"Itaru Oki (沖至) was born in Suma-Ku, Kobe, Hyogo, Japan on 10th September 1941. Oki Itaru was raised in a rich musical environment; his father was a player of the Shakuhachi (Japanese vertical flute) and his mother was a master of the Koto (Japanese horizontal harp) of the Ikuta School. He started to play the trumpet in his high school brass band before playing in a Dixieland style band and then in a bop band. In the late 1960's, the trumpeter began playing free jazz. He changed his place of performance from Kansai (a western area of Japan) to Tokyo in 1965. After improving his skill in many groups, he joined an experimental unit "ESSG" of Togashi Masahiko and Sato Masahiko. Oki made his first tour to Europe with the ESSG in 1969. After being back from Europe, he formed the Oki Itaru Trio, which later grew into a quartet. In June 1974, he moved to Paris, France. After living in Lyon for a while, he moved back to Paris in December 1999. Until the present, Oki has continually performed at concerts and festivals in France and various other countries in Europe."

"Alan Silva (born Alan Lee da Silva; January 22, 1939 in Bermuda) is an American free jazz double bassist and keyboard player.

Silva was born a British subject to an Azorean/Portuguese mother, Irene da Silva, and a black Bermudian father known only as "Ruby". He emigrated to the United States at the age of five with his mother, eventually acquiring U.S. citizenship by the age of 18 or 19. He adopted the stage name of Alan Silva in his twenties.

Silva was quoted in a Bermudan newspaper in 1988 as saying that although he left the island at a young age, he always considered himself Bermudian. He was raised in the Harlem neighborhood of New York City, where he first began studying the trumpet, and moved on to study the upright bass.

Silva is known as one of the most inventive bass players in jazz and has performed with many in the world of avant-garde jazz, including Cecil Taylor, Sun Ra, Albert Ayler, Sunny Murray, and Archie Shepp.

Silva performed in 1964's October Revolution in Jazz as a pioneer in the free jazz movement, and for Ayler's Live in Greenwich Village album. He has lived mainly in Paris since the early 1970s, where he formed the Celestrial Communication Orchestra, a group dedicated to the performance of free jazz with various instrumental combinations. In the 1990s he picked up the electronic keyboard, declaring that his bass playing no longer surprised him. He has also used the electric violin and electric sarangi on his recordings.

In the 1980s Silva opened a music school I.A.C.P. (Institute for Art, Culture and Perception) in Central Paris, introducing the concept of a Jazz Conservatory patterned after France's traditional conservatories devoted to European classical music epochs.

Since around 2000 he has performed more frequently as a bassist and bandleader, notably at New York City's annual Vision Festivals."

"Richard Comte is focused on the sonic possibilities of the guitar, drawing timeless spaces, from loud immersive drones to spacious resonances bordering on silence itself. He played with improvisers Simon H. Fell, Mark Sanders, Shabaka Hutchings, Mars Williams, Jim Black, and he interpreted contemporary music pieces from Michael Pissaro, Eliane Radigue, Fausto Romitelli. He works also in the field of contemporary dance, theater and visual arts. In 2017 he founded Nunc., a label dedicated to liberate and open music."

Drummer Makoto Sato has been a member of Marteau Rouge, Nuts, and has recorded with Joe McPhee, Marteau Rouge, Evan Parker, Nuts (Benjamin Duboc, Rasul Siddik, Itaru Oki, Didier Lasserre, Sato), Linda Sharrock, Itaru Oki, Mario Rechtern, Makoto Sato, Eric Zinman & Yoram Rosilio.