The Squid's Ear Magazine


Russell, Hal / Mars Wiliams: EFTSOONS [VINYL] (NESSA)

Eftsoons (defined as "soon after") is the 1981 duo album from NRG Ensemble leader Hal Russell with ensemble saxophonist and Chicago mainstay saxophonist Mars Williams, who also performs on slide whistle, bells and "lots of other stuff", Russell also performing on cornet, vibraphone and toys; an exciting and energetic album of truly free, inspired playing!
 

Price: $21.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 24.00 units

Sample The Album:





product information:

Personnel:



Hal Russell-drums, saxophone, cornet, vibraphone, toys

Mars Williams-tenor saxophone, slide whistle, bells


Click an artist name above to see in-stock items for that artist.




Liner notes by Hal Russell and John Zorn.

Label: NESSA
Catalog ID: N-24
Squidco Product Code: 34546

Format: LP
Condition: New
Released: 1984
Country: USA
Packaging: LP
Recorded at Acme Studios, in Chicago, Illinois, on August 21st, 1981, by Mike Rasfeld.

Descriptions, Reviews, &c.

Eftsoons (defined as "soon after") is the 1981 duo album from NRG Ensemble leader Hal Russell with ensemble saxophonist and Chicago mainstay saxophonist Mars Williams, who also performs on slide whistle, bells and "lots of other stuff", Russell also performing on cornet, vibraphone and toys; an exciting and energetic album of truly free, inspired playing!


Liner notes by Hal Russell and John Zorn.

Artist Biographies

"Hal Russell (born Harold Russell Luttenbacher, August 28, 1926 Ð September 5, 1992) was an American free jazz composer, band leader and multi-instrumentalist who performed mainly on saxophone and drums but occasionally on trumpet or vibraphone. Russel's fiery music was marked by significant humor, not unlike much of Dutch drummer Han Bennink's output. His music was so accessible that People magazine hailed The Finnish Swiss Tour on ECM as one of its top 5 albums of the year. Russell set the table for the free improv and free jazz scene which exploded later in the 1990s in Chicago.Biography

Born in Detroit, Michigan, United States, and raised in Chicago, Illinois, from the eighth grade, Russell began playing drums at age four, but majored in trumpet at college; he subsequently drummed in several big bands, including those of Woody Herman and Boyd Raeburn.

As with many young players in the mid-1940s, Russell's life was irreversibly changed by bebop. In the 1950s he worked with musicians including Miles Davis, Billie Holiday, Sonny Rollins, John Coltrane, and Duke Ellington. He succumbed to drugs and was a heroin addict for ten years. In 1959, he joined the Joe Daley Trio, whose Newport' 1963, which was mostly studio material, was reputedly one of the earliest free jazz records.

In the early 1970s, Russell was the regular percussionist for the band at the suburban Chicago Candlelight Dinner Playhouse. Here he played mostly drums, but occasionally vibes and keyboards. At the same time he would host many young jazz musicians for jam sessions at his home, or in Chicago nightclubs.

In 1979, Russell formed the NRG Ensemble, which for most of its existence featured saxophonist Mars Williams, multi-instrumentalist Brian Sandstrom, and percussionist Steve Hunt, among others. At this time he starting playing tenor saxophone, soprano saxophone and trumpet, in addition to drums and vibes. Russell finally issued his first album in 1981 for the Nessa label. In the late 1980s, the group began playing frequently in Europe, and began recording for ECM with The Finnish/Swiss Tour. Russell led the NRG Ensemble until his death.

In addition to the NRG Ensemble, Russell always maintained several auxiliary bands, a partnership with pianist Joel Futterman, the rock-oriented trio NRG 3 with Ed Ludwig on drums and Noel Kupersmith on bass, and The Flying Luttenbachers with Chad Organ on tenor sax and Weasel Walter on drums.

Cited by some as a missing link between the AACM and later Chicago free jazz, Russell was experiencing greater public awareness before his death. Just after completing the semi-autobiographical album The Hal Russell Story, Russell died of a heart attack in September 1992."

-Wikipedia (https://en.wikipedia.org/wiki/Hal_Russell)
3/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mars Williams is an open-minded musician, composer and educator who commutes easily between free jazz, funk, hip-hop and rock, Mars has played and recorded with The Psychedelic Furs, Billy Idol, Massacre, Fred Frith, Bill Laswell, Ministry, Power Station, Die Warzau, The Waitresses, Kiki Dee, Pete Cosey, Billy Squier, DJ Logic, Wayne Kramer, John Scoffield, Charlie Hunter, Kurt Elling, Swollen Monkeys, Mike Clark, Jerry Garcia, Naked Raygun, Friendly Fires, The Untouchables, Blow Monkeys and virtually every leading figure of Chicago's and New York City's "downtown" scene.

John Zorn credits Mars as "one of the true saxophone players--someone who takes pleasure in the sheer act of blowing the horn. This tremendous enthusiasm is an essential part of his sound, and it comes through each note every time he plays. Whatever the situation, Mars plays exciting music. In many ways he has succeeded in redefining what versatility means to the modern saxophone player."

In 2001 Mars received a Grammy Nomination for Best Contemporary Jazz Record with his group Liquid Soul.

Despite his busy touring schedule with Liquid Soul and The Psychedelic Furs, Mars manages to stay active on the Chicago underground improvising scene. In recent years he has toured and recorded with the Peter Brötzmann Tentet, Switchback, Full Blast, Scorch Trio, the Vandermark 5, Boneshaker, Chicago Reed Quartet and Cinghiale, teaming him with such musicians as Ken Vandermark, Hamid Drake, Michael Zerang, William Parker, Ikue Mori, Kent Kessler, Fredric Lonberg Holm, Peter Brotzmann, Joe McPhee, Paal Nilssen-Love, Ab Baars, Mike Reed, Jeb Bishop, Harrison Bankhead, Dave Rempis, Kidd Jordan and Matts Gustafson.

He performs weekly in Chicago along with Jim Baker, Steve Hunt, and Brian Sandstrom in the improvising quartet "Extraordinary Popular Delusions". As a bandleader, he continues to perform and record CDs with his own free-jazz groups, the NRG Ensemble, Witches & Devils, Slam, XmarsX, Mars Trio, Boneshaker and The Soul Sonic Sirkus which features improvising musicians and aerial circus performers. Along with Die Warsau's Van Christie, Mars has started Ratking Music, a production company focusing on music for film and television.

In addition to performing and creating music, Mars has been an educator in the field of woodwinds and jazz improvisation for over thirty years. Mars held the position of Woodwind Instructor at Bard College for two years. In the last few years Mars has presented Master classes and clinics to a number of private and public institutions including, the University of Massachusetts, Amherst, the University of Chicago, Roosevelt University (Chicago, IL), and June Collins Smith Museum of Fine Art (Auburn, AL)."

-Mars Williams Website (http://www.marswilliams.com/about/)
3/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. Carnal Concupiscence 3:24

2. Is This Virginia? 4:49

3. A SYNC / SYNC STAT MUX PROLIXTHUX 4:52

4. Odoriferous Flambeaus Of The Paranymphs 8:25

SIDE B



1. N, SSS, EEE 7:05

2. Eftsoons 8:43

3. Noise Commands: Blast 1 5:06

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
Chicago Jazz & Improvisation
Recordings by or featuring Reed & Wind Players
Duo Recordings
Staff Picks & Recommended Items

Search for other titles on the label:
NESSA.


Recommended & Related Releases:
Other Recommended Releases:
NRG Ensemble (directed by Mars Williams)
Hold That Thought
(Corbett vs. Dempsey)
The 1st of three archival albums from saxophonist Mars Williams' vaults, this 1996 concert in Utrecht with the NRG Ensemble--the band that Williams' carried forward after Hal Russell's passing in 1992--in an unrestrained concert of original material from Williams and fellow saxophonist Ken Vandermark, with Kent Kessler on bass, Steve Hunt on drums, and Brian Sandstrom on bass, guitar & trumpet.
Williams, Mars / Hamid Drake
I Know You Are But What Am I?
(Corbett vs. Dempsey)
The second of three archival albums from late saxophonist Mars Williams' vaults, this 1996 recording is a rare duet with Chicago drummer Hamid Drake, and is also one of the first concerts of the Empty Bottle Jazz and Improvised Music series, a diverse set of four improvisations marked by energetic enthusiasm, doubling of reeds, and wild playing from both.
Williams, Mars / Vasco Trilla
Critical Mass
(Not Two)
The second release from the duo of Spanish percussionist Vasco Trilla and Chicago reedist Mars Williams, the latter performing both on reeds and on toy instruments, each using extraordinary and extended technique to create exotically energetic conversations and beautifully meditative environments, in five creative, playful and impressively informed dialogs.
Russell, Hal / Joel Futterman
The Chicago River [3 CDs]
(Fundacja Sluchaj!)
Late Chicago saxophonist, trumpeter & vibraphonist Hal Russell (NRG Ensemble) and legendary pianist Joel Futterman, also on curved soprano saxophone & Indian flue, are heard in the complete recordings from their two day concert for the victims of the 1992 Great Flood of the Chicago River, presenting a five part work of flowing free jazz force and currents of creative power.
Brotzmann, Peter Chicago Tentet
Ultraman vs. Alien Metron [SINGLE SIDED VINYL]
(Corbett vs. Dempsey)
Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee.
Williams, Mars / Vasco Trilla
Spiracle
(Not Two)
A truly unique duo album of sax and drums from Chicago reedist Mars Williams and Spanish percussionist Vasco Trilla, using their immense technical skills to pivot reflective and meditative playing around exuberant free jazz spirit, maintaining a sense of journey and sonic introspection through unusual and extended technique; a beautifully balanced album.
Stirrup + 6 (Lonberg-Holdm / Macri / Rumback)
The Avondale Addition
(Cuneiform)
The Stirrup trio of cellist Fred Lonberg-Holm, Nick Macri (bass), and Charles Rumback (drums) is merged with improvisers from Lonberg-Holm's Lightbox Orchestra project--Keefe Jackson & Mars Williams on reeds, guitarist Peter Maunu, violist Jen Clare Paulson, trumpeter Russ Johnson & Zoots Houston on electronics -for this compelling structured performance at Elastic Arts.
Boneshaker (Williams / Nilssen-Love / Kessler)
Fake Music
(Soul What Records)
Masterful, fervent free jazz from trans-Atlantic trio of Mars Williams on saxophones, Kent Kessler on bass, and Paal Nilssen-Love on drums, captured live at Elastic Arts, in Chicago in 2017 for three impressive collective improvisations of intense energy, articulate and extended expression, and ecstatic improvisation in an exceptional and cohesive concert.
Boneshaker
Thinking Out Loud [VINYL-DAMAGED]
(Trost Records)
The third album from this international trio of powerful improvisers--Norwegian drummer/percussionist Paal Nilssen-Love, Chicago bassist Kent Kessler, and Chicago/NY saxophonist Mars William-- in four odysseys that take the listener from introspective playing to out and out blowing, using technique to serve their incredible dialog.
Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler)
Unusual Words
(Soul What Records)
A CD intended to sell at concerts from Mars Williams' own Soul What Records label, a studio recording in 2012 from the powerhouse trio of Chicago multi-reedist Mars Williams, in-demand Norwegian drummer/percussionist Paal Nilssen-Love, and Chicago bassist Kent Kessler, running the gamut from furious blowing to introspective interaction.
Chicago Reed Quartet (Mazzarella / Rempis / Williams / Vandermark)
Western Automatic
(Aerophonic)
Four generations of Chicago saxophonists--Dave Rempis, Ken Vandermark, Mars Williams, and Nick Mazzarella--come together in an interactive saxophone quartet with each player providing 2 compositions of well-developed, powerful, engaging free and lyrical jazz.



Customers Who Bought This Item Also Bought:
Grimal, Alexandra / Giovanni Di Domenico
Shakkei
(Relative Pitch)
Five duets inspired by the Japanese concept of borrowed scenery (Shakkei (借景)) — integrating background landscapes into the design of a garden — are exquisitely realized in these spiritual and introspective performances, from the 20-year collaboration between French saxophonist Alexandra Grimal (tenor and soprano) and Italian pianist-organist Giovanni Di Domenico.
Dikeman, John / Sun-Mi Hong / Aaron Lumley / Marta Warelis
Old Adam on Turtle Island
(Relative Pitch)
Saxophonist John Dikeman composed this diverse and expressively lyrical song cycle reflecting on colonization, and the double edged sword of religion which can lead to transcendence or tyranny, recorded in Amsterdam in a quartet with Marta Warelis on piano, Aaron Lumley on bass and Sun on Mi Hong on drums, presented in two extended improvisations.
Agnel, Sophie / Michael Zerang
Draw Bridge
(Relative Pitch)
French classically trained pianist Sophie Agnel and percussionist Michael Zerang explore unconventional techniques in nine captivating improvisations recorded at Chicago's Experimental Sound Studio, blending Agnel's prepared and extended piano methods with Zerang's nuanced percussion to create a strikingly compatible and dynamic sonic dialogue.
Parkins, Zeena / Chris Brown / William Winant / Ben Davis
Scree
(Relative Pitch)
Recording in the Mills College Concert Hall in Oakland, the quartet of Zeena Parkins (harp), Chris Brown (piano and electronics), William Winant (percussion), and Ben Davis (cello) work in an ethereal mode of electro-acoustic improvisation, drawing unconventional sounds from their instruments as they weave a virtuosic and intricately creative sonic tapestry evoking the rugged unpredictability of the album's title.
ES Trio (Steyer / Kwan / Zerang)
The Foreign In Us
(Relative Pitch)
Recorded at Experimental Sound Studios following a powerful and inspired concert at Elastic Arts, this trio captures the distinct musical voices of Edith Steyer (alto saxophone & clarinet), Mabel Kwan (piano), and Michael Zerang (drums & percussion), weaving sound-oriented improvisations and diverse transatlantic influences from Berlin and Chicago.
Sharp, Elliot
Arbor
(zOaR Records)
A collection of arboreal pieces for solo acoustic guitar--wood transformed into a resonator with the help of metal oscillators and digital manipulation--performed in the studio by NY guitarist and improviser Elliott Sharp, developing the works around trees, "austere and intense", each piece unfolding like delicate branches of acoustic and ethereal framework.
Ensemble SuperMusique
Musiques Emeraude
(Ambiances Magnetiques)
An overview of Montreal's Ensemble Supermusique celebrating their 40th anniversary, drawing on works from founders Joane Hétu, Diane Labrosse, and Danielle Palardy Roger and their projects including Wondeur Brass, Les Poules, Justine, &c., realized by 40 instrumentalists in 8 groups of 3 to 8 players; masterful sophistication with a sense of humor and wonder — exceptionnelle!
Lai, Clara (Lai / Reviriego / Roca)
Corpos
(Phonogram Unit)
The debut album from pianist Clara Lai's Barcelona-based trio with Alex Reviriego on double bass and Oriol Roca on drums, Lai's background in classical and jazz improvisation felt in the precision of her playing as the trio explores collective construction and structural improvisation, coaxing active and contemplative moments among uniquely experimental approaches.
Sousa, Pedro Alves / Rodrigo Pinheiro / Gabriel Ferrandini
Cloud At Rest
(Phonogram Unit)
An exemplary album of thoughtful free improv from the trio of tenor saxophonist Pedro Alves Sousa with 2/3's of Red Trio--pianist Rodrigo Pinheiro and drummer Gabriel Ferrandini--recorded after a five day residency at the Goethe-Institut Lisbon, the band finding new approaches to playing to distance themselves from the typically fast & energetic music they are often associated with.
Harding, Paul R / Michael Bisio / Juma Sultan
They Tried to Kill Me Yesterday
(ESP)
An album of jazz poetry between long-time collaborator, bassist Michael Bisio and poet Paul r. Harding, with former Jimi Hendrix percussionist Juma Sultan joining on half of the tracks, for thirteen narrative poems and utterance that provide incisive observation on ourselves and our country, the bass and percussion weaving around expression that slams, swings, and pulls no punches.
Merzbow
Cafe OTO [2 CDs]
(Cold Spring Records)
A live and extended performance of brutal but shifting sonic assault performed before an appreciative audience at London's Cafe OTO in 2016, a solo performance from Japanese noise legend Masami Akita, AKA Merzbow, each of the 2 CDs in this set more than 50 minutes of tightly controlled electronic mayhem from the unremitting determination of one of the globe's masters of noise.
Ughi, Federico (w / Leo Genovese / Brandon Lopez)
Infinite Cosmos Calling You You You, Vol. 1
(577 Records)
The first album under 577 label leader and drummer Federico Ughi's name in five years brings together the incredible bass skills of Brandon Lopez and expansive Argentinean keyboard sonics of Leo Genovese, the first of two planned volumes recorded in the studio for a boundary-less album of acoustic and electric improv influenced by the music and philosophy of Sun Ra.
Leap Of Faith
The Origin Of Mass
(Evil Clown)
The second album of collective free improvisation from Leap of Faith expanded by Chinese musicians, from the core duo of multi-reedist David Peck and cellist Glynis Lomon, here with Chinese improviser, Boston-based Beijing guzheng player Jiaxin Wan, alongside trumpeter Bob Moores, for two exotic improvisations of patiently evolving global elements.
Brotzmann / Van Hove / Bennink
Outspan No 2 [VINYL]
(Cien Fuegos)
Recorded a month after Outspan No 1, this album was captured live at 1974 Ost-West-Festival in Nurnberg, Germany from the legendary, masterfully amusing and absolutely serious trio of Peter Brötzmann on alto saxophone, tenor saxophone, clarinet, Fred Van Hove on piano, Han Bennink on drums, clarinet, homemade junk, everything, anything.
Superposition (Todd A. Carter / Michael Hartman)
Glaciers
(Kettle Hole Records)
Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC