The Squid's Ear Magazine

Barradas, Joao

Solo II - Live at the Festival D'Aix-En-Prevence

Barradas, Joao: Solo II - Live at the Festival D'Aix-En-Prevence (Clean Feed)

Active in both contemporary music and as an improviser, Portuguese accordionist João Barradas is heard live at the 2022 Festival d'Aix-en-Provence in France, performing solo on a chromatic accordion, MIDI chromatic accordion and voice for an expansive, un-interrupted six-part improvisation that showcases both his technical skills and his emotional passion.
 

Price: $10.00



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Joao Barradas-accordion, MIDI controller, voice


Click an artist name above to see in-stock items for that artist.




Includes a 4 page color insert with liner notes by Pedro Melo Alves

UPC: 5609063006438

Label: Clean Feed
Catalog ID: CF643CD
Squidco Product Code: 33474

Format: CD
Condition: New
Released: 2023
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Hotel Maynier D'Oppede, in Aix-en-Provence, France, on July 12th, 2022, by Sergio Milhano.

Descriptions, Reviews, &c.

"Let me start by how it presents itself to you, a solo recital of totally improvised music: the paradoxical music format that stands somewhere between the ultimate display of intimate frailty on the one hand, and unbounded, ephemeral experimentation on the other, yet which often ends up being the superlative affirmation of an artist. However, it gets even more particular, as this wasn't merely a solo recital of totally improvised music. It's one thathappened at a world-class festival of classical music, hosting such an event of unknown outcome for the first time, side by side with contemporary music commissions and early, common practice and 20th century classic works. Being released on the 75th anniversary of Aix-en-Provence Festival, this is a considerable achievement by João Barradas, which implies the improvised concert getting the same distinguished consideration as the composed concert and the reinforced connection between the universes of classical, folk and jazz music, in a modern perspective of globalized past and future languages. It is indeed a recording with many nuclear subjects on it, confirming Barradas as a definitive central figure of the accordion worldwide."-Pedro Melo Alves, from the liner notes


Includes a 4 page color insert with liner notes by Pedro Melo Alves

Artist Biographies

"João Barradas is one of the most reputable and widely acknowledged European accordionists, working simultaneously between classical music, jazz and improvised music.

He has won some of the most prestigious international classical accordion contests of which, among others, the World Accordion Trophy (CMA), which he has won twice, the Coupe Mondiale of Accordion (CIA), the International Castelfidardo Contest and the Okud Istra International Competition, stand out.

Despite his young age, João Barradas was the first ever classical accordionist to perform solo recitals in some of the most prestigious concert halls such as WienerKonzerthaus, Tonhalle Maag Zurich, Sage Gasteshead, Festival d'Aix en Provence, Fundação Calouste Gulbenkian, Culturgest and he has played in Het Concertgebouw Amsterdam, Elbphilharmonie Hamburg, Kolner Philharmonie, Philharmonie Luxembourg, Casa da Música Porto, Bozar Brussels, Philharmonie de Paris, L'Auditori Barcelona, Mupa Budapest, La Monnaie, Stuttgart Opera House, Sadlers's Wells Theatre London, Onassis Cultural Center Athens, L'Arsenal Metz, Sava Center Belgrade, Centro Cultural de Belém, Tribeca Performing Arts Center New York.

Alongside his activity as a classical musician, Barradas is one of the most active musicians in Jazz accordion nowadays. His first album as leader with the New York label Inner Circle Music, "Directions", produced by saxophonist Greg Osby, was praised highly by the critics all over the world and made to the restrict Downbeat's Best Albums of the Year.

At the same time, he starts being noticed by some of the top names of American Jazz, such as Joe Lovano, Nicholas Payton, Randy Brecker, Lenny White or Walter Smith III and his name comes up at the most important national and international Jazz festivals and venues.

As an outstanding improviser he has collaborated with various renowned musicians, namely Greg Osby, Mark Turner, Peter Evans, Aka Moon, Mike Stern, Rufus Reid, Gil Goldstein, Fabrizio Cassol, Jacob Sacks, Miles Okasaki, Jerome Jennings, Ben Van Gelder, Francesco Cafiso, Federico Malaman, Stephanne Galland, Fabian Fiorini, Michel Hatzigeorgiou, Wayne Escoffery, Philip Harper, Florian Arbenz, Tineke Postma, among many others.

