The Squid's Ear Magazine


Park, Han-earl / Yorgos Dimitriadis / Camila Nebbia: Gonggong 225088 (Waveform Alphabet)

The project of Korean-American guitarist, improviser and composer Han-earl Park, Gonggong 225088 is his trio with Argentinian saxophonist, composer and visual artist Camila Nebbia, and Greek drummer, improviser and sound artist Yorgos Dimitriadis, in an album of collective improvisation that expands its percolating jazz roots with spacious moments of electronics and extended expression.
 

Price: $14.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Han-earl Park-guitar

Yorgos Dimitriadis-percussion, electronics

Camila Nebbia-saxophone


Click an artist name above to see in-stock items for that artist.




Label: Waveform Alphabet
Catalog ID: wa008
Squidco Product Code: 34887

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded live at Morphine Raum, in Berlin, Germany, on December 4th, 2023, by Rabih Beaini.

Descriptions, Reviews, &c.

"The latest project from Korean-American guitarist, improviser and composer Han-earl Park, Gonggong 225088 is his trio with Argentinian saxophonist, composer and visual artist Camila Nebbia, and Greek drummer, improviser and sound artist Yorgos Dimitriadis. By turns light-as-a-feather, and heavy and prickly as a bucket of rusty nails, the music is of contradiction and ambiguity. Leaps into '90s HatHut pastiche are followed by truckers-in-space-engine-rumbles; slow-crawls-from-the-swap of irony-free 'bells'n'smells' sound art followed by turns-turns-turns-on-a-dime mutant Free Funk. Here be dragons. It's music that is simultaneously earnest and full of ironic glee; a spaghetti junction of noise held together by a deep love of connection, and a constantly shifting center of balance found only in ensemble play."-Waveform Alphabet



d

"What is absolutely inspiring with improvised or semi-improvised musics, is that you may be aware of the sounds the players have produced in the past, but you can never easily guess what this new interaction will bring. Probably this is where this great divide between many rock and pop music's fans, who expect the "best" and most technically perfect version of same pieces, while the much smaller audience of improvised musics is happy to be puzzled by what will come next.

This is certainly the case when it comes to the trio of Han-earl Park in electric guitar and electronics, Camila Nebbia on the saxophone and Yorgos Dimitriadis on the drums. Their music never ceases to create new questions; their audio palette broadens with every new listen. Park's use of — in extended passages throughout this recording — electronics creates atmospheres that tend to overpass the more natural and organic sounds coming from acoustic instruments, the drums and the sax this time. Within this electronic sound field, Nebbia and Dimitriadis never fail to join and create a parallel, more jazzy (but what is jazz, anyway, nowadays) audio world.

Once the guitar joins in the fragmental, percussion nature (from the Topography of the Lungs "tradition") of it, makes Park a decisive addition to Dimitriadis playing, whose polyrhythmic, emotional give and take approach, creates small snippets of percussion sounds. Nebbia's sax never tries to saturate the others (as such an instrument can do) but, willingly, follows and goes along in a -sometimes threefold, other times a duo- dialogue between the players.

Short, low energy passages from the sax are followed by energetic playing on the drums, while Park is taking advantage on the ambivalent nature of his amplified instrument to create, all of them together, a sound world that incorporates, at the same time, the electronic nature of the guitar with the more fluid and down to earth sounds of the sax and the drums. [...]"-Fotis Nikolakopoulos, The Free Jazz Collective



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at The Free Jazz Collective

Artist Biographies

"Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe, Korea and the USA.

Park engages a cyborg virtuosity in which mind, body and artifact collide noisily. He is fascinated by the ways in which improvisation can complicate and amplify social relations, identities and agencies, and he is driven by the revolutionary potential of real-time interactive performance in which tradition and practice become playfully problematic.

He is the mastermind behind the ensembles Eris 136199 with Catherine Sikora and Nick Didkovsky; Sirene 1009 with Dominic Lash, Mark Sanders and Caroline Pugh; and Mathilde 253 with Charles Hayward and Ian Smith; and has a duo with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Ingrid Laubrock, Andrew Drury, Pat Thomas and Franziska Schroeder. He has toured as part of Josh Sinton's European trio, and as guest artist with Gargantius Effect (Murray Campbell and Randy McKean); guested in performances by the Mark Hanslip/Dominic Lash/Phillip Marks Trio, and Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle); performed as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros; and participated in improvisative meetings with Gerald Cleaver, Andrea Parkins, Tom Rainey, Mike Pride, Anna Webber and Jack Wright. He has studied with improviser-composers Wadada Leo Smith, Richard Barrett, Joel Ryan, Mark Trayle, Chick Lyall and David Rosenboom, composers Clarence Barlow and Marina Adamia, and interactive media artist Sara Roberts.

His ensembles have appeared at festivals including Jazz em Agosto (Lisbon), Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), dialogues festival (Edinburgh) and Sonic Acts (Amsterdam); and he has collaborated in projects featured at festivals including Sonorities (Belfast) and CEAIT (Los Angeles). In addition to numerous releases on his own label, his recordings have been released by labels including SLAM Productions, Creative Sources and DUNS Limited Edition. He has performed live on Resonance FM (London), Drift Radio (Scotland), and KVMR 89.5 FM (Nevada County), interviewed on RTÉ Morning Ireland and RTÉ Nova (Ireland), and his recordings have been broadcast around the world.

Park taught improvisation at University College Cork (2006-2011, 2017), and founded and curated Stet Lab (2007-2011), a space for improvised music in Cork. He is a recipient of grants from the Arts Council of Ireland (2007, 2008, 2009 and 2016), Music Network (2009 and 2010) and Culture Ireland (2015), and of the Ahmanson Foundation Scholarship (1999) and the CalArts Scholarship (1999 and 1999-2000)."

-Han-earl Park Website (https://www.busterandfriends.com/about/han-earl-park/)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Yorgos Dimitriadis is a Berlin based drummer active in the realms of improvised music and contemporary jazz.

After having studied drums at the New Conservatory Thessaloniki, Greece, Dimitriadis moved to Boston, U.S.A. to study with Alan Dawson and Bob Moses. After returning to Europe, in 1994 he was offered a two-year residency at the Cité Internationale des Arts in Paris from the Greek Ministry of Culture. For the next twelve years Dimitriadis was an active member of the Paris jazz and improvised music scene, playing locally as well as participating in festivals world wide.

Since 2006 he works and lives in Berlin, connecting with the international improvisers scene and participating in different groups and projects: from solo performances to appearances with the 25 piece orchestra BerIO. Dimitriadis is a founding member of among others: GRIX, GLUE and FABRIC trios.

He has played with: Sirone, Achim Kaufmann, Tobias Delius, Clayton Thomas, Axel Dörner, Ignaz Schick, Andrea Parkins, Paul Dunmall, Tristan Honsinger, Alexander von Schlippenbach, Marco Eneidi, Alexander Frangenheim, Matthias Bauer, Jan Roder, Edoardo Maraffa, Julie Sassoon, Lothar Ohlmeyer, Harri Sjöström, Nils Ostendorf, Antonio Borghini, BerIO (Berlin Improvisers Orchestra), Marc Turner, Michel Hadjigeorgiou, Nedim Nalbantoglou, Minino Garay, Mano Solo."

-Yorgos Dimitriadis Website (https://yorgosdimitriadis.com/about-3/)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Camila Nebbia is a saxophone player, composer, improviser, multidisciplinary artist curator and educator from Buenos Aires, Argentina based in Berlin, Germany. Her artistic practice reflects the relationship between composition, free improvised music, film and mixed media creations, where memory and identity are some of the main resonances of her work. Her visual work includes super 8 film, archives, destroyed archives, expanded cinema & digital video. Co-creator and curator of the collective interdisciplinary group and improvised music series "La Jaula se ha vuelto pájaro y se ha volado", the concert series "Guillotina Fest" and creator and curator of the streaming concert series called "The warmth of proximity" for womxn, transgender & non binary experimental musicians presented at the Experimental Sound Studio of Chicago. Co-founder of the collective and independent record label based in Portugal "Habitable Records". Played and recorded with many artists of the international scene such as Valentin Garvie, La Big Nant, Axel Filip Sextet, Nacho Szulga Quintet, El devenir del río, Julian Mekler sextet, Burka, Paula Shocron, Barbara Togander, Patrick Shiroishi, Paul Pignon, Christer Bothén, Vinnie Sperrazza, Katt Hernandez, Nicola Hein, Kenneth Jimenez, Lesley Mok, Violeta García, Susana Santos Silva, Tom Rainey, Elsa Bergman, l' Arfi collective of Lyon, Joanna Mattrey, Micheal Formaneck, Flatter Ensemble, John Hughes, Lesley Mok, among others. Has released as a band leader and solo performer "A veces la luz de lo que existe resplandece solamente a la distancia" (Kuai 2017), "De este lado" (Club del disco 2019), Aura (ears&eyes records 2020),"Corre el río de la memoria" (ramble records 2021) and "Presencias" (Sound Holes 2021). Participated in many festivals around the world such as Winter Jazz Fest NYC co-presented with M3 (U.S), Buenos Aires Jazz Festival (ARG), Santa Fe Jazz Festival (AR), Lima Jazz Festival (PE), FRIM concerts at Fylkingen, Stockholm (SE), Diskurs Festival (DE), Ultima Oslo (NO), among others, and has assisted to several residencies such as SIM (NYC) Jazz & Creative Music dictated by Tyshawn Sorey and Vijay Iyer (CA), OMI (NYC), Konvent Zero (ES) UNCOOL (CH), Ensemble Evolution (US), CirkusVranen (SE), CCK with Tim Berne, Marilyn Crispell & Ben Goldberg (AR), among others. Has composed the music of the short film "Cuando Corro" by Ana Luz Furth 2020, the circus performance "Gården" 2021 by Anna Aro and the circus ritual performance "Lei-La" by Karla Arévalo 2022/23.

Studied classical saxophone at the Conservatory "Astor Piazzolla", jazz at the "Manuel de Falla" Conservatory, Film Direction at the Universidad Del Cine, and the masters degree program "CoPeCo Contemporary Performance and Composition. The two-year program occurs each semester in a different institution: Estonian Academy of Music and Theatre in Estonia, Royal College of Music in Stockholm in Sweden, National Superior Conservatory of Music Dance of Lyon in France and Hamburg University of Music and Theatre in Germany. Was part of the second cohort of Mutual Mentorship for Musicians M3 created by Jen Shyu & Sara Serpa 2021. Fellowship at Experimental Sound Studio 2022 for curating "A door in the mountain" series."

-Camila Nebbia Website (https://www.camilanebbia.com/)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Autopoiesis I 10:23

2. Autopoiesis II 4:29

3. Niche Shift I 16:27

4. Niche Shift II 4:45

5. Niche Shift III 4:43

6. Niche Shift IV 12:52

7. Autopoiesis III 3:50

8. Autopoiesis IV 5:52

9. Autopoiesis V 3:17

10. Autopoiesis VI 3:39

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
European Improvisation, Composition and Experimental Forms
Collective Free Improvsation
Trio Recordings
Recent Releases and Best Sellers

Search for other titles on the label:
Waveform Alphabet.


Recommended & Related Releases:
Other Recommended Releases:
Nebbia, Camila / Angelica Sanchez
In Another Land, Another Dream
(Relative Pitch)
An intimate duo at Brooklyn's IBeam performance venue in November 2023 between visiting Argentine-born, Berlin-based tenor saxophonist Camila Nebbia and New York pianist Angelica Sanchez, performing six freely improvised and sophisticated dialogs that highlight the implicit lyricism of each player and the finesse of their virtuosic skills in subtle expression.
Void Patrol (Sharp / Stetson / Martin / MacDonald)
Live @ Victo
(Les Disques Victo)
A wild and adventurous concert and one of the highlights of the 39th Festival International de Musique Actuelle de Victoriaville from the electric improvising quartet of Elliott Sharp on electric guitar & electronics, Colin Stetson on bass, alto & tenor saxophones, Billy Martin on drums & percussion and Payton Macdonald on marimba, vibraphone & African xylophone.
Cameron, Lisa / Alex Cunningham
Chasms
(Waveform Alphabet)
Improvising over the abyss, Texas drummer Lisa Cameron (Roky Erickson, ST 37) and violinist Alex Cunningham (Sandy Ewen, Damon Smith, Claire Rousay) present three extended interactions using conventional instrumentation in unconventional ways, augmented by feedback, bowed cymbals, electronics and objects, under the control of exceptional technique.
Pere Ubu
Architecture For The People: 1979-1982 [4 CD BOOKBACK + DOWNLOAD]
(Fire)
Compiling three essential albums from legendary Cleveland art rock band Pere Ubu--New Picnic Time (1979), The Art Of Walking (1980), and Song Of The Bailing Man, along with an album of out-takes and oddities, Architectural Salvage (1981), presented in a handsome four-disc 'bookback' with notes and memorabilia approved by the band.
Nebbia, Camila
Una Ofrenda A La Ausencia
(Relative Pitch)
Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects.
Ackerley / Uesaka / Hinton
Petting Zoo
(Waveform Alphabet)
The NY trio of Jessica Ackerley (SSWAN) on electric guitar, Yuma Uesaka on saxophone & reeds and Colin Hinton on drums & percussion, associated with improvisers including Tyshawn Sorey, Patrick Shiroshi, Ingrid Laubrock, &c., in a collective trio of exceptionally attuned and implicitly melodic dialog promoting energetic interplay balanced with periods of explorative reflection.
Dewar, Andrew Raffo / John Hughes / Chad Popple
Reflejos IV-VII
(Waveform Alphabet)
A student of Steve Lacy & Anthony Braxton and active from NYC to the San Francisco Bay Area, soprano saxophonist Andrew Raffo Dewar is heard in these studio recordings with bassist John Hughes and drummer/vibraphonist Chad Popple, a follow-up to the 2018 trio album Reflejos on pfMENTUM, presenting a series of compositions based on reflection/refraction-based compositional forms.
Dimitriadis / Dorner / Freedman / Parkins / Williams
BeingFive
(Relative Pitch)
Hand selected by Montreal clarinetist Lori Freedman and assembled during a 2022 residency in Berlin, the BeingFive quintet brought together ea-improvisers Yorgos Dimitriadis (percussion), Axel Dorner (trumpet), Andrea Parkins (accordion & objects) and Christopher Williams (double bass) for a workshop approach to creating sonic environments of incredible depth and expressiveness.
Kubo, Tomomi / Camila Nebbia
Polycephaly [CASSETTE + DOWNLOAD]
(Tripticks Tapes)
Amongst the most unique of early electronic music instruments, the Ondes Martenot is heard in six duo recordings performed at the Barcelona studio of Spanish Ondiste, Tomomi Kubo, in conversation with tenor saxophonist Camila Nebbia, both using loop pedals and Nebbia adding her voice at times, creating otherworldly and unconventional interactions of free improv.
Novak, Rebecca / Danny Kamins / Sandy Ewen / Damon Smith / Jerome Bryerton
Groundwater Recharge
(Balance Point Acoustics)
Explorative improvisation, from mysteriously quiet moments to scrabbling and determined conversation, configured as trios and quintets by Rebecca Novak on piano, cornet, radio & glassware, Danny Kamins on baritone saxophone, Sandy Ewen on guitar, Damon Smith on double bass and Jerome Bryerton on percussion, all bringing unique moments through extended techniques, objects & radio.
Various Artists
CICP Collaborative Recordings vol. 1
(Habitable Records)
An introduction to Habitable Records, initiated by members of the Composers and Improvisers Community Project led by Argentinian guitarist Javier Subatin, their work crossing composed and improvised boundaries, here in 18 duos and trios including work by Zé Alemeida, Pedro Melo Alves, Killick!, Federico Calcagno, Luis Figueiredo, Samuel Gapp, Javier Subatin, &c.
Morris, Joe / Chris Dadge / Jonathon Wilcke
Rural Optimism
(Bug Incision Records)
During guitarist Joe Morris' stay as a visiting scholar at University of Calgary, Morris joined the Chris Dadge / Jonathon Wilkes duo, first on stage and then in the studio to record this first-rate album of collective improvisation, merging idiosyncratic percussive activity, abstract and lyrical sax declarations, and profound and pointillistic guitar work.
Velkro (Simon / Meidell / Candeias)
Too Lazy to Panic
(Clean Feed)
Hazy free jazz in an hallucinatory blend of passionate music influenced as much by experimental and rock forms as traditional improv, from the trio of Bostjan Simon on sax & electronics, Stephan Meidell on guitar, bass, percussion & electronics and Luis Candeias on drums.



Customers Who Bought This Item Also Bought:
Brotzmann / Kondo / Toyozumi
Complete Link
(NoBusiness)
Trumpeter Toshinori Kondo and drummer Sabu Toyozumi, who originally worked together in the band EEU, first played with saxophonist Peter Brotzmann as a trio in 2014, this live recording at Roppongi Super Deluxe in Tokyo captured two years later in a wild collective free jazz outing, Kondo augmenting his horn with electronics, as they explode three super-charged improvisations!
Bailey / Toyozumi
Breath Awareness
(NoBusiness)
Derek Bailey's 1987 trip to Japan yielded a number of important recordings, including a duo with Mototeru Takagi, a trio with Sabu Toyozumi & Peter Brötzmann, and this concert at IMAI-Tei with Toyozumi, one of the first generation Japanese free improvisers and the only non-American to become a member of the AACM; here in three duos and Bailey's solo "Diaphragm".
McIntyre / Thompson / Suggs / Fielder
Rivbea Live! Series, Volume 1
(NoBusiness)
The first in NoBusiness' Ribea Live! series from Sam & Bea Rivers' famous and influential 1970's NYC loft series is this dynamic July 12, 1975 concert led by saxophonist Kalaparusha Maurice McIntyre, in a quartet with Malachi Thompson on trumpet, Milton Suggs on electric bass and Alvin Fielder on drums, part of Studio Rivbea's Summer Music Festival 1975.
Perelman, Ivo / Matthew Shipp
Magical Incantation
(Soul City Sounds)
A standout in the many collaborations between New York pianist Matthew Shipp and Brazil-born, NY-based tenor saxophonist Ivo Perelman, recording in the studio for eight elegantly lyrical improvisations that invoke both devotional and decisive dialogs, from an introspective "Prayer" to a dissipated "Lustihood", a spellbinding set of fraternal invocations.
Modney (Modney / Wooley / Gentile / Roberts / Pluta / Symthe / ...)
Ascending Primes [2 CDs]
(Pyroclastic Records)
Exploring tuning systems and the extremes of harmonicity and dissonance through compositions that employ prime numbers of players in solo, trio, quintet, septet, and undectet (11) configurations, violinist Modney takes listeners into transcendent and turbulent spaces spanning improvisation and composition, detailed in a 24-page booklet with collages from Ellsworth Kelly.
Gallio, Christoph / Roger Turner
You Can Blackmail Me Later
(ezz-thetics by Hat Hut Records Ltd)
During a sabbatical in London, Swiss saxophonist Christoph Gallio (Day & Taxi) renewed his friendship with percussionist Roger Turner, with whom he had performed in a trio with Urs Leimgruber; meeting at Turner's London flat, they developed the spontaneous language heard on this freely improvised album, Gallio on soprano, alto & C-melody saxophones and Turner on drums & distinctive percussive devices.
Braxton, Anthony
Solo Bern 1984 First Visit
(ezz-thetics by Hat Hut Records Ltd)
Thirteen years after his breakthrough solo saxophone album For Alto, Anthony Braxton is heard in an inventive solo concert on the same instrument, performing at the Altes Schlachthaus Theatre in Bern, Switzerland for a set of original numbered compositions, the standards "Alone Together" and "I Remember You", and two Coltrane pieces: "Giant Steps" and "Naima".
Salvo, Sofia
ROTAROTA
(Relative Pitch)
Berlin-based, Buenos Aires-born saxophonist Sofia Savlo takes listeners on a tour of eight improvisations performed on the low pitched baritone saxophone, using great control & tone augmented by multiphonics and extended techniques, "rotating" through unusual approaches while engaging listeners through expressive narratives, including emulating a drunken revery.
Gratkowski / Uchihashi / Heather / Sundland
Frank Gratkowski's Entrainment
(Klanggalerie)
A stunningly powerful quartet of electric jazz captured live at the 2022 Freejazz Festival in Saarbrucken, Germany between German alto saxophonist Frank Gratkowski (Skein), Japanese guitarist Kazuhisa Uchihashi (Ground Zero, Altered States), electric bassist Dan Peter Sundland and drummer Steve Heather, performing four assertive, charged and cathartic collective improvisations.
Hockley, Liam (Avram / Chrysakis / Dumitrescu / Radulescu)
Pulse Tide
(Aural Terrains)
Canadian clarinetist Liam Hockley, a dedicated advocate for new and experimental music, performs compositions on a relatively obscure member of the clarinet family, the basset horn, alone and in layers of up to seven horns, in pieces from Romanian spectral composers Ana Maria Avram, Iancu Dumitrescu, and Horatiu Radulescu, along with a contemporary work by Thanos Chrysakis.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Rogers, Erin
Dawntreader
(Relative Pitch)
Performing on saxophones and cymbal, the debut album from NY-based Canadian-American composer, saxophonist, and performance artist Erin Rogers uses multiphonics, vocalization, circular breathing, and inciting of outer resonance to add layers of complexity to her gripping improvisations, which she describes as "No electronics, no bandmates, no composers... just me + dark room + 2 saxophones".



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC