Welcome to Squidco!
Edit Your Shopping Cart

   Squidco Home
   About Squidco
   My Account
      Log Out
   Checkout

   Artist List
   Label List
   eMail List
   Rewards
   Staff Picks
   Current Email Update
   Used Albums
   Top Sellers
   Gift Certificates
   Contact Us

Release Formats    ∇
Featured Genres    ∇
Instrumental Forms    ∇
Orchestration    ∇
Miscellaneous    ∇




The Squid's Ear Magazine

Greenstone, Madison
Resonance Studies in Ecstatic Consciousness

Greenstone, Madison: Resonance Studies in Ecstatic Consciousness (Relative Pitch)

Exploring the resonant properties inside a Bb clarinet caused by overtones, overblowing and other unusual reed techniques, Switch~ Ensemble clarinetist Madison Greenstone generates ten studies of extreme yet tremendously controlled anomalies on the single reed, each piece a masterwork of control in the extremities of unexpected sonic expression.
 

Price: $9.60

Quantity:

In Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Madison Greenstone-clarinet


Click an artist name above to see in-stock items for that artist.



UPC: 5904224871949

Label: Relative Pitch
Catalog ID: RPRSS020
Squidco Product Code: 33977

Format: CD
Condition: Sale (New)
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded at Greyfade Studio, in Mount Vernon, New York, on August 29th and 30th, 2022, by Joseph Branciforte.

Descriptions, Reviews, &c.

"Each of these studies takes as its basis a mode of resonance latent in the Bb clarinet. This album collects iterative and essayistic reflections on the self-generative qualities of these resonances. The instrument becomes a site of indeterminacy. What happens when resonance overflows?

Each resonance has some form of inner agency, some form of emergent phenomena that I search to breathe into being. This demands a continually renewed attunement to the liveliness of the sound: to its wildness, recalcitrance, and roughnesses. I sense that which seeks passage on the current of the breath. What wanders between? I fasten the conditions so that some other thing can emerge- without seeking to control, but merely to influence, to follow where it leads. Who follows during this passage?"-Madison Greenstone


Artist Biographies

"Madison Greenstone was born in California, and completed her Bachelor of Music degree at the Eastman School of Music in 2014. She was a receiver of a DAAD (Deutscher Akademisher Austausch Dienst) that enabled her to teach English at the Universität zu Köln during the 2014/15 academic year.

She has participated in the Darmstadt Ferienkurse für Neue Musik (2012/14), Manifeste Académie (2013), the IMPULS Akademie (2015), and the Klangspuren International Ensemble Modern Akademie (2015), and has studied with Kenneth Grant, Jon Manasse, and Carl Rosman. Aside from clarinet, she is also interested in the metaphysics of wordplay, translation and hearing, ideas of Being, and speculative philosophy. Currently, she is creating on a text that works to pull these seemingly disparate areas together to illuminate and articulate the ineffable in music.

Madison studies at UC San Diego, where she is pursuing her Master of Music in contemporary music performance, where she studies with Anthony Burr. She is the clarinetist in the [Switch~ Ensemble]."

-NewMusic USA (https://www.newmusicusa.org/profile/madison-greenstone/)
11/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Ecstatic Consciousness I 3:27

2. Aeolian Harp I 3:40

3. Flicker 3:27

4. Glass Horn (Acoustic Shadow) 3:22

5. Aspects Beyond Thought I 2:25

6. Aspects Beyond Thought II 3:05

7. Hidden Name 2:51

8. Aspects Beyond Thought III (Shadow Presence) 2:31

9. Ecstatic Consciousness II 3:26

10. Smell Of The Moon 4:24

11. Aeolian Harp II 3:46

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings

Search for other titles on the label:
Relative Pitch.

Recommended & Related Releases:
Other Recommended Releases:
Wooley, Nate
Moths
(Editions Verde)
Nate Wooley's exquisite improvised composition begins with a musical gesture and four parameters of change from each player--harmonic motion, articulation, extension, & physicality--which directs their "flight" in its slowly evolving pace, creating a varying mosaic of sound, as beautifully rendered by Laura Cocks (flute), Madison Greenstone (clarinet) and Eric Wubbels (keys & voice).
Wright, Jack
What Is What
(Relative Pitch)
Improviser, influencer and world traveler performing with exceptional players in interesting situations, saxophonist Jack Wright is heard in four solo improvisations that support the description of his wide vocabulary on the horn: "leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds".
Wooley, Nate / Mutual Aid Music
Four Experiments [4 CD BOX SET]
(Pleasure of the Text Records)
Engaging an expanded version of the ensemble from his Mutual Aid Music, trumpeter Nate Wooley provides scores for his players in various configuration that challenge concepts of group composition, instrumental sound and resonance, idealized tones and the human voice, the development of melody and harmony in compositions, &c.; performers include Wooley, Seymore Wright, John McCowen, Gabby Fluke-Mogul, Cory Smythe, Luke Stewart, Eric Wubbels, &c.
Valencia, Maria
Compendio de Alofonias Abisales
(Relative Pitch)
Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada).
Nebbia, Camila
Una Ofrenda A La Ausencia
(Relative Pitch)
Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects.
Jessen, Kyle
Primitive
(Relative Pitch)
An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative.
Malfon, Don
Mutable
(Relative Pitch)
Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments.
Abdou, Sakina
Goodbye Ground
(Relative Pitch)
An incredibly well-rounded musician on sax and flute, performing in both improvised and contemporary settings including Dedalus Ensemble and work with Etron Foun drummer Guigou Chenevier, here Sakina Abdou presents a series of solo saxophone improvisations recorded at her home in Lille, France, drawing on all of her influences in eight informed performances.
Pitsiokos, Chris
Art of the Alto
(Relative Pitch)
Each of the eight tracks on NY saxophonist Chris Pitsiokos' 2nd solo release for Relative Pitch is named for a type of stone--"Obsidian", "Feldspar", "Anthracite", &c.--each a unique take on its mineral counterpart through incredible technique and concentration, taking the alto saxophone into extreme or reflective territory complementing the nature of each element.
Foster, Michael
The Industrious Tongue
(Relative Pitch)
It's not just the tongue that drives these compellingly irascible and unexpected sounds from the saxophone, augmented at times by samples and oscillators, as NY saxophonist Michael Foster applies technique beyond extended to a tenor and soprano saxophone, in two multi-part works of solo utterance: "Libidinal Fragments" in seven parts, and "Celluloid Nightmares" in two.
Grimal, Alexandra
Refuge
(Relative Pitch)
Recorded using the natural resonance from the base of a stone double spiral staircase in the Castle of Chambord, France, improvising soprano saxophonist Alexandra Grimal explores her own personal language and the affect the ambience brings to her adept playing, through beautifully melodic lines, long arpeggiations, or short bursts of penetrating utterance.
Burnett, Aaron
Correspondence
(Relative Pitch)
Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.
Lee, Robbie
Prismatist
(Relative Pitch)
With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Emmeluth, Signe
Hi Hello I'm Signe
(Relative Pitch)
A single piece recorded live for Ingebrit Haker Flaten's 2020 Sonic Transmissions Festival finds the Danish saxophonist in an extended improvisation of varying moods, applying a diverse set of methods and technical approaches to the horn, from quiet meditate work to full-throated exuberance, in a remarkably personal journey of confident exposition.
McCowen, John
Mundanas I - V
(Edition Wandelweiser Records)
Two clarinetists--John McCowen, also the composer, and Madison Greenstone, both on clarinet & bass clarinet--taking the title from Boethius' (427-524 AD) printed work on ancient Greek music: "De institutione musica", as they generate long-form drones using the harmonic interactions and interference patterns of similar tones, overtones, and difference tones; impressively intense.


Customers Who Bought This Item Also Bought:
London, Frank / The Elders
Spirit Stronger Than Blood
(ESP)
Paying homage to recordings from Mingus, Sanders, Thornton, &c, albums that shaped his approach to jazz composition and playing, trumpeter Frank London and his band The Elders--Marilyn Lerner, piano; Hilliard Greene, bass; Newman Taylor Baker, drums; and Greg Wall on sax on 3 tracks--perform six sophisticated London compositions that bridge modern improv with 60s post-bop lyricism.
Reinhard, Samuel
For Piano and Sho
(elsewhere)
Two studies in the elongation of piano decay complemented by the harmonics and texture of the shō (a Japanese free reed instrument) using stillness and repetition in a two part extended work by NY-based Swiss comoposer Samuel Reinhard, performed by Copenhagen pianist Paul Jacob Fossum and Japanese Gagaku musician Haruna Higashida; an album of beautifully meditative pools of sound.
Democ, Adrian
Piano
(elsewhere)
Three meditative pieces by Eastern European composer Adrian Demoč, recorded at Czech Radio Ostrava and performed by Miroslav Beinhauer: 'Ma fin est mon commencement' and 'Gebrechlichkeit' which both provide flexibility to the performer; 'A Luca Marenzio ll', a reinterpretation of a previous trio work pivoting around the cello, uniquely interpreted here by Beinhauer.
Joonyong, Choi / Devin DiSanto
Strange Skills
(erstwhile)
The first collaborative work by Seoul-based electronic, sound and noise artist Choi Joonyong and NY-based experimental artist Devin DiSanto in five recordings from Third Hand in Seoul, South Korea, where the two literally are heard "Taking Apart a Piano", "Wrapping a Piano in Foil and Vibrating the Case", or recording according to the title: "Spray, White Noise and a Bowling Ball".
Houle / Gentile / Hawkins
Fatrasies
(Les Disques Victo)
The transatlantic trio of UK pianist Alexander Hawkins, NY drummer Kate Gentile and Canadian reedist Francois Houle are heard in four masterful spontaneous improvisations in their live performance at the 39th Festival International de Musique Actuelle de Victoriaville, Houle performing on clarinets (sometimes two at a time) including the early, deep-note basset clarinet.
Perelman, Ivo (Fowler / Workman / Cyrille)
Embracing the Unknown
(Mahakala Music)
Recording with the legendary rhythm section of bassist Reggie Workman and drummer Andrew Cyrille, tenor saxophonist Ivo Perelman and stritch & saxello player Chad Fowler perfectly complement each other as they play off and complete each other's lines and phrases under the support of astute foundational support, an exemplary album of collective, cross-generational free improvisation.
Gayle, Phillip
Mammoth Flower
(Public Eyesore)
A psychedelic set of recordings based around the guitar work of Philip Gayle, improvised, recorded, and layered into diverse experiments in sound and performed on banjo, bass, cello, door, guitars, mandolin, percussion, piano, toy piano, voice, ukulele and waterphone, with guests including saxophonist Shogo Ohshima and vocalists Shizka Ueda, Omusubisan and Fuuchan.
Butcher / Prevost
High Laver Levitations Vol 1: Unearthed
(Matchless)
Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique.
[ism] (Pat Thomas / Joel Grip / Aontonin Gerbal)
Maua
(577 Records)
Recordings from the Berlin club Au Topsi Pohl where the [ism] piano trio of Pat Thomas on piano, Joel Grip on double bass and Antonin Gerbal on drums played 4-nights in a row, May 18-21, 2022, Thomas performing on a Bösendorfer grand piano, creating an omnipresent and precise sound that drove the band to great heights of interactive, warmly diverse playing.
Coleman, Ornette Trio
At The Golden Circle Stockholm, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing and remastering both volumes from saxophonist, trumpeter and violinist Ornette Coleman's 1966 Blue Note album of his 1965 performance at the Golden Circle in Stockholm, Sweden in a trio with double bassist David Izenzon and drummer Charles Moffett, two days of exceptional concerts and the first example of Ornette's violin playing on any recording.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC

New In:
Recent Releases
Improvisation
Electro/Experimental
Compositional
Rock & Related