Paul Dunmall's 2018 studio album in a quartet with James Owston on bass, Jim Bashford on drums, Philip Gibbs on guitar, and Dunmall on tenor saxophone, Gibbs's hollow-body opening up the band sound as Owston and Bashford trade rapid responses or provide solid grooves, the themes of the dialogs focused on space and time through intricate, complex and profound interaction.
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Sample The Album:
James Owston-bass
Jim Bashford-drums
Philip Gibbs-guitar
Paul Dunmall-tenor saxophone
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UPC: 748079797017
Label: FMR
Catalog ID: 513-1018
Squidco Product Code: 26888
Format: CD
Condition: New
Released: 2018
Country: UK
Packaging: Digipack
Recorded at Rain Studios Kings Heath, in Birmingham, England, UK, on August 29th, 2018, by Luke Morrish-Thomas.
"Paul Dunmall has recently brought two new Cds on the FMR Label: As One Does (FMR CD512-1018) and Inner and Outer (FMR CD513-1018). The first features a double sax front line with Julian Siegel joining Paul on tenor sax and also bass clarinet on two tracks, plus Percy Pursglove on double bass and on trumpet on two tracks, and Mark Sanders on drums. The second features Paul with Philip Gibbs, a guitarist that Paul has recorded with on many occasions, James Owston on double bass and Jim Bashford on drums. Both albums were recorded at the Rain Studios in Kings Heath, Birmingham and were mixed by Luke Morrish-Thomas.
Both albums capture Paul at his very best, forceful on the double sax album, more contemplative on the album with guitar. It is all freely improvised, and it always strikes me how fluent Paul's playing is in this context; he always creates a solo that is original and full of fresh ideas that never seem to be repeated. There is a coherence and logic to these solos that remind me of the same phenomenon in Sonny Rollins' solos. Paul seems to enjoy the joisting of a double sax frontline and has in recent years toured and recorded with John O'Gallagher, played the Herts Jazz Festival with Alan Skidmore and recorded with Jon Irabogan, who seems to have come over from the US with the specific aim of recording with Paul. But it is fascinating to hear Paul in the very different context of a quartet with an improvising guitarist on the second Cd.
[...]
On the Inner and Outer album there is a similar pattern of interaction leading in and out of solos. Track 1, the title track, begins with a gentle bluesy feel led by Paul with strong support from James Owston on bass and Philip Gibbs, on guitar, that leads into a passage of interaction between Paul and Philip. What I find particularly interesting in this is the way Paul interacts with the guitar. I have noticed that on a gig he always listens intently to what is going on and will often come in with a response that reflects what the other players are doing. In this quartet Paul's lines often have a skittering feel very similar to those of the guitar with the result that his playing is very different from that on the As one does CD. Philip Gibbs is impressive throughout, both in interaction with Paul and in his individual solos, especially on Track 2 Outer Space and Track 3 Inner Space. But the real revelation for me is the playing of James Owston on double bass. James is in his final year at Birmingham Conservatoire and was recently in the final of the BBC Young Jazz Musician of the Year event. This recording was his first real contribution to an improvised music performance, but he sounds really at ease in it. The duet between James and Paul on Track 4 "Inner Time" is particularly impressive.
Track 5, "Outta Time", is the outstanding track. It is at just over 20 minutes by far the longest track and Paul is at his most forceful best as he stretches out. James Ownston is again impressive topping and tailing the track with opening and closing bass solos. Jim Bashford gives particularly strong support throughout the track and also takes a very enjoyable solo."-Tony Dudley Evans, TDE Promotions
Get additional information at TDE Promotions
Artist Biographies
• Show Bio for James Owston "James Owston is a Birmingham based double and electric bassist playing regularly in the UK Jazz Scene. James was born in Sutton, London in 1996 and moved to Gloucestershire in 2000. After taking up the electric bass at age 14, he played predominantly rock and groove music, until he was eventually introduced to Jazz. This led to him take up the double bass at age 18 to pursue his new-found passion for the music. Prior to attending University, James played with the Gloucestershire Youth Jazz Orchestra and other small ensembles, performing in the local area. In 2015, James accepted an offer to study Jazz at the Royal Birmingham Conservatoire where he has been receiving tuition from Arnie Somogyi and Mark Hodgson, Percy Pursglove and Mike Williams, as well as many other tutors at the institution. As part of his studies, James has received masterclasses from notable Jazz musicians Mark Turner, Jeff Ballard, Gilad Hekselman, Dave Liebman and Mike Gibbs, as well as getting the opportunity to perform with musicians such as Jeff Williams, Steve Cardenas and Julian Arguelles. Whilst studying in Birmingham, James met the renowned British Jazz drummer, Clark Tracey, and in 2017 he joined the Clark Tracey Quintet. This led to performances at major UK Jazz venues such as the Vortex, 606 Club, Herts Jazz and South Coast Jazz Festival amongst others. As well as this, James has also performed in the Birmingham Symphony Hall foyer, Birmingham Town Hall, Eastside Jazz Club and Cheltenham, Manchester, Cleethorpes and Trondheim Jazz festivals. In April 2018, this band recorded their first album, also being James's first professional appearance on record, which is due to be released in September 2018. As well as being an active sideman, James is leading his own groups, notably the James Owston Mingus Quintet, that focuses on the compositions and style of the great Charles Mingus, a strong influence for James as a bass player and composer." ^ Hide Bio for James Owston • Show Bio for Jim Bashford "Jim Bashford, who hails from Sutton Coldfield UK started playing drums age 10 and was influenced by the rock/progressive rock and jazz scene worldwide, he was mainly self taught for the first 6 years then he studied drums under Steve Palmer. The CONSTRUCTION quartet formed by Jim performed a tour in 2010 of original compositions with Icelandic guitarist Hilmar Jensson, Johnny Brierley bass and Robin Fincker sax and clarinet. The quartet was then joined by Tim Harries on bass with a recording to follow called CENTRELINE THEORY which has recently been released on LEO Records 2017. After 14 years of playing as a sideman in bands covering all genres and also working in construction full time whilst studying on a popular music course, Jim then moved on to study at the Birmingham Conservatoire for the BMus (Hons.) jazz course where he continued under drum tutors such as the great Tony Levin, Gene Calderazzo, Jeff Williams and Malcolm Garrett. He runs Auditions at the Birmingham Conservatoire and organises workshops with highly acclaimed artists on the jazz scene in Europe and the U.S. and also collaborates with Cheltenham Jazz Festival to run a session with the conservatoire students and Trondheim students as well as organising auditions for the course in the U.K. and Singapore and Kuala Lumpur. Jim is a member of no less than 20 different ensembles and tours extensively throughout the UK and Europe, including appearances at London jazz venues such as the Barbican Centre, The Vortex and Kings Place; and prominent venues in Birmingham. He has also performed in prestigious international jazz festivals including the Cheltenham Jazz Festival, Juan le pins Jazz Festival and future engagements at the London Jazz Festival. Also a short tour with Dave Sinclair from the band Caravan with a recording in Japan to follow and also recently a European tour with Katie Melua." ^ Hide Bio for Jim Bashford • Show Bio for Philip Gibbs UK free improvising guitarist Philip Gibbs is known for the following bands and organization: Antonio Quijano Quartet, Atmospheres Without Oxygen, Circuit, Paul Dunmall Moksha Big Band, Paul Dunmall Quartet, Paul Dunmall, Paul Rogers, Philip Gibbs, Paul Dunmall, Philip Gibbs, Paul Rogers Freedom Orchestra, The Intuitive Art Ensemble ^ Hide Bio for Philip Gibbs • Show Bio for Paul Dunmall "Paul Dunmall was born 1953, Welling, Kent; saxophones, clarinets, bagpipes, miscellaneous wind instruments. As told to Watson (1989), Paul Dunmall was a working class lad from Welling who left school at 15 and spent two years repairing instruments at Bill Lewington's shop in Shaftesbury Avenue, London. He turned professional at 17 and, following two years touring Europe with a progressive rock band (Marsupilami), joined the Divine Light Mission, a spiritual movement led by Guru Maharaj Ji and moved from London to an ashram in America. He told Isham (1997), 'I moved to an ashram full of musicians - a music ashram - but it was still spiritual practice. That gave me a spiritual understanding through meditation, Coltrane's music, and all the rest of it, led me to that, and that's been a fundament in my life ever since - that I can actually sit down and meditate and forget my body. I realise how important meditation is in my life... but I don't do it so much these days.' During the three years he lived in America, Dunmall played with Alice Coltrane (in a big band with the Divine Light Mission) and toured for twelve months with Johnny 'Guitar' Watson. Back in England, he played with Danny Thompson and John Stevens as well as folk musicians Kevin Dempsey, Martin Jenkins and Polly Bolton and then, in 1979 he became a founder member of Spirit Level (Tim Richards, piano; Paul Anstey, bass; Tony Orrell, drums), staying with the group until 1989. During his time with Spirit Level, Dunmall joined the two-tenor front line group Tenor Tonic with Alan Skidmore (1985), played and broadcast with Dave Alexander and Tony Moore in the DAM trio (1986) and formed the Paul Dunmall Quartet with Alex Maguire, Tony Moore and Steve Noble (1986). In 1987 Paul Dunmall joined the London Jazz Composers Orchestra, being a constant member and appearing on all their recorded output from that date onward. The following year the improvising collective quartet Mujician was formed by Keith Tippett, Dunmall, Paul Rogers and Tony Levin and has continued to be a regular performing, touring and recording group, sometimes augmented by other musicians. Dunmall has also played in a trio with Keith and Julie Tippetts and in Keith Tippett's big band Tapestry. Two other duos have also sprung out of Mujician: Dunmall with Tony Levin (two CD releases) and Dunmall in folk-influenced outings with Paul Rogers. Another regular playing partner throughout this period and up until the present includes Elton Dean. In 1995, two trios were formed, the first with Oren Marshall, tuba and Steve Noble, percussion, the second with John Adams, guitar and Mark Sanders, percussion, these sometimes coming together as a quintet. More recently, Dunmall has played in another reeds/guitar/drums trio with Philip Gibbs and Tony Marsh and there appears to be regular crossover between all these players. The Paul Dunmall Octet was founded in 1997." Dunmall also has released a large number of albums and a box set on the UK FMR label, in various configurations and instrumentation. ^ Hide Bio for Paul Dunmall
11/18/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/18/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/18/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Inner And Outer 8:54
2. Outer Space 9:23
3. Inner Space 9:44
4. Inner Time 7:48
5. Outta Time 20:28
Improvised Music
Jazz
Free Improvisation
London & UK Improv & Related Scenes
Quartet Recordings
Search for other titles on the label:
FMR.