Welcome to Squidco!
Edit Your Shopping Cart

   Squidco Home
   About Squidco
   My Account
      Log Out
   Checkout

   Artist List
   Label List
   eMail List
   Rewards
   Staff Picks
   Current Email Update
   Used Albums
   Top Sellers
   Gift Certificates
   Contact Us

Release Formats    ∇
Featured Genres    ∇
Instrumental Forms    ∇
Orchestration    ∇
Miscellaneous    ∇




The Squid's Ear Magazine

Steyer, Edith
Hoox And Add-ons

Steyer, Edith: Hoox And Add-ons (Creative Sources)

A reflection of the previous year's solo work from Berlin-based saxophonist and clarinetist Edith Steyer, a member of GEDOK, the Berliner Senat and Composers Orchestra Berlin, here using preparations and extended techniques to open new possibilities in improvisations, as she explored ethnomusicology, using repetitive figures influenced by tribal music.
 

Price: $16.95


Quantity:

Out of Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Edith Steyer-alto saxophone


Click an artist name above to see in-stock items for that artist.



UPC: 609063405743

Label: Creative Sources
Catalog ID: cs574
Squidco Product Code: 26721

Format: CD
Condition: New
Released: 2018
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Titonen Studio, in Berlin, Germany, on June 15th, and September 7th, 2018, by Tito Knapp.

Descriptions, Reviews, &c.

"The solo CD reflects my solo work of the past year. As in the years before, I have explored diverse extended techniques on the clarinet and saxophone and intensified my efforts of reconstructing my instruments. As a former student of social anthropology, I am and always have been interested in ethnomusicology. This is why a part of my music deals with (repetitive) figures that are influenced by tribal music. The add ons are either objects from every day life or parts of other instruments, that I use for preparations on clarinet and saxophone. The preparation deforms the clarinet or saxophone sounds as well as the playing techniques and opens up different possibilities for improvisation."-Edith Steyer


Artist Biographies

"Edith Steyer was born in 1968 in Munich. After studying anthropology, she decided to become a saxophone and clarinet player and finished her degree at the Bruckner-Konservatorium in Linz, Austria. Since then she has been working professionally as a jazz musician and in the field of improvised music. She recieved support and grants for CD productions with various ensembles from the GEDOK, the Berliner Senat (SenBildJugWiss) and as a member of "The Composers Orchestra Berlin" from the Initiative für Neue Musik. She worked at the Staatstheater Cottbus, leading a saxophone quartet. She has been on tour in many places throughout europe and in the US and played with outstanding musicians such as Michael Griener, Jan Roder, Andreas Willers, James Falzone, John Niekrasz, Adam Pultz-Melbye, Kathrin Lemke, Johannes Schleiermacher, Yorgos Dimitriadis, Joel Grip, Tobias Delius, Clayton Thomas, Susanna Hood, Marialuisa Capurso, Jean-Marc Foussat, Luiz Rocha etc."

-Edith Steyer Website (http://www.edith-steyer.de/projekte/affare-bela-b/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Pastoral 3:40

2. Ebony And Raspberry 2:21

3. Under A Skin 5:10

4. In Between 1:50

5. Diesels Complaint (Before Its Driving Ban) 5:42

6. Staggering Times 3:59

7. She's In The Box 1:05

8. Clarinet Biotope 3:43

9. Swarms 6:20

10. Current~s 2:07

11. Annoucement 4:13

12. Airy Holes 2:12

13. The Cyclist 3:26

14. Wolpertingers Call 1:22

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
European Improvisation and Experimental Forms
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings

Search for other titles on the label:
Creative Sources.

Recommended & Related Releases:
Other Recommended Releases:
Gestalder, Violaine
Furtive
(Creative Sources)
With an impressive resume in improvised and contemporary forms, French saxophonist Violaíne Gestalder presents three major conceptual works for multiple players, using studio layering to perform all parts herself on soprano sax, voice & effects, a comprehensive, yearning, powerful and often mysteriously beautiful album that draws on her skills as a composer, improviser and experimenter.
Wunschmusik (Wunsch / Steyer / Cavenati)
Muss Atonal Eigentlich Witzig Sein?
(Creative Sources)
German vocalist Birgit Wunsch leads this improvising trio with Edith Steyer on clarinet & saxophone and Alberto Cavenati on guitar, using abstract and atonal melodies in a chamber improvised setting for freely improvised voice, text and sound, crossing a sense of pop music with non-idiomatic improvisation of great technical and creative intent.
Gabriel, Julius
Geminga
(Creative Sources)
Using the natural resonance of the chapel of Oficinas do Convento, in Montemor-o-Novo, Portugal, saxophonist Julius Gabriel recorded these ten diverse solo improvisations, performing on soprano, tenor & baritone saxophones, applying unusual and extended techniques to his playing in a mixture of technical prowess and implicit wit & melodicism.
Ianes, Luis
Antiguas Construcciones Utiles (Crusoe)
(Creative Sources)
With references to "Robinson Crusoe" and titles referencing islands, the sea and shipwrecks, Argentinian guitarist living in Brooklyn, NY, Luis Ianes (Parias Ensemble) records his album that roughly translates to "Useful Ancient Constructions", using effects to create percussive, accompanying, and aquatic sounds, sometimes idiosyncratic, always interesting.
Kepl, Irene / Fred Marty
Pirouette
(Creative Sources)
Austrian violinist and composer Irene Kepl met French double bassist Fred Marty joined in the studio in France in 2018 to record this lively album of string interactions, both players showing masterful skills informed by classical and improvisational training, shown through impressive and mischievous technique and dialog that "Pirouettes", "Rolls", "Skids" and even takes a "U-Turn".
Raia, Antonio
Asylum
(Clean Feed)
Naples tenor saxophonist Antonio Raia's album of solo saxophone improvisations employs a mix of traditional and unusual techniques in 12 concise pieces that fragment "scraps" of melody into a diverse ruminating streams, recorded at the city's Filangeri Asylum by sound artist Renato Fiorito, using ten microphones to capture the unique qualities of the space.
Mochizuki, Harutaka
Through The Glass [CASSETTE]
(Armageddon Nova)
Multi-instrumentalist improviser Harutaka Mochizuki releases this solo album performing on saxophone, performing two extended improvisations that explore the instrument as a whole, producing unusual sounds from the physical and mechanical aspects of the horn alongside more traditional playing, using an expanded range of dynamics to build tension and interest.
Massaro, Francesco
Maniera Nera
(Creative Sources)
Translating to "Black Manner", saxophonist and electroacoustic artist Francesco Massaro, a member of the Italian band Bestiario, presents a dark and troubling album of intense and power solo saxophone and acousmatic accompaniment, which he refers to as "fixed media", each of the 8 pieces referencing musicians including Lenoci, La Volpe, &c.; enigmatic and superb.
Merce, Sergio
Three Dimensions Of The Spirit
(Edition Wandelweiser Records)
Conservatory trained Argentinian saxophonist Sergio Merce uses a prepared tenor sax and a microtonal sax to create rich harmonics and slowly moving tonal works, layering aberrant and alluring tones in restrained configurations that allow each stratum of sound to be distinguished and appreciated, creating mesmerizing compositions of elusive and illusionistic sound.
Bertch Quartet, The
For Oumuama
(Creative Sources)
Guitarist Henk Zwerver, bassist Raoul van der Weide and percussionist George Hadow, frequent collaborators in the Amsterdam free improv scene, join with Berlin saxophonist & clarinetist Edith Steyer to make up the Bertch Quartet, their debut album a great and embraceable example of subtle, collective free improvisations that merge traditional and non-idiomatic forms.
Various Artists: Lao Dan / Rick Countryman / Colin Webster
Saxophone Anatomy
(Armageddon Nova)
Saxophone solo improvisation omnibus by three free saxophonists from around the globe: Lao Dan from China recording in an underground bomb shelter in an agressive solo performance; US ex-pat Rick Countryman from the Philippines in a traditional yet extremely free jazz exposition; and London's Colin Webster on baritone sax for an exploration of extended techniques.
Jorge, Paulo Alexandre
Voices
(Creative Sources)
Prual, Matthieu
Inside Walks
(Creative Sources)
A unique approach to solo reeds and winds from French multi-reedist Matthieu Prual, also on flute and ORLA Keyboard, maintaining lyrical and comprehensible approaches with strong technical skills in captivating and succinct statements, truly excellent work.
Berndt, John
New Logic For Old Saxophones
(Creative Sources)
Using extended techniques, Baltimore-based saxophonist John Berndt--director of Multiphonic Choir ensemble, a member of the Red Room collective and curator of their experimental performance series, and creator of the "Relabi" style of arrhythmic pulse--presents 15 succinct improvisations pushing his reed instruments to their outer edges in astonishing ways.
Keune, Stefan
Sunday Sundaes
(Creative Sources)
Solo improvisation from Stefen Keune performing on sopranino and alto saxophones, intense playing that focuses on hard-blowing and extreme performance, wringing a singularly desperate yet astute language from the horn.


Customers Who Bought This Item Also Bought:
Barker / Parker / Irabagon
Bakunawa [VINYL]
(Out Of Your Head Records)
New York creative scene stalwarts drummer Andrew Barker, bassist William Parker, and saxophonist Jon Irabagon debut as a trio, delivering five collectively improvised explorations that emphasize call-and-response dynamics, weaving and reacting with technically impressive, extended, and unconventional techniques and expressions delivered with confident assertion.
Steidle, Oli & The Killing Popes (Steidle / Mobus / Nicholls / Downes / Donkin)
Ego Pills
(Shhpuma)
Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.
Hein, Nicola L.
The Oxymothastic Objectar
(Shhpuma)
Using an electric guitar, preparations, and objects as a tool of reflection, Nicola L. Hein presents an album of philosophical bent, about the question of skepticism in music, or a skeptical form of improvisation, through tumultuous playing of impressive technique caught live at Spectrum in NYC, as each track title presents observations or questions that Hein seeks to resolve.
Vicente, Luis / Vasco Trilla
A Brighter Side Of Darkness
(Clean Feed)
Starting from silence, the improvisations on this collective and fully spontaneous album from trumpeter Luis Vicente and percussionist Vasco Trilla never reaches cathartic crescendo, but as only skilled innovators such as they can do, they captivate the listener in other-worldly environments of advanced technique and profound intention; engrossing and ineffable.
Spring Roll (Helary / Mayot / Rayon / Lemetre / Davis)
Episodes
(Clean Feed)
Picking up from flutist Sylvaine Helary's 2015 Ayler release "Spring Roll/Printemps", this evolved album of chamber jazz performed with Hugues Mayot on saxophone & clarinet, Antonin Rayon on piano & Moog, Sylvain Lemetre on vibes & percussions, and Kris Davis on piano, presents sophisticated compositions from Helary, Davis, Rayon Dan Blake, and Matt Mitchell.
Spillmann, Matthias Trio (Spillmann / Lang / Baumgartner)
Live At The Bird's Eye Jazz Club
(Clean Feed)
Matthias' Spillmann's Trio with the leader on trumpet and flugelhorn, Swiss drummer Mortiz Baumgartner and Danish Bassist Andreas Lang are caught live at Bird's Eye Jazz Club, in Basel Switzerland in 2017 for a lyrical and informed album of hard bop, seminal free jazz and jazz standards, including pieces by Ornette Coleman, Billy Strayhorn, Joe Lavano, and William C. Handy.
Fictive Five, The (Ochs / Wooley / Filiano / Niggenkemper / Eisenstadt)
Anything Is Possible
(Clean Feed)
A tour-de-force of modern creative jazz from the quintet of Larry Ochs on tenor & sopranino saxophones, Nate Wooley on trumpet, Ken Filiano on bass & effects, Pascal Niggenkemper on bass & effects, and Harris Eisenstadt on drums, the familiar history of the musicians and the staggering skill of each bearing out the album's title, in 2 collective and 3 Ochs compositions.
Guillotine (Lopes / Ceccaldi / Wildhagen)
Guillotine
(Clean Feed)
Recalling the French Revolution, Portuguese guitarist Luis Lopes joins forces with French cellist Valentin Ceccaldi and Norwegian drummer Andreas Wildhagen as they slice through complex electric improvisation in a triptych for Marie Antoinette, ending in a Robespierre-like reign of terror "Orgasmic Dance"; muscular, convoluted, unsettling and exultant.
Kaikou (Yoshino / Natsuki Tamura)
Kaikou
(Oniva)
An intimate and unique collaboration between two far-ranging Japanese performers--Yoshino, also known for her work in Japanese underground rock, here on biwa (a short-necked fretted lute) and voice; and trumpeter Natsuki Tamura, Satoko Fujii collaborator and Gato Libre leader--presenting exotic narratives in song using instrumental intervention of ardent improvisation.
Dyberg / Masing / Rodrigues / Rodrigues / Jacobson
Egin
(Creative Sources)
Recording live in Berlin at Werkhalle Wiesenburg, the quartet of Portuguese father/son string players Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Danish saxophonist Mia Dyberg on alto sax, and Polish double bassist Tomo Jacobson present a precisely controlled concert of subtly detailed free improvisation using impressive technique and momentum.
Voort4
Stroming
(Creative Sources)
The Netherlands quartet of Martin Tervoort on tenor & soprano saxophones and bass clarinet, Bert Kleijn on drums, Fons Sluijter on cello, and Bennie Timmer on guitars, in collective improvisation influenced by jazz, blues, salsa, pop, free improv and modern compositional music.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC

New In:
Recent Releases
Improvisation
Electro/Experimental
Compositional
Rock & Related