The Squid's Ear Magazine

McPhee, Joe

Black Is The Color: Live in Poughkeepsie and New Windsor, 1969-70 [2 CDs]

McPhee, Joe : Black Is The Color: Live in Poughkeepsie and New Windsor, 1969-70 [2 CDs] (Corbett vs. Dempsey)

Unreleased material from Joe McPhee's archives, three live settings of the saxophonist and pocket trumpeter in upstate NY: a quartet with vibraphonist Ernie Bostic and the rhythm section of Tyrone Crabb and Bruce Thompson live at Vassar College; live in New Windsor with saxophonist Reggie Marks; and an outdoor concert at Poughkeepsie's Lincoln Centre.
 

Price: $14.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Tyrone Crabb-bass

Bruce Thompson-drums

Chico Hawkins-drums

Tyrone Crabb-electric bass

Contemporary Improvisational Ensemble-ensemble

Mike Kull-piano

Joe McPhee-soprano saxophone, tenor saxophone, trumpet

Reggie Marks-tenor saxophone, flute

Ernest Bostic-vibraphone

Octavius Graham-vocals


Click an artist name above to see in-stock items for that artist.




UPC: B08DBYMW5Q

Label: Corbett vs. Dempsey
Catalog ID: CvsDCD069
Squidco Product Code: 29475

Format: 2 CDs
Condition: New
Released: 2020
Country: USA
Packaging: Cardboard Gatefold
Tracks 1-1 to 1-4: recorded at Vassar College, in Poughkeepsie, New York, on October 23rd, 1969, by Craig Johnson.

Tracks 2-1 to 2-3 recorded at St. Helena Convent, in New Windsor, New York, on January 12th, 1969, by Craig Johnson.

Tracks 2-4 to 2-6 recorded at Lincoln Center, in Poughkeepsie, New York, on May 24th, 1970, by Sandy Margolin.

Descriptions, Reviews, &c.

"Never-before-issued music from three very different settings in upstate New York, all recorded in the period running up to Poughkeepsie multi-instrumentalist Joe McPhee's Nation Time. From a year before that landmark LP, in the same hall at Vassar College, McPhee led a band with soulful vibraphonist Ernie Bostic and voluble rhythm section of Tyrone Crabb and Bruce Thompson, both of Nation Time fame, performing a John Coltrane-oriented set that included versions of Mongo Santamaria's "Afro Blue" and Coltrane's "Naima," as well as McPhee-fave "God Bless The Child." Deeply emotional and fiery playing with this unusual instrumentation - rare to find McPhee playing with a harmonically based instrument like vibes. McPhee had organized a larger group also meant to feature Bostic and a French horn for a concert at a monastery in nearby New Windsor, but the band was pared down to a quartet with saxophonist Reggie Marks, playing a powerful combination of originals and the Patty Waters-associated traditional tune "Black Is The Color." (The concert also featured a cameo by David Nelson of the Last Poets, but technical issues in the recording scuttled that and several other tracks.) Finally, three cuts document a more rough-and-tumble gig taped outdoors in the park at Poughkeepsie's Lincoln Centre - the only surviving recordings of this funky, bluesy, lowdown, explosive configuration, they feature vocals by one Octavius Graham, great drumming by Chico Hawkins, and Tyrone Crabb on electric bass. This two-CD set has been lovingly transferred from the original tapes out of from McPhee's personal archives, and is augmented by newly discovered photographs of the concerts. A spectacular deep dive into the pure magic of Mr. McPhee."-Corbett Vs. Dempsey



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.

His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.

In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.

In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."

-Joe McPhee Website (http://joemcphee.com/bio.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. God Bless The Childs 11:43

2. Improvisation 14:18

3. Afro Blue 8:55

4. Naima 13:27

CD2



1. Improvisation 11:30

2. Black Is Color 13:55

3. Juju For John Coltrane 15:27

4. I Want Know Nobody 6:24

5. Funky Broadway 6:53

6. Blues For Th People 9:06

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Song Based Music
NY Downtown & Metropolitan Jazz/Improv
Quartet Recordings
Quintet Recordings
Joe McPhee
Top Sellers for 2020 by Customer Sales

Search for other titles on the label:
Corbett vs. Dempsey.


Recommended & Related Releases:
Other Recommended Releases:
Mcphee, Joe / Ken Vandermark
Musings of a Bahamian Son: Poems and Other Words
(Corbett vs. Dempsey)
27 concise poems written and read by saxophonist and multi-instrumentalist Joe McPhee, punctuated by 9 musical interludes between McPhee on soprano sax and Chicago reedist Ken Vandermark on clarinet and bass, fortifying McPhee's captivating words that mix life observations among jazz references to Dolphy, Monk, Brötzmann, Coleman, &c.; a truly embraceable "book" of poetry.
McPhee, Joe
Route 84 Quarantine Blues (Black Cross Solo Sessions 2)
(Corbett vs. Dempsey)
One of Corbett vs. Dempsey's Black Cross Solo Sessions, Joe McPhees approaches his album recorded during pandemic lockdown in his home through tenor sax, voice, water, objects and field recordings, the center of the album a cycle of compositions by Charles Mingus, alongside works by Carla Bley and influences by Joni Mitchell, and a virtual symphony of saxes on the title track.
McPhee, Joe / Michael Marcus / Jay Rosen / Warren Smith
Blue Reality Quartet!
(Mahakala Music)
Woodwind player Michael Marcus' duo with drummer Jay Rosen performed with fellow reedsman Joe McPhee and a 2nd drummer at the Jazzgalerie Nickelsdorf in 2018, the concept so appealing that he took it to the studio in New York, with Warren Smith handling the 2nd drum part and cementing this unusually orchestrated and elegantly passionate band as "The Blue Reality Quartet".
Sun Ra and His Arkestra
I Struck a Match on the Moon / Dreamsville [7-inch VINYL]
(Corbett vs. Dempsey)
Recorded during the The Futuristic Sounds of Sun Ra sessions in 1961 after moving the Arkestra to the Philadelphia/NY area from his original Chicago base, these two ballads are sung by Ricky Murray, "I Struck a Match..." written by Sun Ra and very much an Arkestra tune, while "Dreamsville" is a Livingston-Mancini-Evans tune that receives Ra's big band treatment.
Lonberg-Holm, Fred / Joe McPhee
No Time Left for Sadness
(Corbett vs. Dempsey)
"This Time", "That Time" and "Next Time", the three titles from the first duo meeting of Joe McPhee on tenor saxophone and cellist Fred Lonberg-Holm, also bringing electronics, the distillation of their playing outside of Survival Unit III a revelation in intensity and unconventional creativity, fueled by magnificent playing and an empathetic rapport.
Lindsay, Arto / Joe McPhee / Ken Vandermark / Phil Sudderberg
Largest Afternoon
(Corbett vs. Dempsey)
Bringing together Chicago's long partnership of saxophonists Joe McPhee and Ken Vandermark with frequent Vandermark collaborator, drummer Phil Sudderberg, and New York guitarist Arto Lindsay, meeting on a winter afternoon in a Chicago studio to record these fifteen collective, freely improvised conversations of intense energy, unexpected twists and turns, and brilliant playing.
McPhee, Joe / Mats Gustafsson
Brace For Impact
(Corbett vs. Dempsey)
Drawing on many collaborations, from Peter Brotzmann's large groups to Gustafsson's The Thing, this duo album recorded in 2008 is finally issued to unleash 1 blistering album of saxophone duos, Joe McPhee on altos sax, alto clarinet, pocket trumpet and voice, with Gustafsson on baritone and slide saxophone, alto fluteophone and live electronics; brace yourself!
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
In 1979 saxophonist/cornetist Joe McPhee met French reedist Andre Jaume in Paris to record this exceptional album of standards, drawing on works from Charles Mingus, Thelonious Monk, Duke and Ellington, and Ornette Coleman; melodic, poignant, emotional and insightful jazz.
McPhee, Joe
Alone Together: The Solo Ensemble Recordings 1974 & 1979
(Corbett vs. Dempsey)
In 1979 Joe McPhee, working with CJR produced Craig Johnson, recorded this set of overdubbed recordings of himself performing on saxes, trumpet and flugelhorn over original compositions showcasing solo, duo, trio and quartet contexts, an album of virtual McPhee ensembles!
McPhee, Joe
The Loneliest Woman [CD EP]
(Corbett vs. Dempsey)
A rich and unusual interpretation of Ornette Coleman's "Lonely Woman" recorded in Boswil, Switzerland in 1981 with McPhee, Pierre Favre, Irene Schweizer, Radu Malfatti, Daniel Bourquin, &c., in its first-ever release.
McPhee, Joe / Survival Unit II / Thorton, Clifford
N.Y., N.Y., 1971
(Hatology)



Customers Who Bought This Item Also Bought:
Mazurek, Rob Exploding Star Orchestra / Small Unit
Spectral Fiction
(Corbett vs. Dempsey)
Compressing his Exploding Star Orchestra to a sextet, Chicago trumpeter Rob Mazurek presents two expansive works of ecstatic, exploratory electric and groove-oriented jazz, performed with Damon Locks (voice, electronics), Tomeka Reid (cello), Angelica Sanchez (Wurlitzer electric piano), Ingebrigt Haker-Flaten (double bass) and Chad Taylor (drums).
Ayler, Albert (incl. Milford Graves, Cecil Taylor, Jimmy Lyons, Sunny Murray, &c)
More Lost Performances, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Remastering previously unavailable and vital performances from three configurations of saxophonist Albert Ayler's bands, including their 1967 Newport Festival concert with Milford Graves, their performance at John Coltrane's 1967 Funeral at St. Peter's Lutheran Church in NYC, and an incredible 1962 concert with Cecil Taylor's group with Jimmy Lyons and Sunny Murray in Copenhagen.
Parker, Evan
NYC 1978
(Relative Pitch)
In 1978 after recording his acclaimed solo album Monoceros, saxophonist Evan Parker embarked on a solo tour of the US and Canada, in New York City performing at the legendary loft space Environ, his first-ever solo performance in NYC and a masterpiece of extended techniques, circular breathing and spectacular control on the soprano and tenor saxophones.
New Monuments (Don Dietrich / Ben Hall / Camille Dietrich / Tony Gordon)
Language is the Skin [CD w/ DOWNLOAD]
(Torn Light)
Recording in Detroit in 2021 the ruggedly extreme free jazz quartet New Monuments of Don Dietrich (Borbetomagus) on saxophone, Ben Hall on percussion, Camille Dietrich on cello and Tony Gordon on electric bass guitar shred through six collective improvisations, taking time for burning solo moments and electrically-fueled exchanges; scorching!
Reichel, Hans
Bonobo Beach: Some More Guitar Solos
(Corbett vs. Dempsey)
The fourth and final record of solo guitar works from German guitarist and instrument inventor Hans Reichel, perhaps the most lyrical of the lot as he improvises on an unusual set of guitars, including a fretless Spanish guitar, 6 & 12 string guitars with extra frets, and an electric pick-behind-the-bridge guitar; fully restored artwork includes Reichel's amusing insert.
Lacy, Steve / Evan Parker
Chirps
(Corbett vs. Dempsey)
The first reissue in three decades of the 1985 SAJ Series FMP album bringing together legendary saxophonists Steve Lacy and Evan Parker, both on soprano saxophone, for two extended improvisations of magnificent reed interactions and a final coda, performed live during Summer Music at Haus am Waldsee, in Berlin, 1985; an essential album of masterful musicianship.
Graewe, Georg Quintet
Pink Pong
(Corbett vs. Dempsey)
A year and a half after their live debut on FMP, the German free/hard-bop quintet led by pianist Georg Graewe with Horst Grabosch on trumpet, Harald Dau on saxophones, Hans Schneider on bass and Achim Kramer on drums, recorded this studio album of extraordinary free improv presenting brilliantly intricate and exciting compositions, here in its first fully remastered reissue.
Graewe, Georg Quintet
New Movements
(Corbett vs. Dempsey)
First-ever reissue of the 1976 FMP album from the adventurous German hard-bop quintet led by pianist Georg Graewe, with Horst Grabosch on trumpet, Harald Dau on saxophones, Hans Schneider on bass and Achim Kramer on drums, embracing post-bop, freebop, free jazz, and free improvisation in an exciting live recording from "Jazz Now" at the Quarter Latin in Berlin, Germany in 1976.
McPhee / Edwards / Kugel
Existential Moments
(Not Two)
The 3rd album from the touring trio of Joe McPhee on trumpet & tenor sax, John Edwards on double bass and Klaus Kugel on drums, following their previous NotTwo releases A Night In Alchemia and Journey To Parazzar, here captured live at FreeJazzSaar 2019, in Saarbrucken, Germany for a boisterously exciting set of three collective improvisations, including a tip of the hat to Charles Gayle.
Tapscott, Horace Quintet
Legacies For Our Grandchildren: Live In Hollywood, 1995
(Dark Tree Records)
The French Dark Tree label continues its curation of the unreleased material of West Coast pianist and band leader Horace Tapscott with this exuberant and substantial collection of live sessions at Catalina's Bar & Grill in Hollywood with Michael Session on saxophones, Thurman Green on trombone, Roberto Miranda on double bass, Fritz Wise on drums and vocal stylist Dwight Trible.
Akchote / Halvorson / Frisell
Loving Highsmith [2 CDs]
(Ayler Records)
The soundtrack to the documentary Loving Highsmith about thriller novelist Patricia Highsmith, with music composed by Belgium guitarist Noël Akchoté along with pieces by Cole Porter, Mancini, Johnny Mercer, Frank Sinatra, Hildegard von Bingen, Carl Fischer, &c, presented in two CDs, one each of duets between Akchoté and New York guitarists Mary Halvorson and Bill Frisell.
Carter, Daniel / Matthew Shipp / William Parker / Gerald Cleaver
Welcome Adventure! Vol. 2
(577 Records)
The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.
Futari (Satoko Fujii / Taiko Saito)
Underground
(Libra)
Pandemic restrictions having cancelled their European tour, the Futari duo of pianist Satoko Fujii and vibraphonist Taiko Saito chose instead to develop a new collaborative album of improvisations exchanged by sound file, each intently listening to the other's recordings, their care and pensive responses creating an astounding and sublime album of stunningly beautiful music.
This Is It! (Fujii / Itani / Tamura)
Mosaic
(Libra)
Circumventing pandemic lockdowns, the trio of husband & wife, pianist Satoko Fujii and trumpeter Natsuki Tamura, recorded this album at their home in Kobe, Japan using an internet connection to perform in real time with drummer/percussionist Takashi Itani in Tokyo, their joyful and sophisticated improvisation a testament to close listening and magnificent communication.
McPhee, Joe / Evan Parker
Sweet Nothings (For Milford Graves)
(Corbett vs. Dempsey)
A confluence of masterful playing through two soprano & two tenor saxophones plus one pocket cornet, as Evan Parker and Joe McPhee perform live in 2003 at the Chicago Cultural Center as part of the Empty Bottle Festival of Jazz & Improvised Music, weaving lines with intricately relaxed confidence and coming together for beautiful moments of lyrical connection.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC