Welcome to Squidco!
Edit Your Shopping Cart

   Squidco Home
   About Squidco
   My Account
      Log Out
   Checkout

   Artist List
   Label List
   eMail List
   Rewards
   Staff Picks
   Current Email Update
   Used Albums
   Top Sellers
   Gift Certificates
   Contact Us

Release Formats    ∇
Featured Genres    ∇
Instrumental Forms    ∇
Orchestration    ∇
Miscellaneous    ∇




The Squid's Ear Magazine

Alvear, Cristian / Tim Olive
Telquan

Alvear, Cristian / Tim Olive: Telquan (845 Audio)

Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.
 

Price: $9.95


Quantity:

Out of Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Cristian Alvear-guitar

Tim Olive-electronics


Click an artist name above to see in-stock items for that artist.



Label: 845 Audio
Catalog ID: 845-14
Squidco Product Code: 28218

Format: CD
Condition: New
Released: 2019
Country: Japan
Packaging: Letterpress Recycled Chipboard Package
Recorded in Kobe, Japan, in October, 2017.

Descriptions, Reviews, &c.

"Usually the sparring partners of Tim Olive, magnetic pick-ups player pas excellence are musicians who are also at the edges of radical improvisation, with constructions of their own making, so to see him play in duet with Cristian Alvear (see also elsewhere) is quite a surprise. Alvear is best known as a guitar player and usually to be found in very quiet surroundings. Alvear and Olive played their first three concerts in Japan in 2016 and in October the year after, they played in Kyoto and Osaka and spend a day together to record the music that found it's way onto 'Telquan'. Of it, Olive writes, "the music is heard as it was recorded, with a few structural edits". What can be noted straight away is that the guitar played by Alvear is quite loud here; I assume an acoustic one and it's just very close to the microphone. The music they play together is a very fine mix of acoustic sounds and amplification of both the space the guitar is played in and some additional small sounds played by Olive. At least that is what I assume here. The guitar is amplified, with small feedback like treatments, gives it a great ringing sound and Alvear's pick on the strings in clear and strong. The additional sounds produced by Olive is that of more delicacy; the rattling of coins, the strum of a metal rod and such like and in the second half a gentle approach to crude drones. Towards the even Alvear goes out of shape by gently detuning the strings and thus signalling we are nearing the end of a wonderful forty-one-minute trip. It is something that is both rough and gentle, loud yet quiet and is a great release."-Frans de Waard, Vital Weekly



"Tim Olive has been putting out generally excellent music for some fifteen years now, much of it undeservedly below the radar. Two new ones should alter that a bit. 'telquan', a duo with Cristián Alvear is utterly striking, an intense exploration of single and paired guitar tones, with at once a rigorous structural feel and a welcome allowance for subtle variations. Quite unlike anything else I've heard from Olive (it's an improvisation, but Alvear's influence is clear)--truly riveting and outstanding. 'Charm Point', a brief set with Sound of the Mountain (Elizabeth Millar & Craig Pedersen) sometimes feels AMM-like, sometimes, when the pulse kicks in, like updated Voice Crack--always rich and imaginative. Do take the time to check them out."-Brian Olewnick


Get additional information at Vital Weekly

Artist Biographies

Chilean musician dedicated to the performance, premiere and recording of new music. He serves as co-curator of the Experimental Music Festival Relincha, in Valdivia, Chile.

Since the beginning of his career he has been constantly performing in the main auditoriums and concert halls of his country, as well as international festivals and concert venues. In recent years he has concentrated its efforts in performing educational concerts in rural areas of the Los Lagos region, in Southern Chile.

His work has been published by edition wandelweiser records (germany), irritable hedgehog (usa), cathnor (uk), rhizome.S (france), potlatch (france), 1000fŸssler (germany), lengua de lava (mexico), caduc (canada), melange editions (japan), b-boim records (austria) and erstclass (usa)."

-Cristian Alvear Website (http://www.cristianalvear.com/p/bioeng.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The music of Tim Olive arises from collaboration with fellow musicians/sound artists, collaboration with physical and temporal setting, and collaboration with those involved in the act of listening. Using simple materials (magnetic pickups, steel strings, tuning forks, metal strips, hand-wound motor mechanisms, magnetic tape, dental floss and analog electronics), Olive's work examines presence and the present, the interplay of the human with material/time/space, and the uniqueness, intensity and unrepeatability that lives in each performing and/or recording situation.

He is interested in music as a social activity, as a way of creating community, a way of countering the forces which lead to an increasing atomization of contemporary life; music as a felt experience rather than as a concept or a theory.

A Canadian residing in Kobe, Japan, Olive has released music on Japanese, European and North American labels, with Jeff Allport, Cristian Alvear, Pascal Battus, Alfredo Costa Monteiro, Samuel Dunscombe, Nick Hoffman, Anne-F Jacques, Jin Sangtae, Jason Kahn, Takahiro Kawaguchi, Francisco Meirino, Katsura Mouri, Takuji Naka, Makoto Oshiro and Ben Owen.

Olive has performed/recorded in Asia, Australia, North America and Europe, with the recording collaborators listed above, as well as with Akiyama Tetuzi, Maria Chavez, Che Chen, Kelly Churko, crys cole, Joe Foster, Haco, Hong Chulki, Bonnie Jones, Richard Kamerman, Kostis Kilymis, Siew-Wai Kok, Madoka Kouno, Tomasz Krakowiak, Fangyi Liu, James Rushford, Carl Stone, Fritz Welch, Nate Wooley, Jared Xu and Yan Jun.

In addition to organizing events in Japan, Olive runs the label 845 Audio."

-Tim Olive 11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Telquan 41:26

Related Categories of Interest:


Electro-Acoustic
Electro-Acoustic Improv
Improvised Music
Guitarists, &c.
Electronic Forms
Ambient & Minimal Music
Duo Recordings
New in Experimental & Electronic Music

Search for other titles on the label:
845 Audio.

Recommended & Related Releases:
Other Recommended Releases:
Kostyrko, Sergey / Tim Olive
Rasputitsa
(845 Audio)
Selected from several hours of real-time interaction and presented as recorded with minimal editing, this album presents the first-time meeting of Kobe, Japan sound artist Tim Olive with St. Petersburg, Russian synthesist and electronic musician Sergey Kostyrko, recording in the studio together, the title aptly referencing the season of spring when roads are laid bare.
Clement, Joda / Tim Olive / Mathieu Ruhlmann
Eidolon
(845 Audio)
During his 2018-19 Canadian tours, Tim Olive joined Vancouver residents Joda ClŽment and Mathieu Ruhlmann for two trio performances, after which they went into the studio to record these four detailed improvisations using synthesizer, harmonium, glockenspiel, field recordings, feedback, magnetic pickups, preamps, octave generators, ukelin, cymbal, tapes, and objects.
Dadge, Chris / Tim Olive
Nice You!
(845 Audio)
After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter and Bug Incision lAfter a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.
Maguire, Phil / Tim Olive
Invoer
(845 Audio)
Stymied by Covid-19, the planned May 2020 tour of sound artists Tim Olive and Phil Maguire was cancelled, motivating each to create four 10-minute solo pieces which were then overlayed to create four "distant duo" pieces, merging Olive's textured home-made electronics and Maguire's reductive approach to audio simplicity and spare sonic environments.
Olive, Tim / Martin Tetreault
Faune
(845 Audio)
Fellow Canadians, Montreal's Ambiances Magnetiques collective member, turntablist and electronics artist Martin Tetrault meets Japan-based electronic explorer Tim Olive performing on magnetic pickups, in their first album despite having performed sporadically across three decades: 4 rich improvisations minimally edited, shaping sound in compelling ways.
Girard, Doreen / Tim Olive
Boro
(845 Audio)
Recording in Saskatoon in the Canadian province of Saskatchewan the day before their performance at the Sounds Like Festival, audio explorer Tim Olive brings his magnetic pickups in a first meeting with Doreen Girard performing on a prepared tsymbaly, a Ukranian hammer dulcimer, for a single, unusually evolving, and wonderfully rich improvisation.
Kahn, Jason / Tim Olive
Two Sunrise
(845 Audio)
The first meetings of Jason Kahn (analog electronic) and Tim Olive (one-string magnetic pickup device) recording in a studio session in Kyoto, 2012 for four eventful and intricately structured works with a distinct developmental momentum.


Customers Who Bought This Item Also Bought:
Attias, Michael / Simon Nabatov
Brooklyn Mischiefs
(Leo Records)
On their first concert as a duo in 2014, alto saxophonist Michael Attias and pianist Simon Nabatov recorded these five creatively lyrical improvisations at iBeam in Brooklyn, Nabatov on the keys and inside the piano and both using tremendous technique in a mix of perky and introspective free expression, including an extended work that melds into Herbie Nichol's "Spinning Song".
Zuydervelt, Rutger
Porcelain (soundtrack for the film by Jenneke Boeijink)
(Machinefabriek)
The soundtrack for Dutch/Belgium/Italian co-production "Porselein" (Porcelain), a psychological drama by Jenneke Boeijink, recorded with cellist Francesco Guerri and using a motif from Henry Purcell's "The Fairy Queen", the album release including 12 additional tracks; powerful, emotional and passionate music of great tension and brilliant performances from Guerri.
Kuzu (Rempis / Dorji / Damon)
Purple Dark Opal
(Aerophonic)
In 2018 on their 2nd tour, the Kuzu trio of Dave Rempis on alto, tenor & baritone saxophones, Tashi Dorji on guitar, and Tyler Damon on drums, captured this, their 15th concert in the tour, at The Sugar Maple, in Milwaukee, an extended improvisation that lives up to its title in dark ruminations that reveal beauty and rare color through powerful and passionate playing.
Grubbs, David / Mats Gustafsson / Rob Mazurek
The Underflow
(Corbett vs. Dempsey)
Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation.
Lonberg-Holm, Fred / Joe McPhee
No Time Left for Sadness
(Corbett vs. Dempsey)
"This Time", "That Time" and "Next Time", the three titles from the first duo meeting of Joe McPhee on tenor saxophone and cellist Fred Lonberg-Holm, also bringing electronics, the distillation of their playing outside of Survival Unit III a revelation in intensity and unconventional creativity, fueled by magnificent playing and an empathetic rapport.
exclusiveOr (Peter Evans / Wooley / Muncy / Olencki / Karre / Cimini / Young / Snyder / Pluta)
Modules
(Carrier Records)
The NY electronics duo exclusiveOr (Sam Pluta and Jeff Synder) join forces with the International Contemporary Ensemble and Architeuthis Walks on Land (Katherine Young and Amy Cimini) for this tour-de-force ensemble work, combining composed forms, electro-acoustic improvisation, noise, and lush harmonies, in a fascinatingly detailed album of creative musicianship.
Myers, David Lee
Prototype Of The Veil
(pulsewidth)
David Lee Myers began creating feedback music in 1989, originally under the name Arcane Device, developing unique approaches to harnessing feedback between audio devices in ways their manufactures did not intend; since 2014 he has used a set of new devices that allow intense control and beauty through vibrational interactions, as heard in this, his 18th solo album of feedback music.
Williams, Mars Presents
An Ayler Xmas Volume 3 Live in Krakow
(Not Two)
The 3rd volume of saxophonist Mars Williams' Albert Ayler-infused holiday records, bring free jazz to the holidays in a unique holiday mash-up of songs with titles like "Noel Omega - Twas The Night Before The Frosty Island Harvest Xmas", in a quintet with Jaimie Branch (trumpet), Knox Chandler (electric guitar), Mark Tokar (bass) and Klaus Kugel (drums).
Sharp, Elliott / Sergio Sorrentino
Spilla'
(ANTS Records)
'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.
Lawler, R Keenan / John Krausbauer
Spectre Of Radiants
(ANTS Records)
An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.
Inoue, Satoko
Presents Jo Kondo's New Works For Piano
(ezz-thetics by Hat Hut Records Ltd)
The second album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue--a noted interpreter of solo works by Feldman, Ferrari, and Cage--here presenting all of Kondo's works for solo piano written from 2001 to 2012, alongside two early works from 1975, exploring a wealth of harmonic, rhythmic, and conceptual ideas from a diversity of projects.
Kimmig-Studer-Zimmerlin and George Lewis
S/T
(ezz-thetics by Hat Hut Records Ltd)
The innovative string trio of Daniel Studer on double bass, Harald Kimmig on violin, and Alfred Zimmerlin on cello, develop focused environments of timbre, texture, dynamic and space, seemingly abstract yet incredibly concentrative and virtuosic interaction, here joined by Chicago trombonist and electronics artist George Lewis adding a 4th profound layer to their incredible conversation.
Sound of the Mountain w/ Tetuzi Akiyama / Toshimaru Nakamura
amplified clarinet and trumpet, guitars, nimb
(Mystery & Wonder)
Sound of the Mountain is an independent label led by Montreal-area improvisers Elizabeth Millar (clarinet) and Craig Pedersen (trumpet), who traveled to Tokyo in 2017 for several concerts and this spectacular and unique recording session at GOK studio in Kichijoji with ea-improvisers Tetuzi Akiyama (guitar) and Toshimaru Nakamura (no-input mixing board).
Sorey, Tyshawn / Marilyn Crispell
The Adornment of Time
(Pi Recordings)
New York drummer Tyshawn Sorey and pianist Marilyn Crispell first played toghether in 2014, this only their 3rd performance, at The Kitchen in 2018 as part of a 3-day career accomplishments series for Sorey, the two performing in the dark as they spontaneously evolve a brilliant piece of innate orchestration, color, texture, rhythm, and thematic development.
VocColours / Yoichiro Kita
Live in Japan
(Creative Sources)
A strange album of vocal improvisation from the the VocCoulours quartet of Brigitte Kuepper, Gala Gabriele Hummel, Norbert Zajac, and Iouri Grankin, performing live with Koichi Makigami on (voice & theremin), Yoichiro Kita (trumpet & laptop), Keiko Komori (bass clarinet), and Morgan Fisher (keyboards & toys); a truly unique album of startling utterance, texture, and environment.
Bishop, Jeb / Matthias Muche
Duo
(Creative Sources)
Two trombones free improvising in the studio in Koln from the Duo of Chicago's Jeb Bishop and Cologne's Matthias Muche, both members of the trombone trio Bone-Crusher with Matthias Muller, this album recorded in the studio in Koln just before Bone-Crusher's "Konzert Fur Hannes" (NotTwo), elucidating this facet of the trio in 10 insightful dialogs of awesome technique and wit.
Rodrigues, Ernesto / Denis Sorokin / Guilherme Rodrigues
Loneliness In Saint-Petersburg
(Creative Sources)
Fragile and understated with long spacious sections, the trio of Ernesto Rodrigues on viola, harpsichord, e-bow guitar and field recordings, Guilherme Rordrigues on cello, and Denis Sorokin on ukelele and pitch pipes, distill the sense of isolation amid patient motion through the red city, sections defined by cars passing and augmented with birds; peaceful and beautiful.
van Hemmen, Flin
Casting Spells & The Coves [2 CDs]
(Neither/Nor Records)
Blending live improvisation with studio composition & production, NY-based Dutch drummer, pianist and composer Flin van Hemmen spent 3 years making recordings with guitarist Todd Neufeld, double bassist Eivind Opsvik and himself, transforming them with layering, studio effects, processors and field recordings to create these intensely fascinating compositions.
Zorn, John
The Hermetic Organ Vol. 7: St. John The Divine 2019
(Tzadik)
John Zorn continues his recording series improvising on large church organs with these three improvisations from St. John the Divine in New York City, a meditative place of worship dedicated to the author of the Book of Revelations, as Zorn evolves three powerfully introspective works, the longest opening to "The Doors of Perception".



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC

New In:
Recent Releases
Improvisation
Electro/Experimental
Compositional
Rock & Related