João Barradas was nominated ECHO Rising Star 2019/2020 by the European Concert Hall Organization and BBC Music Magazine nominated the accordionist as one of the current year's classical music rising stars."

-Joao Barradas Website (https://www.joaobarradas.net/)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Solo II, Pt. 1 11:18

2. Solo II, Pt. 2 6:09

3. Solo II, Pt. 3 9:49

4. Solo II, Pt. 4 8:55

5. Solo II, Pt. 5 10:13

6. Solo II, Pt. 6 9:25

Related Categories of Interest:


Clean Feed
Improvised Music
Jazz
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Piano & Keyboards
Unusual Vocal Forms
Solo Artist Recordings
European Improvisation, Composition and Experimental Forms
Squidco's Clean Feed 50% Sale

Search for other titles on the label:
Clean Feed.


Recommended & Related Releases:
Barradas, Joao
Solo II - Live at the Festival D'Aix-En-Prevence
(Clean Feed)
Active in both contemporary music and as an improviser, Portuguese accordionist João Barradas is heard live at the 2022 Festival d'Aix-en-Provence in France, performing solo on a chromatic accordion, MIDI chromatic accordion and voice for an expansive, un-interrupted six-part improvisation that showcases both his technical skills and his emotional passion.
Fernandes, Mane
Enter The sQUIGG
(Clean Feed)
A unique album of oddly metered yet highly rhythmic jazz from guitarist and composer Mané Fernandes, a member of Pedro Alves Melo Omniae Large Ensemble, but more importantly, part of a scene he refers to as Post-Beat Aesthetics, merging electronic and synthetic elements into jazz form, a serious and diverting direction for creative improv and studio play.
Other Recommended Releases:
DNS
Taking Big Bites Of The Khandas Three Cafes Deep [2 CDs]
(Bu Lang Tribute Cake)
Live improvisations from the North Carolina duo of Alexander Cooper and Joseph Schlam, a double album of eight extended journeys through textural sound, drone and veiled reference, influenced by Costin Miereanu, Jaap Vink, Lionel Marchetti, Luc Ferrari, and Dagar Vani, as the duo work in stereo using two amps for drums, voice, live electronics, and field recordings.
Alves, Pedro Melo
Conundrum Vol.1
(Clean Feed)
Since 2019 Portuguese drummer & percussionist Pedro Melo Alves has run the Conundrum series at the ZDB club (Galeria Ze dos Bois) in Lisbon, inviting a diverse set of improvisers, many for first time encounters, and recording the concerts which he presents here in this first volume: thirteen fascinating improvisations that challenge both the drummer and participants alike.
Zajc, Rebeka Rusjan
Prelude
(Clean Feed)
The debut for young Slovenian pianist Rebeka Rusjan Zajc, living and working in Amsterdam, brings forward a new voice in lyrically elegant and virtuosically confident solo piano improvisation, her extended piece "Illusion" divided in natural segments that allow her progressions to develop through accomplished, lively runs and moments of suspended beauty.
Bica, Carlos (Erdmann / DJ Illvibe / Barradas)
Playing with Beethoven
(Clean Feed)
Commissioned by Cineteatro Louletano to respond creatively to the musical legacy of Ludwig van Beethoven, double bassist Carlos Bica developed ten compositions that draw on Beethoven's original works, performing them with saxophonist Daniel Erdmann, accordionist João Barradas and DJ Illvibe on turntables, a truly unique take on some of the renowned composer's most famous works.
Oswald, Margaux / Jesper Zeuthen
Magnetite
(Clean Feed)
Also part of the working group Zeuthen / Østergaard-Nielsen / Nordberg / Oswald, legendary Danish saxophonist Jesper Zeuthen of Blue Sun and pianist Margaux Oswald are heard in this 2022 performance at Koncertkirken in Copenhagen for three extended and discerning dialogs of powerfully passionate interplay and startlingly beautiful plateaus of peaceful discourse.
Kruttli, Marie
Transparence
(Intakt)
Swiss pianist, composer and producer Marie Kruttli, who splits her time between Switzerland and Berlin, steps away from her trio with bassist Lukas Traxel and drummer Jonathan Barber for a sophisticated solo album of original composition and improvisations, in thirteen succinct, emotional and introspectively elegant works.
Oswald, Margaux
Dysphotic Zone
(Clean Feed)
Assertively dynamic solo piano improvisations captured live at the 2021 Monopiano Festival in Fylkingen, Stockholm from French-Filipina pianist Margaux Oswald, generating huge block chords over which she runs intricate and complex lines of clear and cohesive expression, pausing for delicate moments of space and introspection; wonderfully exuberant and well balanced.
Carolino, Sergio
Below 0
(Clean Feed)
Known from the TGB trio and work with Bernardo Sassetti, Portuguese deep brass player Sergio Carolino turns from his typical tuba for a solo album on a new instrument of his own invention--the lusophone--a standing tuba based on the Jazzophon, a trumpet in the shape of a saxophone, here built from parts of frontal bell tubas and demonstrated in an impressive, extended improvisation.
Fernandes, Mane
Enter The sQUIGG
(Clean Feed)
A unique album of oddly metered yet highly rhythmic jazz from guitarist and composer Mané Fernandes, a member of Pedro Alves Melo Omniae Large Ensemble, but more importantly, part of a scene he refers to as Post-Beat Aesthetics, merging electronic and synthetic elements into jazz form, a serious and diverting direction for creative improv and studio play.
Block Ensemble (Ratkje / Joh / Pernille / Ingvaldsen / Rasmussent ...)
Hugs and Bugs
(Clean Feed)
Conceived by saxophonist Kirstoffer Berre Alberts and Lasse Marhaug, who composed this large acoustic work for strings, percussion, blowing instruments, pipes (organ and accordion) and vocals, soliciting solo recordings created in isolation during the pandemic which they layered and blocked in the studio to create these two remarkable works of eccentric timbre, motion & pitch.
Goncalves, Luisa
Unno
(Clean Feed)
A rich and lyrical album of solo piano improvisation from Lisbon-based Portuguese pianist Luísa Gonçalves, improvised yet merging elements of contemporary compositional music into beautiful and graceful forms that she reveals in a contemplative and pensive mood, savoring her notes and progressions while allowing melody to come forward in sophisticated ways.
Dias, Jose
After Silence, Vol.1
(Clean Feed)
Portuguese guitarist Jose Dias steps away from his quartet and trio, and from the many scores for theatre, contemporary dance and animation film that he's composed, to focus on his solo electric guitar work, in this album that applies subtle affects and a warm, ethereal ambiance to expressive and passionate pieces, each conveying a sense of narrative and purpose.
Raia, Antonio
Asylum
(Clean Feed)
Naples tenor saxophonist Antonio Raia's album of solo saxophone improvisations employs a mix of traditional and unusual techniques in 12 concise pieces that fragment "scraps" of melody into a diverse ruminating streams, recorded at the city's Filangeri Asylum by sound artist Renato Fiorito, using ten microphones to capture the unique qualities of the space.
Raia, Antonio
Asylum [VINYL]
(Clean Feed)
Naples tenor saxophonist Antonio Raia's album of solo saxophone improvisations employs a mix of traditional and unusual techniques in 12 concise pieces that fragment "scraps" of melody into a diverse ruminating streams, recorded at the city's Filangeri Asylum by sound artist Renato Fiorito, using ten microphones to capture the unique qualities of the space.
Parzen-Johnson, Jonah
I Try To Remember Where I Come
(Clean Feed)
Chicago born, Brooklyn-based saxophonist Jonah Parzen-Johnson performs live at The Bunker on baritone saxophone, accompanying himself on analog synthesizer, using arpeggiated and repeating structures over which he improvises lyrical work using extended techniques including circular breathing, multiphonics, and overtones to great effect.
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Bica, Carlos
Carlos Bica + Materia-Prima
(Clean Feed)
New perspectives in Portuguese jazz, a remarkable balance between folk elements and a unique vision for modern jazz, in eight original songs and two covers including one from Marc Ribot.
Johnston, Darren
Edge Of The Forest
(Clean Feed)
Bay area trumpeter and bandleader Johntson in a set of original compositions performed with Ben Goldberg, Sheldon Brown, Devin Hoff and Smith Dobson.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC