


A focused and sonically adventurous trio recording from Santa Fe, New Mexico, bringing together saxophonist Chris Jonas, live-sampling artist and electronic musician David Forlano, and percussionist Gregg Koyle in a contemporary yet organic exploration of space, form, and texture through sharp saxophone lines, intricate sampling manipulations, and dynamic metallic percussion.
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 3.00 units
EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:



Chris Jonas-saxophones
David Forlano-live sampling, electronics
Gregg Koyle-percussion
Click an artist name above to see in-stock items for that artist.
UPC: 5609063408553
Label: Creative Sources
Catalog ID: cs855
Squidco Product Code: 35771
Format: CD
Condition: New
Released: 2024
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at The Nest, in Santa Fe, New Mexico, on November 2nd, 2024, by
"After a long (and not really intended...) run of music from Europe in this space, I want to return to North America for a recording (of unknown date) from Santa Fe - albeit appearing (suddenly) on Creative Sources - i.e. the relatively brief and certainly modestly titled, Trio.
David Forlano (live sampling and electronics) is new here, but active of late in general, particularly with guitarist Barry Chabala (who also lives in New Mexico), e.g. trio albums Morning Music (with Clara Byom on Chabala's Roeba Recordings) and Juno (with drummer Drew Gowran on Confront) appearing earlier this year. Electronics can be wild at times on all three trio albums, but it does seem that Trio - including Chris Jonas (saxophones and e.g. recently of Braxton's Sax QT (Lorraine) 2022, also featuring mirroring electronics itself...) and Gregg Koyle (percussionist from Santa Fe classical groups) - ends up being more focused, even modernist one might say (as opposed to the sort of electric jungle vibe of e.g. Juno...).
So while Chabala might tend toward almost a folk sound, Jonas suggests modern austerity (and e.g. cool jazz, perhaps...), clear lines and precise figurations at unorthodox angles - often rendered into a sort of polyphony by Forlano (who organized the recording session), also incisively. Percussion is frequently metallic then, accenting or driving what can sound like a quasi-classic free jazz sax trio at times (including in its explorations of timing...), but with new sax lines branching off..., or even senses of "rewind" or (brief) cartoonish vocal samples, twisting....
There's a surprising sense of space cultivated as well - also not unlike Forlano's vibe with Chabala at times - a sort of mysterious outdoorsiness that might suggest New Mexico, involving an overall sense of opening and easing then as well. (There's thus some invocation of the US West, the Sangre de Cristo Mountains in particular, I suppose.... And I continue to associate landscapes of the American West with "new age" music more generally....)
So, true to its title, Trio does come off rather modestly, but also rewards close attention right from the start, capturing a distinctive (yet tradition-based...) and focused sense of form and development."-Todd McComb's Jazz Thoughts
Get additional information at Todd McComb's Jazz Thoughts

Artist Biographies
• Show Bio for Chris Jonas "Chris Jonas is a Santa Fe-based composer, saxophone player, and video artist. As an instrumentalist and composer/conductor, he has performed, recorded, and toured internationally with many of today's most adventurous artists, working extensively with Anthony Braxton, Cecil Taylor, William Parker, Del Sol String Quartet, TILT Brass, the Crossing Choir, and others. Jonas is a United States Artists Fellow and a winner of the 2012 Meet the Composer/Commissioning USA Award for GARDEN, his ongoing series of live music and transmedia works. He is Executive Director of Littleglobe, the New Mexico arts and social justice non-profit, and is Vice President of the Tri-Centric Foundation, an organization committed to the work and legacy of Anthony Braxton. In 2019, Jonas was conductor for Braxton's 6-hour, 63-person orchestra project, Sonic Genome, at the Berlin Jazz Festival. Jonas has received commissions for large-scale music and video performance projects with many international artists, including the Del Sol String Quartet, Duo B Experimental Band, the Crossing Choir, with ensembles and musicians in Berlin, Portugal and Ireland, the Chicago Improvisors Group, and with numerous international venues, including SITE Santa Fe, the Lensic, the Santa Fe Opera, Center for New Music, Roulette, Lincoln Center, Knitting Factory, Z-Space in San Francisco, Triskel Arts Center in Cork, Ireland, Gropius Bau in Berlin, Germany, and the National Theater and Concert Hall in Taipei, Taiwan." ^ Hide Bio for Chris Jonas • Show Bio for David Forlano "David Forlano is a multi-disciplinary performance artist and visual artist. His performance and sound work began in Philadelphia, notably teaming with percussionist Toshi Makihara on many performances supporting dance and theater as well as their own collaborations in free improvisation. Relocating to Santa Fe in 2005 he took a 10 year break from performance followed by a renewed passion for collaboration in performance and sound."-Roeba ^ Hide Bio for David Forlano • Show Bio for Gregg Koyle Gregg Koyle is a distinguished percussionist and educator with a career spanning several decades, marked by notable performances and significant contributions to music education. Koyle's foundational years in music were influenced by his studies at West Texas A&M University, where he was an active member of the Symphonic Band. His dedication to percussion led him to further his education and performance experience, laying the groundwork for a successful career. Professional Career In 2002, Koyle became the Principal Timpanist and Orchestra Personnel Manager for the Sarasota Opera, roles he has maintained with distinction. His expertise also led him to the Santa Fe Opera in 2005, where he serves as Orchestra Manager. His performance credits include solo, chamber, and orchestral appearances across the United States, Europe, and Japan. Notably, he contributed to the Santa Fe Opera's GRAMMY-nominated recording of "Cold Mountain" and the GRAMMY-winning recording of "The (R)evolution of Steve Jobs." Koyle's commitment to education is evident through his teaching roles at esteemed institutions. He has instructed percussion at the Interlochen Arts Camp and the University of New Mexico. Additionally, during his tenure at Texas Tech University, he co-directed the Contemporary Music Ensemble, influencing a generation of percussionists. Throughout his career, Koyle has mentored numerous students who have gone on to achieve success in the field of percussion. For instance, Eric Harper, a graduate of Texas Tech University with a Bachelor's Degree in Music Education, studied under Koyle, Alan Shinn, and Dr. Lisa Rogers. Harper's career includes directing percussion studies and performing with notable ensembles, reflecting the high caliber of instruction he received. Gregg Koyle's career is characterized by a blend of performance excellence and educational dedication. His influence extends through his performances and the accomplishments of his students, solidifying his status as a respected figure in the percussion community. ^ Hide Bio for Gregg Koyle
3/17/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. One 7:16
2. Two 8:58
3. Three 7:41
4. Four 5:19

Creative Sources
Improvised Music
Free Improvisation
Jazz
West Coast/Pacific US Jazz
Trio Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
Search for other titles on the label:
Creative Sources.

