli, saxophonist Antoine Chessex and percussionist Christian Wolfarth. Active in a number of international collective ensembles, his other personal projects include: baloni - with Joachim Badenhorst (reeds) & Pascal Niggenkemper (contrabass), Natura Morta - with Sean Ali (contrabass) & Carlo Costa, duos with Jeremiah Cymerman (clarinet), Christoph Erb (saxophones) & Christian Wolfarth (percussions), the project Treffpunkt around international meetings with French pianist Cédric Piromalli. He appears as a sideman in Joachim Badenhorst's Carate Urio Orchestra, Tobias Meier's Im Wald and Silvan Jeger This Difficult Tree. In addition to his own projects he has also worked alongside many musicians such as (a.o.), Barre Phillips, Joëlle Léandre, David S.Ware, Anthony Braxton & Walter Thompson Orchestra, Tony Conrad, Emilie Lesbros, Duane Pitre's ED09 ensemble, Ève Risser, Sabir Mateen, Michael Formanek, Andrea Parkins, Franck Vigroux, Jean-Luc Cappozzo, Alexei Borisov, Theresa Wong, Ernesto Rodrigues, Hilmar Jensson, Kita Naoki, Simon Nabatov, Steve Swell, Yagi Michiyo, Yasumune Morishige, Mikko Innanen, Christian Weber and many others. Frantz Loriot performs regularly in Europe, USA and Japan. Frantz Loriot appears on CDs released on international labels such as Clean Feed, Creative Sources, Intakt, Peira, FMR, Sickcore, Impressus, Prom Night Records, Basses Fréquences, Quiet Design, Edible Onion, Komma Null, Klein, Neither/Nor, OutNow, Wide Ear etc. Frantz Loriot studied music in Paris with several professors (Mari Yasuda-Raclot, the Pons brothers, Nicolas Dupin, Ivry Gitlis, Yukari Tate & Pascal Robault) and was brought to improvisation by Régis Huby, Joëlle Léandre, Barre Phillips, and David S. Ware. He was initiated to soundmassage by its creator, Thierry Madiot. While living in NYC, he created and curated Ze Couch Series in Brooklyn, NY, from 2009 to 2012. After having lived in Paris and New York City, Frantz Loriot relocated in Zürich (Switzerland)." ^ Hide Bio for Frantz Loriot • Show Bio for Sean Ali "Bassist, composer, and improviser Sean Ali from Dayton, Ohio has been living in New York City since 2003, where he participates in the city's vibrant experimental music scene both as a performer and curator. His current projects include: Fester, Hag, LathanFlinAli, Mattrey.Bordreuil.Ali, Natura Morta, PascAli, Phantom Circuit, While We Still Have Bodies, and solo performances. He is co-founder and member of the new music label Prom Night Records. He is co-founder and former curator at 65Fen Music Series. Sean Ali performs regularly in New York City and has toured extensively throughout the United States and Europe." ^ Hide Bio for Sean Ali • Show Bio for Carlo Costa "Percussionist and composer Carlo Costa was born in Rome, Italy. In 2001 he moved to Boston to study music. Since 2005 he has been living in New York City where he regularly performs as a leader and co-leader of various projects, as well as a sideman. Carlo is currently primarily involved with experimental and improvised music and is an active composer for his ensembles and ad hoc projects. He has performed throughout Europe and the US in a wide variety of contexts. Carlo currently leads or co-leads Natura Morta (a trio with violist Frantz Loriot and bassist Sean Ali), the Carlo Costa Quartet (with trombonist Steve Swell, saxophonist Jonathan Moritz and bassist Sean Ali), Earth Tongues (with trumpeter Joe Moffett and tubist Dan Peck), the large ensemble Acustica, the trio Ancient Enemies (with alto saxophonist Nathaniel Morgan and violist Joanna Mattrey), and a solo percussion project. In November 2014 Carlo launched the record label Neither/Nor Records which is dedicated to experimental and improvised music." ^ Hide Bio for Carlo Costa
1/27/2025
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1/27/2025
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1/27/2025
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Track Listing:
1. Pulvis 14:00
2. Ventus 13:47
3. Mycelia 13:34
Improvised Music
Free Improvisation
Jazz
Trio Recordings
NY Downtown & Metropolitan Jazz/Improv
Canadian Composition & Improvisation
Jazz & Improvisation Based on Compositions
Search for other titles on the label:
Neither/Nor Records.
 | Studer, Daniel (w/ Kimmig / Loriot / Zimmerlin / Zoubek) Extended: For Strings & Piano (ezz-thetics by Hat Hut Records Ltd) |
| A live album at Kunstraum Walcheturm from Swiss double bassist Daniel Studer's quintet of strings and piano, with Harald Kimmig on violin, Frantz Loriot on viola, Alfred Zimmerlin on violoncello, and Philip Zoubek on piano, performing an inventive set of Studer compositions extending string improvisation to extremes through unorthodox structures and techniques. | |
 | Schiller, Christoph / Carlo Costa Spinet and Drums (Neither/Nor Records) |
| Three "Card Pieces", short series of pitch collections in a timeline with no other parameter spelled out, performed in a minimalist approach by Swiss spinet player Christoph Schiller and New York drummer & improviser Carlo Costa, where metallic strings are offset by organic and ringing responses, with a final work "Sottobosco" expanding their palette and pace. | |
 | Studer, Daniel Extended II (ezz-thetics by Hat Hut Records Ltd) |
| Presented in two sonic rendering, one for stereo playback and a binaural mix for headophones, this exceptional 2021 chamber jazz string performance at Kunstraum Walcheturm in Zurich displays spectacular technique and concentration, from the quintet of Daniel Studer (double bass), Harald Kimmig (violin), Frantz Loriot (viola), Alfred Zimmerlin (violoncello) and Philip Zoubek (piano). | |
 | Costa, Carlo / John McCowen Pianissimo Etc [CASSETTE w/ DOWNLOAD] (Tripticks Tapes) |
| Powerfully rich sounds from two NY-based instrumentalists — John McCowen on contrabass clarinet & Carlo Costa on bass drum & percussion — in a three-part work of acoustic improvisations, McCowen sounding deceptively electronic through overtones and masterful harmonic technique, while Costa's bass drum provides deep foundations as he mysteriously layers percussive distractions; phenomenal! | |
 | Lauzier, Philippe / Carlo Costa Interspace (Tour de Bras / Inexhaustible Editions ) |
| After performing together in Canada beginning in 2019, bass clarinetist & electronic artist Philippe Lauzier and NY percussionist Carl Costa remained in contact during the pandemic by exchanging compositional concepts, the 4-part "Sincronica Vaga" and "Soft Routine" the results, the former based on dovetailing motives, the latter on harmonic counterpoint interaction. | |
 | Kahn, Jason / Franzt Loriot / Christian Wolfarth Koln (Editions) |
| Recalling the For4Ears era of electroacoustic improvisation, the ea-improv trio of Jason Kahn on electronics, Frantz Loriot on viola and Christian Wolfarth on percussion are heard in this extended improvisation recorded in concert at Plattform nicht dokumentierbarer Ereignisse in Atelier Dürrenfeld/Geitel, Köln, Germany, as part of the trio's 2022 European tour. | |
 | Koch / Loriot / Kocher Stranger Becoming (Bruit Editions + Neither / Nor Records) |
| Singular but not strange improvisational intersections from this Swiss trio of open-minded and masterful musicians--Hans Koch on clarinet, Frantz Loriot on viola and Jonas Kocher on accordion--highly compatible collaborators who have developed a unique language of chamber-oriented free improvisation that experiments at the convergence of compositional and chamber jazz forms. | |
 | Diaphane (Loriot / Costa / Hubsch / Loher) Paris (Neither/Nor Records) |
| A live album at the Cafe de Paris in 2019, and the recording debut of the international quartet Diaphane of Frantz Loriot on viola, Raphael Loher on piano, Carl Ludwig Hübsch on tuba and Carlo Costa on percussion, heard here in an extended and fully free improvisation using unusual techniques and objects to extend the pallet of their acoustic instruments. | |
 | Anemochore (Frantz Loriot / Sebastian Strinning / Daniel Studer / Benjamin Brodbeck) Suites And Seeds (Creative Sources) |
| Taking their name from plants whose seeds are distributed by wind, violist Frantz Loriot and bassist Daniel Studer formed Anemochore in 2016 to purse different playing techniques and preparations in their search for unique forms of improvisation, here with drummer Benjamin Brodbeck and saxophonist & bass clarinetist Sebastian Strinning, recorded by Jean-Marc Foussat. | |
| Studer, Daniel (w/ Kimmig / Loriot / Zimmerlin / Zoubek) Extended: For Strings & Piano (ezz-thetics by Hat Hut Records Ltd) |
| A live album at Kunstraum Walcheturm from Swiss double bassist Daniel Studer's quintet of strings and piano, with Harald Kimmig on violin, Frantz Loriot on viola, Alfred Zimmerlin on violoncello, and Philip Zoubek on piano, performing an inventive set of Studer compositions extending string improvisation to extremes through unorthodox structures and techniques. | |
 | Dim Thickets (Carlo Costa / Jason Nazary) Dim Thickets [CASSETTE] (Anticausal Systems) |
| Bringing together two New York percussionists for a wild ride of that finds drummer Jason Nazary performing exclusively on electronics against and alongside Neither/Nor label-leader Carlo Costa's percussion, using glitch and aberrant electronics in actively constrained ways as the two dart and weave around each other in an exciting and unique improvisational dialog. | |
 | Loriot, Frantz / Christian Wolfarth The Call [VINYL] (Shhpuma) |
| Two unconventional and experimenting improvisers--French-Japanese violist Frantz Loriot and Swiss percussionist Christian Wolfarth--in a deceptive album of acoustic improvisation that elusively takes on electric qualities in the hands of these two innovators, seducing the listener through unusual twists and turns of perfectly paced interactions. | |
