


"The new media and technologies by which we amplify and extend ourselves constitute huge collective surgery carried out on the social body with complete disregard for antiseptics. If the operations are needed, the inevitability of infec...
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 3.00 units
EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:



Al Margolis-transformations, trumpet, guitar, objects, alto clarinets
Walter Wright-IFM synth
Sara Bouchard-live coded media, voice, field recordings, aluminum foil
Click an artist name above to see in-stock items for that artist.
Label: Love Earth Music
Catalog ID: LEM-348
Squidco Product Code: 35886
Format: CDR
Condition: New
Released: 2024
Country: USA
Packaging: Digipack
"The new media and technologies by which we amplify and extend ourselves constitute huge collective surgery carried out on the social body with complete disregard for antiseptics. If the operations are needed, the inevitability of infecting the whole system during the operations has to be considered. For in operating on society with new technology, it is not the incised area that is most affected. The The area of impact and incision is numb. It is the entire system that is changed. The effect of radio is visual, the effect of the photo is auditory. Each new impact shifts the ratios among all the senses. What we seek today is either a means of controlling these shifts in the sense-ratios of the psychic and social outlook, or a means of avoiding them altogether. To have a disease without its symptoms is to be immune. No society has ever known enough about its actions to have developed immunity to its new extensions or technologies. Today we have begun to sense that art may be ableto provide such immunity.
"The ability of the artist to sidestep the bully blow of new technology of any age, and to parry such violence with full awareness, is age-old. Equally age-old is the inability of the percussed victims, who cannot sidestep the new violence, to recognize their need of the artist. To reward and to make celebrities of artists can, also, be a way of ignoring their prophetic work, and preventing its timely use for survival. The artist is the person in any field, scientific or humanistic, who grasps the implications of their actions and of new knowledge in their own time. They are the persons of integral awareness."-Marshall McLuhan, Understanding Media, pages 70-71

Artist Biographies
• Show Bio for Al Margolis "Al Margolis (viola/violin/clarinet) was active in the 1980s American cassette underground through his cassette label Sound of Pig Music and is co-founder of experimental music label Pogus Productions, which he continues to run. Active under the name If, Bwana since 1984, his works swing between fairly spontaneous studio constructions and more process-oriented composition. It has been said "that Al Margolis/If, Bwana is some sort of evil genius working with raw materials which are never adapted to a genre or a context, because they create one in that very moment. Those sources are radically altered up to an utterly unrecognizable state, anarchic manifestations moving in compact determination." It's all true....." ^ Hide Bio for Al Margolis • Show Bio for Walter Wright "Walter Wright is an interdisciplinary artist whose practice includes computer programming, electro-acoustic music, and video performance. His focus is on "improvisation as a way of being present in the world." Walter was one of the first video animators. At Computer Image Corp he animated letters, words, and titles for Children's Television Workshop. He was a video animator for Ed Emshwiller's Thermogenesis and Scapemates, aired by WNET's Artists Television Workshop. Scapemates was the first computer graphics video nominated for an Emmy Award (1971). He showed his work at the first computer art conference at the Kitchen (NYC, 1973). In 1973-76, as artist-in-residence at the Experimental Television Center, he pioneered video performance touring public access centers, colleges, and galleries with the Paik/Abe Video Synthesizer. Walter has developed software and hardware for artists including the Video Shredder, a desktop video processor for the TARGA2K. Currently he works with Max/MSP, softVNS, and Processing. His programs and sketches are available on his blog. Walter performs with several groups including Apocalypso, Ensemble indent, and Los Condenados. He uses a Bugbrand Board Weevil, a Flower Electronics Little Blue Boy, intact mics by Crank Sturgeon and sometime plays drums. He recently toured with an amplified drum kit and is experimenting Martin Freeman's Horndog and Peter Blasser's Shnth. Walter is a co-founder of 119 Gallery, the first digital art gallery on the World Wide Web, which is located in Lowell MA." ^ Hide Bio for Walter Wright
3/17/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
3/17/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. An Eye for an Ear 10:11
2. Our Extended Skin 10:09
3. The Scent of Time 10:18
4. The Mechanical Bride 10:30

In Stock, Not Yet Cataloged
Electro-Acoustic
Search for other titles on the label:
Love Earth Music.

