"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

"Maria da Rocha's music has emerged from an intimate connection to the violin and from the fascination how analog synthetised noises can resemble those from everyday life: nature, machines and other sounding objects, partly with a life of their own.Maria da Rocha (Lisbon, PT) plays violin & viola, researches, teaches, creates mostly in the field of new, experimental & electroacoustic music. She played various works solo with orchestra or as tutti and collaborated with ensembles in new music festivals in Portugal, Germany, Sweden, Belgium, United Kingdom and Poland. Maria is also active in other musical styles such as barroque, classical and tango. Her multimedia compositions emerged in collaboration and have been presented in various festivals, such as the release of the album Pink: daRocha/Horn (viola and live electronics). Her solo album Beetroot&OtherStories (violin&electronics) was recorded at awarded composer residencies at EMS, Stockholm and mastered in VICC, Centre for Composers in Visby."

Lisbon, Portugal based cellist Miguel Ivo Cruz is a member of the groups String Theory, Variable Geometry Orchestra. He works at the Conservatório Nacional Escola Artística de Música.

"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

Joao Madeira: "I was born in Lisboa and I've dedicated most of my energy to the doublebass since I was 12. When I went to study at the Conservatório de Lisboa my role model was doublebassist João Panta Nunes, and lately my studies were oriented by Jorge Lee, at Cascais. I have a degree in Musicology, investigation work on Fado's candidature to World Immaterial Heritage by UNESCO, and coordination of the Music Department at INATEL/FNAT. Since 1999 I have a strong activity (studio and performance) in several styles and genres, but improvised music and original composition (whatever the style...) are the places where my musical language riches its higher satisfaction and plenitude. In the recordings you are about to hear it's me who plays all the instruments. My passion is at the simple act of artistic creation. For me, music is all about musicians and genuine expression! It doesn't matter the genre neither the instrument per si. In theater I have collaborations (musician, composer, actor) with Companhia do Chapitô and Artistas Unidos, amongst others. I also love books (...) I've studied aesthetics and Portuguese literature since I remember, and love to read and write poetry."

Vocalist Maria Radich is a member of the Portuguese bands: Ensemble MIA, ikb, Variable Geometry Orchestra

"Born in Lisbon in 1979, pianist, composer and improviser Joana Sá works in the field of new music/contemporary classical music. She is currently enrolled in a doctoral program in music (performance) at the University of Aveiro, as an FCT (Fundação para Ciência e Tecnologia) fellow. She holds an undergraduate degree in piano, having studied under Caio Pagano and Paulo Álvares, in Lisbon, Paris, Castelo Branco and Köln. She received an INOV-ART grant in 2009 and, in 2010, was distinguished with a honourable mention from the Ernesto de Sousa Scholarship program.

Joana Sá is particularly interested in incorporating other means and artistic areas in her works. Her first solo work, through this looking glass, shot by filmmaker and cinematographer Daniel Costa Neves, was released as a dvd+cd by the German label blinker - Marke für Rezentes in 2011. Her current work, IN PRAISE OF DISORDER, integrating texts by Gonçalo M. Tavares as read by Rosinda Tavares, was just released by Shhpuma, an imprint of Clean Feed Records.

Joana Sá has performed in several festivals and as part of season programs of renowned institutions both in Portugal and abroad, such as Teatro Maria Matos, Gulbenkian Foundation, CCB, Casa da Música, Culturgest, Serralves, Kunst Station Sankt Peter (DE), Studium MusikFabrik (DE), Festival Música Viva (PT), Forum Neue Musik (DE), Ring Ring Festival (SER), Festival Jazz Cerkno (SL). She is one half of the duo of Almost a Song (with Luís José Martins), with whom she recorded the album Almost a Song, in 2013, and one third of POWERTRIO (with Luís José Martins and Eduardo Raon). She collaborates frequently with visual artist Rita Sá. Highlights of the collaboration between the two include installations at Gallery of Visual Arts, 255 Canal (New York) and Siggraph Asia (Yokohama). Joana Sá has made music for films, including Tabu, by Miguel Gomes, which was nominated for best music at the 2013 Sophia awards. She has collaborated with artists and projects in a number of musical genres (Deolinda, Simão Costa, Marco Franco, Nuno Aroso, Drumming GP and Peixe, among others).

As co-coordinator (with Luís José Martins) of the music department at CENTA, Centro de Estudos de Novas Tendências Artísticas, at Vila Velha de Ródão (2007/08), she worked with the community (‘Sons do Salgueiral’, ‘Concertos Improváveis’), as well as developing personal projects (‘50 anos - Cage, Concert for piano’ e ‘POWERTRIO - ensemble residente do CENTA’). In this condition, she took part in ‘rExistir’, a project with inmates from the Instituto Prisional de Castelo Branco and accompanied artistic residencies, seminars and concerts held at CENTA.

Joana Sá has recorded for radio stations such as Deutschland Funk and SWR2, in Germany, and Antena 2, in Portugal, and has released music through blinker, Shhpuma, Creative Sources and Centa.

Between 1993 and 2000 she played bass in Pinhead Society, a band with which she performed more than a hundred shows, including concerts at the main stages at festivals such as Sudoeste, Vilar de Mouros and Paredes de Coura as well as the Coliseu dos Recreios. With Pinhead Society she shared line-ups with bands such as Sonic Youth and Morphine and recorded for Música Alternativa and Bee Keeper."

"Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives."

"José Lencastre, also known as Zé Lencastre, is a Lisbon, Portugal saxophonist, composer and arranger. He studied at the Hot Clube de Portugal, Chichester College of Arts(England), and Eastman Community Music School ( Rochester, NY). He Has played several festivals and venues in Portugal, Spain, Italy, Poland, Germany, Czech Republic, Eslovakia, Hungary, Brasil, Morroco.

TSUKI - Looking For Principles In Others (2006)/// TSUKI - I Wish That Mountain Had An Eye (2007)///TSUKI - Sea Snail (2009) ///THE MOST WANTED- The Most Wanted EP (2008) ///CACIQUE97 - Colectânea Novos Talentos Fnac (2007) - EP (2007) - Cacique97 (2009) ///BA MBO - Colectânea Intolerant? Me? (2008) ///POTLATCH - Live at Fabrica (2009) ///THE GRASSPOPPERS - DUB INNA WEEK (2010)/// SOCIAL SMOKERS - MAGNETIC POETRY (2011)/// THE GRASSPOPPERS - LOVERS ROCK INNA WEEK (2011)/// COOLTOUR - COOLTOUR (2012)

He has also appeared as a guest musician recorded with Gnu, Gazua, Philharmonic Weed, Tiago Gomes&Tó Trips, Tércio Borges & os Democratas do Samba, André Sampaio e os Afromandiga, etc. He currently resides in Recife, PE - Brazil."

Michel Stawicki, Lille, France: "Autodidact, I start to play tenor saxophone in the 90's with a predilection for free-jazz, improvisation and abstract form. I played for dance, theater, movie and multimédia performance. I played in different format, solo to big-band I made a lot of performance around Poetry. I played in Europe and in different festivals."

"I started studying music when I was 8 years old. Until I was 17 I studied at a local conservatory. After that I enrolled in a professional music school, where I completed the three year course. Last July I obtained my superior degree in music, taking lessons from Professor Paulo Guerreiro, principal horn of Orquestra Sinfónica Portuguesa (Portuguese Symphony Orchestra). At the moment I'm pursuing master's degree, still under his guidance and the guidance from the assistant Professor Luís Vieira (also a member of OSP).

I have partaken in numerous workshops, both horn dedicated and orchestral ones. Some of the teachers I have worked with include Hermann Baumann, Ab Koster, Hermann Jeurissen, Abel Pereira, Laurent Rossi, Bruno Hiron, and Ricardo Matosinhos.

I enjoy playing several kinds of repertoire, ranging from solo and orchestral standards to early music and even experimental/avant-garde/ electronic."-Catarina Silva

"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

"Noel Taylor's main instruments belong to the clarinet family - soprano, alto and bass clarinet. He lives in Lisbon, Portugal, where he moved in 2017. He has performed widely in the UK, Portugal, Germany, Poland and Italy. He is a dedicated improviser, but his work also includes short compositions, conductions with large scale orchestras, and organising musical events. .

Recent projects have involved the trio 'Redstart' , 'Splatter (with Anna Kaluza, Pedro Velasco & Tom Greenhalgh), 'Happenstance' (with Chris Biscoe, Tom Greenhalgh, Guillaume Viltard), Grimwald (with Steve Beresford, Terry Day & Roberto Sassi). 'Plank' (with Pedro Velasco,Rachel Musson, Asuman Biswas) and 'Bay's Leap' (with James Barralet & Clare Simmonds)

Splatter have released three albums to date. Many other ad-hoc partnerships have happened along the way - always with the emphasis on improvisation. Two of these shorter collaborations have resulted in CD releases, one with Niko Meinhold and one with Alberto Popolla.

Noel Taylor is a member of the London Improvisers Orchestra, where he is one of the most frequent conductors. He has also led conductions with the Berlin Improvisers Orchestra and at festivals. He has played with Rome's Iato Orchestra. He has performed in Krakow in Poland, Germany, Italy, Sicily and Portugal, as well as London & other parts of the UK.

Other musicians he has performed with include Theo Jorgensmann, Claudio Puntin, Shabaka Hutchings, Eugenio Colombo, Steve Beresford, Mick Beck, Carlos Zingaro, Harrison Smith, Mark Sanders, Terry Day, Dominic Lash, Rafal Mazur, Cleveland Watkiss, Steve Noble, Liam Noble, Luca Venitucci, Stefano Guist, diatribes, Pat Thomas, Lawrence Casserley, Satoko Fukuda, Henrik Wallsdorf, Tony Marsh & Veryan Weston, Nick Stephens, Fumi Okiji, Marcio Mattos,Ricardo Tejero, Alex Ward, Orphy Robinson & many others.

His most regular collaborators have been Guillaume Viltard, Chris Biscoe, Alberto Popolla, Andrea Caputo, Anna Kaluza, Niko Meinhold, Julie Kjaer, Beibei Wang, Tommaso Vespo, Benedict Taylor, Noura Sanatian, Pedro Velasco , Tom Greenhalgh, Clare Simmonds, James Barralet, Tom Wheatley & John Garcia.

From 2009-2013 he curated a series of events called the Luna Fringe, a series of monthly events at Arch1 in West Ham. Bay's Leap toured Portugal in 2018 and a modified version of Spaltter, which included lthe Portuguese drummer Pedro Melo Alves and guitarist Luis Marins, also toured in 2018."

Paulo Galão is a Lisbon, Portugal based saxophonist known for the groups, Variable Geometry Orchestra, Vitor Rua & The Metaphysical Angels.

"Born in the Galil region, Northern Israel, Ziv Taubenfeld started playing the clarinet as part of his primary school orchestra and continued with classical studies at the local conservatory. Following the attraction to low sounds, he added the bass clarinet as a second instrument that soon became his main focus. Taubenfeld's interest in improvised music grew bigger after meeting the influential saxophone player Albert Beger, who opened up a path that led to further studies of the bass clarinet with Michael Moore in the Netherlands. Amsterdam's improvised music scene turned out to be Taubenfeld's creative home for the coming years, resulting in collaborations that continue to this day.

In parallel to the Amsterdam based activities, Taubenfeld developes compositional concepts with Bones between 2015-2019. In 2017 Taubenfeld was offered to present the music of Bones at the North Sea Jazz Festival, July 2017. This was followed by several European tours. The third album of Bones- Reptiles- was released in fall 2019 on NoBusiness Records.

Taubenfeld's most recent project - FULL SUN â€" brings together strong individuals from the international creative music community. This flexible unit is dedicated to compositions with an exploratory spirit, often using the gongs, balafon, bells, and whistles to widen the sound palette of the ensemble. The Full Sun pool of musicians include: Michael Moore, Joost Buis, Luis Vicente, Nicolas Chientaroli, Marta Warelis, Yung-Tuan Ku, Rozemarie Heggen, Shay Hazan, Omer Govreen, Onno Govaert and Dudù Kouate.

Other bands Taubenfeld takes part in include Kuhn Fu, ZYFT, CosJazzul and Xavier Pamplona Ensemble. Recent collaborations include Han Bennink, Ab Baars, Hamid Drake, Ada Rave, Wilbert de Joode, Frank Gratkowski, Michael Formanek, Olie Brice, Tobias Delius and Carlos "Zingaro" among others."

"Guitarist Miguel Almeida is also a researcher and educator, locate in the Lisbon area of Portugal. He is associated with Universidade Nova de Lisboa, Conservatório de Música de Sintra, and was educated at Universidade Nova de Lisboa."

Portuguese pianist Manuel Guimarães is a member of Variable Geometry Orchestra, and Vitor Rua & The Metaphysical Angels. He has also released a solo album on the Creative Sources imprint.

"[Nuno Rebelo] was born in Torres Vedras, Portugal, in 1960. With a background in architecture and being a self-taught musician, he stood out in the world of Portuguese pop music, especially as the leader of Mler ife Dada, a legendary group from the 1980s in Portugal.

His musical influence extends to various areas, including music for films, theatre, and choreographies. In the field of dance, he created music for choreographies by renowned artists such as Vera Mantero, Mark Tompkins, Paulo Ribeiro, Aldara Bizarro, Joao Fiadeiro, Constanza Brncic, and Malpelo, among others. His contributions to emblematic events are also noteworthy, such as the anthem for the Universal Exhibition of Lisbon Expo 98 and the music for the fireworks at the opening of Porto 2001, European Capital of Culture. He was also the author of the advertising jingle for Lisbon 94, European Capital of Culture, which won the award for the best Portuguese advertising music in 1994.

His focus has been on the guitar, where he has developed a personal language through continuous research and experimentation. Since the 1990s, he has established himself as a reference in the field of free improvisation and has collaborated with a wide range of musicians, including Agustí Fernández, Agustí Martínez, Albert Cirera, Alexandre Frangenheim, Anna Subirana, Damo Suzuki, DjOLive, Don Malfon, El Pricte, Eric M, Gianni Gebbia, Graham Haynes, Hiroshi Kobayashi, Jakob Draminsky, Jean-Marc Montera, Joan Saura, John Bisset, Kato Hideki, LeQuan Ninh, Lliba Vilavecchia, Massimo Zu, Michael Moore, Michael Vatcher, Paolo Angeli, Peter Kowald, Ramon Prats, Rodelius, Shelley Hirsch, Tom Chant, and Víctor Nubla, as well as with most Portuguese improvisers.

In the field of improvisation with dance, he has performed in various European countries with renowned dancers such as Mark Tompkins, Vera Mantero, Steve Paxton, Lisa Nelson, Julyen Hamilton, David Zambrano, Constanza Brncic, Sonia Sánchez, Frans Poelstra, Boris Charmatz, João Fiadeiro, María Muñoz, Pep Ramis, Andrés Corchero, and Mathilde Monier. Nuno Rebelo is also known for creating sound sculptures, which have been exhibited in Portugal, Norway, and at the I-Park Environmental Art Biennial in Connecticut, United States.

He has shared his knowledge by conducting workshops on experimental techniques for the electric guitar in various Portuguese cities, as well as improvisation workshops in Portugal, Cape Verde, and Mozambique. Together with Mark Tompkins, they have led the workshop "Audible movement, visible sound," which explores the performative interaction between dance and music and has been held in various cities such as Strasbourg, Lisbon, Bucharest, Ljubljana, Vienna, Toulouse, and Mulhouse."

Guilherme Carmelo is a guitarist from Massarelos, Portugal. He is known for the groups Equinox Quartet, Variable Geometry Orchestra, Baphomet, and Dark Magus.

"Jorge Nuno (Guitar): Born in Lisbon (Portugal)in 1971, musician in publishing activity since 1996, having belonged to projects like Riddle (edited 2 LPs), participating in two soundtracks Portuguese films (Nightmare Pink, Pulsacão Zero), Lisamona (1 Lp and Ep) with Rodrigo Leão, and Stereo Alligator (1 Lp). Currently developing the Signs of the Silhouette project,has played with musicians such as Mauricio Takara, Hernani Faustino, Tiago Sousa, Helena Espvall, João Paulo Entrezede, Marcio Gibson, Rodrigo Gobbet, Frank Rosaly etc...

2016 2 new LP `S one with Signs of the Silhouette and an album with the Brasilian drummer Marcio Gibson both on Bambalam Records(France Label)."

Pedro Gomes, born 1979 in Lisbon, is an electric guitarist. He has worked with Sei Miguel in Turbina Anthem, and is a member of the Portuguese free rock group based in Lisboa, Caveira, formed in 2005 with Pedro Gomes, and originally with Rita Vozone on guitars and Quim Albergaria on drums. This band evolved out of the project Manta Rota.

"Abdul Moimême was born in Lisbon, in 1959, moving at an early age to New Mexico and later to Dublin, Ireland. He began studying the guitar at the age of 11, studying under various private teachers, in Madrid, Spain.

In 1979 he moved to Boston to study architecture, finally completing his degree at the University of Lisbon.

In the 90's he began studying the tenor saxophone with Patrick Brennan. In this period he became actively involved with Lisbon's improvised and alternative rock scenes, performing frequently with the Variable Geometry Orchestra since it's creation in 2003, as well as with various other local projects.

His main musical partners are from Lisbon and Porto, but he has also performed in public concerts with such artists as Gale Brand, George Haslam, Jon Raskin, Ken Filiano, Patrick Brennan, Steve Adams, and Wade Matthews.

In 1999 he started writing about jazz in various Portuguese publications and is currently a permanent collaborator of Jazz.pt magazine, and Publico newspaper, as a critic.

In 2006 he created Freemusic (http://freemusic.podomatic.com), a space exclusively dedicated to the promotion of Portuguese improvised music."

Luísa Gonçalves Lisbon, Portugal is a musician, pianist, & composer. She holds a superior degree in classical piano performance ESMAE, and works frequently with other musicians and performing arts.

"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.

Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.

Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."

Carla Santana is a Portuguese electronic artist known for the bands Quarto com Luz, quatroconnection, Isotope Ensemble and Variable Geometry Orchestra.

Flak is an improvising and rock guitarist, best known for the Portuguese rock band Rádio Macau.-Squidco 11/18/2024

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André Abreu is a Portuguese drummer and percussionist, known for the bands SOMA, Isotope Ensemble, and IKB.

Monsieur Trinité is based in Lisboa, Portugal, and is a member of Equinox Quartet, IKB, Potlatch, and Variable Geometry Orchestra.