 | Der Verboten (Loriot / Chessex / Piromalli / Wolfarth) Der Verboten (Clean Feed) |
| Originally called Treffpunkt, or "meeting point", the partnership of violist Frantz Loriot and pianist Cedric Piromalli has evolved as they added collaborators to their idiosyncratic approach to improv, here with guests Antoine Chessex on tenor sax and Christian Wolfarth on percussion and cymbals for an extended, upbeat and wonderfully creative performance. | |
 | Loriot, Frantz / Manuel Perovic Notebook Large Ensemble Urban Furrow (Clean Feed) |
| French-Japanese violist Frantz Loriot's large ensemble drawn from 5 nations in an excellent set of compositions that employ a diverse set of approaches, slyly drawing the listener into unique and encompassing sound worlds of remarkable elements and superb improvisation. | |
 | PascAli Suspicious Activity (Creative Sources) |
| The acoustic bass duo of New Yorker Sean Ali and European Pascal Niggenkemper use unusual techniques and preparations for the large double bass to make a series of 22 concise, diverse, and engaging improvisations. | |
 | Loriot / Vincent Bobun: Suite pour Machines a meche (Creative Sources) |
| The string duo Bobun celebrates ten years of creative collaboration with this six piece suite, a studio recording of diverse improvisations that runs the gamut from lowercase minimalism to dense and technically exuberant interaction. | |
 | Wickihalder, Jurg Narziss And Echo (Intakt) |
| Manuel Perovic arranges the story of Narcissus and Echo, as told by Ovid for saxophonist Jurg Wickihalder and a theatrical band including Michael Jaeger, Damian Zangger, Chris Wiesendanger, &c. | |
 | Busolini / Loriot VIOLAtwoVIOLA (Creative Sources) |
| This duo arose from the meeting between two violists avid to confront with their instrumental double to create a common sound universe from the same instrument played by two different personalities. | |
 | Ali / Foster / Lopez / Wallace The Inflatable Leviathan [CASSETTE w/ DOWNLOAD] (Tripticks Tapes) |
| The first studio recording for the performing quartet of New York improvisers, Cecilia Lopez (synthesizer), Michael Foster (tenor & soprano saxophones), Sean Ali (double bass) and Eli Wallace (upright piano), taking listeners on an inflating journey from "Stratosphere" to "Exosphere" through unorthodox approaches, from sparse intensity to dense textural interaction. | |
 | van Hemmen, Flin You Can Know Where the Bombs Fell (Neither/Nor Records) |
| Based in NY but born the Netherlands, sound artist Flin Van Hemmen's title refers to observations from his hometown of Nijmegen, the concept focusing his work, with many samples originating from his previous Casting Spells & The Coves album, along with new field recordings and studio work, resulting in richly detailed worlds of sound and momentum. | |
 | Costa, Carlo Silos (Neither/Nor Records) |
| While on vacation in Rome in 2018, NY percussionist Carlo Costa took his portable recorder inside a grain silo in the countryside north of the city, eschewing traditional percussion for found bricks, pipes, rocks and branches found nearby, recording in the resonance of the silo with the sounds of cicadas and other ambiance permeating the silo as he unfolds this engrossing, thoughtfully paced improvisation. | |
 | Ali, Sean A Blink in the Sun (Neither/Nor Records) |
| NY double bassist Sean Ali presents an engrossing journey in seven pieces that depict an inner journey through tone, technique and words, using the double bass to create deep sonic environments through interactively playing and layering, using extended approaches that support and contrast his narration; a compelling and descriptive observation on the nature of self. | |
 | Moritz / Ali / Costa Estuary (Neither/Nor Records) |
| After having collaborated in a variety of contexts for a few years, in 2017 Jonathan Moritz, Sean Ali and Carlo Costa started to perform regularly as a trio, over time honing a distinctive sound, using space through patient development, abstraction and textural playing and central tenets in their jazz-influenced improvisations, here in their first album. | |
 | Wong, Theresa / Frantz Loriot Live at Zoom In (Creative Sources) |
| Recording at the magnificent cathedral at Berner Münster in Switzerland during the 2017 Zoom In Festival, the improvising string duo of violist Frantz Loriot and cellist Theresa Wong, also on voice, performed this extended work of creative string interaction, energetic and idiosyncratic and wonderfully expressive, enhanced by the natural resonance of the space. | |
 | Costa, Carlo Oblio (Neither/Nor Records) |
| New York-based Italian percussionist and Neither/Nor label leader Carlo Costa in a solo percussion album of two pieces using drum set, concert bass drum, singing bowls, bells, triangles, wood blocks, tiles, styrofoam, cymbals, violin bows, marbles, chains, knives, and other objects, creating fascinating alien soundscapes of momentous activity without histrionics. | |
 | Volden, Havard / Carlo Costa In the Wake (Neither/Nor Records) |
| Italian-born New York-based percussionist Carlo Costa meets Norwegian guitarist Havard Volden (Moon Relay, Muddersten) for an album of water-themed free improvisations, beautifully developing with thoughtful playing using rich chord patterns and unusual sonic inventiveness in percussive objects to create a set of rich and languorous surges and pools of sound. | |
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