The Squid's Ear Magazine


Wittenburg, Florian: 1- Bis 4-Stimmig (Edition Wandelweiser Records)

Starting with a systematic variation of polyphony in each of the three movements of "Bis 4-Stimmung", German composer and pianist Florian Wittenburg deviates from strict structures through a component of randomly generated core notes which he then makes coherent through harmony and melody, each part punctuated with layers of Wittenburg reciting Dutch poet Cees Noteboom.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Florian Wittenburg-piano, voice


Click an artist name above to see in-stock items for that artist.




UPC: 4011778039655

Label: Edition Wandelweiser Records
Catalog ID: EWR 2202
Squidco Product Code: 32070

Format: CD
Condition: New
Released: 2022
Country: Germany
Packaging: Cardboard Gatefold 3 Panels
Piano recorded at Studio Nijmegen, The Netherland, on January 15th, 2020; voice recorded in Kleve, Germany, on August 13th, 2020.

Descriptions, Reviews, &c.

"the title already indicates the systematic aspect of this piano music: the applied systematic variation of the polyphony (actually "1- bis 4-klänge" would be more appropriate than the title, but that sounds a bit strange to my ears in German), whereby my system application is not absolute here, i.e. i sometimes deviated from it for the sake of the music.

but the music also has a random component: i started with half a page of randomly generated core notes, then tried to create coherence through melody and harmony.

seen in this way, this music is a combination of chance and system. Put simply, this chance + system method results in chords and phrases that react to one another. this seems to be in the spirit of morton feldman, e.g. comparable to the slow sections of his last pieces, although i doubt that he had a random method behind it.

the resulting music could also be described as a kind of "twelve-tone music", since all twelve tones usually appear in the pieces. but it is quite different from the twelve-tone music of the founding fathers, e.g. Schönberg's music, which consciously operated with a twelve-tone row.

as with many of feldman's pieces, this music does not raise the question of tonality or atonality, it embraces both.

the poems of nooteboom, in canonical form, serve here as interludes. Above all, because of their enigmatic nature, I think they go well with this piano music."-Florian Wittenburg (translated by Google)


Artist Biographies

"Florian Wittenburg, born in Berlin in 1973, studied Music Technology (including instrumental performance) at the Utrecht School of Arts in The Netherlands, where he graduated with distinction in 1999. During this period he studied with performers such as Jannie Pranger, Ben Gerritsen and Jasper van 't Hof, with producers such as Frank van der Weij and Stefan Winter (Music Edition Winter&Winter), with composers Gerard van Wolferen and Barbara Woof, and filmsound designer Rens Machielse. He participated twice as an ensemble player, in 1996 and 1997, at the "Nederlands Filmfestival", accompanying the restored images of rediscovered dutch silent films. Following the international EMMA-programme of study (European Media Masters of Art), he has been awarded the M.A. degree in Sound & Music Technology in 2000.

In 2005 a scholarship brought him to the Centre de Création Musicale Iannis Xenakis in Paris, where he attended Masterclasses of Jean-Claude Risset,, Agostino Di Scipio and Curtis Roads.

During and after his study-period he worked together with a.o. conductor/composer Arno Dieteren (Ensemble Contraint), sculptor Willem Fermont (5darc), cellist Jacquelin Hamelink, theremin-virtuoso Lydia Kavina, pianists Nico Huijbregts and Daan Vandewalle, with composer/performer Stephan Froleyks, composer/performer Ned McGowan and with video artists David Baker and Marcel Wierckx. His music is broadcasted mainly by german (Süd-West-Rundfunk, Saarlänidsche and Bayerische Rundfunk) and dutch radio (VPRO, Concertzender, Vrije Geluiden), but also by BBC, RAI, belgian, russian radio and radio stations in America, Canada and Spain.

Simultaneously he was engaged as a web/gui-designer at the Max-Planck-Institute for Psycholinguistics in Nijmegen (NL). This applied artwork was shown as part of the International Science+Fiction exhibition, where it was shown, amongst other places, at the ZKM Karlsruhe, Nobel Museum Stockholm, Museum for Technology and Emerging Science Tokyo, as well as part of the MS Wissenschaft boat exhibition in Germany."

-Florian Wittenburg Website (http://florianwittenburg.com/biography)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. 1- Bis 4-Stimmung (part1) 3:33

2. Gedicht Nr. 10 1:10

3. 1- Bis 4-Stimmung (part 2) 3:07

4. Gedicht Nr. 11 1:09

5. 1- Bis 4-Stimmung (part 3) 3:35

6. Gedicht Nr. 12 1:16

Related Categories of Interest:


Compositional Forms
Piano & Keyboards
Spoken Word
Solo Artist Recordings
European Improvisation, Composition and Experimental Forms

New in Compositional Music
Recent Releases and Best Sellers

Search for other titles on the label:
Edition Wandelweiser Records.


Recommended & Related Releases:
Other Recommended Releases:
Ogura, Miharu
Ogura Plays Ogura
(thanatosis produktion)
Following her 2022 album Ogura Plays Stockhausen, Japanese born, Frankfurt-based pianist Miharu Ogura turns her attention to her own compositions, presenting five uniquely creative works unfolding in pacing that surprises the listener, balancing silence and clusters of layered patterns that move at differing speeds and rhythms, from simple clarity to labyrinthine entanglement.
Wittenburg, Florian
Regenprasseln
(Edition Wandelweiser Records)
Translating to "rain pattering", German-born international sound artist Florian Wittenburg uses a MetaSynth and the Kyma visual programming language for sound design to emulate the sounds of rain pattering from aperiodic to periodic in two parts, along with heating noises in two parts, and a clock ticking; compellingly structured accompaniment to your personal ambiance.
Donofrio, Anthony
These Calm Words
(Edition Wandelweiser Records)
An exquisite recording of composer Anthony Donofrio 1972 work for solo vibraphone captured at the University of Nebraska where Donofrio teaches and directs their new music ensemble, this extended work for solo vibraphone performed by Donofrio himself, living up to its title in a delicate advancement from clear playing to unusual vibraphone timbres and technique.
Profos, Felix / Peter Conradin Zumthor
Grund
(Edition Wandelweiser Records)
Since 2021 Swiss composer Felix Profos and drummer Peter Conradin Zumthor have performed as the duo Grund, Profos performing on harmonium and on the 1973 Italian organ Bontempi Pop3, Zumthor on bass drum, gong, bells & snare, their extended work on this self-titled album a tranquil and meditative work of slow transitions with moments of terse activity, receding with grace and serenity.
Golub, Phillip
Filters [VINYL + DOWNLOAD]
(Greyfade)
Approaching the concept of endless repetition, New York composer and pianist Phillip Golub (Tropos, Sarafand Ensemble, Cecil McBee) presents his debut solo piano album, a contemplative set of system-based looping phrases that open up to improvisational variety in live performance, here in four renderings that defy the categorization of a "loop".
Harlow, Sage J
Variations Without A Theme (Drones Ongs)
(Edition Wandelweiser Records)
Australian sound poet and vocalist Sage J Harlow aka Sage Pbbbt, whose innovative vocal work takes inspiration from Tuvan and Mongolian overtone singing and Inuit throat singing, created this mysterious set of electroacoustic compositions on the unceeded lands of the Whadjuk People of the Noongar Nation, developing four works of spellbinding spectral ambience.
Franek, John
About The Color Of The Moon
(Edition Wandelweiser Records)
An album of evocative electronic and acousmatic soundscapes from German composer, electronic artist and keyboardist John Franek, who performs the four pieces on this album on organ and electronics, interweaving rich harmonics with stark tones, melding his sounds in slowly evolving interaction, like beams of light piercing peaceful atmospheres.
Philippakopoulos, Anastassis
Piano 1 Piano 2 Piano 3
(Edition Wandelweiser Records)
An album of concentrated expression for solo piano in three works from French composer Anastassis Philippakopoulos and meticulously performed by Serbian pianist Teodora Stepancic, exploring intervals through minimalistic progressions, titled "Piano 1", "Piano 2" & "Piano 3", each in two or three parts as they build to explosive moments in the final movement.
Houben, Eva-Maria
4 For Four
(Edition Wandelweiser Records)
A work for percussion in thirty-four succinct movements from German composer Eva-Maria Houben and performed by the Frantic Percussion Ensemble of Markus Behn, David Gutfleisch, Simon Gutfleisch, Gunnar Kötke and Jonathan Szegedi, each section using broad and patient spacing to highlight a fascinating mix of traditional and unusual percussive devices.
Schiller, Christoph
24 Stucke Fur Ein Tasteninstrument
(Edition Wandelweiser Records)
24 short works for clavichord from German composer Christoph Schiller and performed by French keyboardist Ed Williams (Heard Of Bears, TANDEM, Grand 8 Ensemble), slowly developing pieces that bring clusters of notes like falling leaves that slowly fade into silence, thoughtful works of space around unanticipated clusters, presented as groups of "Fuge" variations.
Andric, Andreja
Winter Solstice
(Edition Wandelweiser Records)
Their association stretching back to their time together in music school, pianist Anita Tomasevich is the perfect interpreter of Serbian composer Andreja Andric's December, exploring a single minor chord in each of six movements, challenging the performer to explore shades of tone color by working through gradual changes; plus Meditation (II) for 2 pianists.
Wittenburg, Florian
Kranenburg Tree
(Edition Wandelweiser Records)
Using a metasynth, a software instrument that allows the user to draw or paint music, and a photograph of a small tree observed at a former train station in the German town of Kranenbur, composer Florian Wittenburg generates complex sound structures from the simple structures of the tree's branches used as a template for four rich sonic sketches.
Rasten, Fredrik (Johan Lindvall)
Four Parallel Rivers
(Edition Wandelweiser Records)
Norwegian composer Fredrik Rasten, a guitarist who himself has recorded pieces by pianist/composer Johan Lindvall, sees Lindvall beautifully perform 15 of his works for solo equal tempered piano, minimal pieces developed under the influence of Debussy and Bartok's Mikrokosmos compositions along with adaptations of his own microtonal/just intonation work.
Houben, Eva-Maria
3 Trios
(Edition Wandelweiser Records)
"Trios" refers to the relationship of two keyboards and the pedals of an organ, as performed by accomplished American composer Carson Cooman as he patiently unfolds Eva-Maria Houben's three minimal compositions exploring the relationships between three melodic lines or three-tone chords, presented on the Organ Probsteikirche St. Ludgerus, in Billerbeck, Germany.
Inderhees, Carlo
8 Stimmen1
(Edition Wandelweiser Records)
A series of eight "voices" for piano, extended minimal works slowly unfolding in the performance of composer Carlo Inderhees' "8 stimmen" composition for solo piano, expressed by Guy Vandromme as the piece answers the questions "what is music made of?" with the word "voices: a sequence of sounds and silences, with its own consistency".
Strieff, Peter
Chronos-Kairos
(Edition Wandelweiser Records)
Exploring the difference between the two Greek concepts of time--chronos (measurable) and kairos (qualitative moments)--Bern composer Urs Peter Schneider's 1973 composition uses synthesizers to measure, divide, experience, forget, free from, and embody time; plus a 1968 composition with Ensemble Nueue Horizon Bern, and two recent works with Ensemble Montaigne.
Wittenburg, Florian
Beyond The Traceries
(Edition Wandelweiser Records)
Various facets of German composer and experimenter Florian Wittenburg's interests, in two iterations of two pieces and two compositions, using voice, vibraphones and ringing bowls, treated electronically to emphasize unique characteristics of sound from warmly rich to mysteriously fragile, balanced with space and careful timing; a valuable introduction to his work.
Hannesson, Mark / Dante Boon / Anastassis Philippakopoulos
hannesson . boon . philippakopoulos
(Edition Wandelweiser Records)
Three solo piano works from three composers--Mark Hannesson, Dante Boon, and Anastassis Philippakopoulos--are performed by Dante Boon in this studio album recorded in Berlin; three extremely compatible works that prove to be quintessential examples of Wandelweiser minimalism finding melody, progression and abstraction in subtle and elusive ways; sublime.
Beuger.Boon.Susam

(Edition Wandelweiser Records)
Pianist and composer Dante Boon performs his own work "Years, Numbers", alongside Antoine Beuguer's "Pour Etre Seul(e), Sans Reserve" and Taylan Susam's "Tombeau", and Bueger's "Nov. (piano)", four works of graceful and introspective beauty using minimal approaches to tone, chord, or spaciousness, recorded live at University Of Wisconsin-Whitewater in 2014.



Customers Who Bought This Item Also Bought:
Dolphy, Eric
Outward Bound To Out To Lunch Revisited
(ezz-thetics by Hat Hut Records Ltd)
Arriving in NY in 1959, saxophonist, flute & bass clarinetist Eric Dolphy joined some of the finest avant jazz players, releasing his 1st album as a leader in 1960--Outward Bound--with Freddie Hubbard, Jaki Byard, George Tucker & Roy Haynes; subsequently tagged as an anti-jazz musician, it would be 4 years before his masterwork Out To Lunch would be released, both albums here reissued & remastered.
Coleman, Ornette
Ornette At 12, Crisis & Man On The Moon, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing and remastering two Impulse! albums from saxophonist Ornette Coleman: 1969's Ornette At 12 with Dewey Redman, Charlie Haden and his then 12-year-old son Denardo on drums; 1972's Crisis adding Don Cherry on trumpet; and a lesser-known 1969 EP, Man On The Moon, with electronics from Dr. Emmanuel Ghent and Ed Blackwell on drums.
Armaroli, Sergio (Armaroli / Minton / Schiaffini / Turner)
I Dream I Was An Earopean
(ezz-thetics by Hat Hut Records Ltd)
Two percussionists--vibraphonist Sergio Armaroli and drummer/percussionist Roger Turner-- and two brass players--trombonist Giancarlo Schiaffini and trumpeter Phil Minton, who doubles on voice improvisation--are heard in these studio recordings from Udine, Italy for nine "Dreams" that turn introspective slumber into restless visions through profoundly paced playing.
Davis, Miles w/ Tadd Dameron
Revisited
(ezz-thetics by Hat Hut Records Ltd)
Between his work with Charlie Parker and before his own personal success, trumpeter Miles Davis joined the influential ensemble of pianist, composer and arranger Tadd Dameron, heard in six large ensemble pieces at New York's Royal Roost in 1949, and then in a quintet at the Paris Festival International De Jazz the same year, in both hearing a unique and confident facet to Miles' playing.
Leipold, Samuel / Jurg Bucher / Luca Lo Bianco
Ostro
(ezz-thetics by Hat Hut Records Ltd)
Exploring the trio format of clarinetist Jimmy Giuffre and his groundbreaking drumless trio, clarinetist & saxophonist Jürg Bucher and guitarist Samuel Leipold, both members of the Swiss Jazz Orchestra, joined with double bassist Luca Lo Bianco to perform this set of Leipold compositions, alongside Giuffre's "Afternoon" and "Three Clarinet Pieces I" by Stravinsky.
Iddon, Martin
Naiads
(Another Timbre)
With titles taken from different kinds of water nymphs in Greek mythology, composer Mark Iddon's four-part work is a hauntingly beautiful set of compositions of seeming siren calls and rich percussion, realized by an octet configuration of the UK ensemble Apartment House, with two pianists (Philip Thomas and Mark Knoop), three strings, clarinet, flute and percussion.
Harrison, Bryn
A Coiled Form
(Another Timbre)
A remarkable, intense and startlingly virtuosic solo performance from Berlin violinist Sarah Saviet in a long-form extension of an originally 15-minute work commissioned by Saviet of UK composer Bryn Harrison, developed together to allow the score to be variable in length through performer choices to re-sequence the events and repetition of the composition.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC