"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

"Aaron Edgcomb is a composer, drummer, and percussionist whose work appears in many contexts including improvisational music, jazz, new music, noise, and song. Aaron is very interested in the way music creates and changes social and political identities.

Aaron has performed in and composed for many different ensembles including the electro-rock group Yelsa, his solo drums and electronics project REA, The Gown of Entry, and the improvising hardcore trio Trigger. He has collaborated with such artists as John Zorn, Ted Reichman, Anthony Coleman, The Ladles, and Adam Dunson.

Aaron has performed extensively around the world including performances at the MoMA PS1, National Sawdust, Roulette, the Museum of Fine Arts in Boston, the Philharmonie de Paris, the Elbphilharmonie in Hamburg, the Sarajevo Jazz Festival, the Jazz Em Agosto Festival in Lisbon, not to mention the uncountable and invaluable living rooms, garages, basements, and DIY venues that work so hard to keep creative music alive.

In addition to his work as an improviser, Aaron is trained in concert percussion and performs solo marimba, vibraphone, and multi-percussion works. In 2014 Aaron debuted his solo marimba composition "Dawn Has Appeared" for Ran Blake's 80th birthday concert at the New England Conservatory's Jordan Hall. He has also performed orchestral works with the Reno Philharmonic Orchestra, and Reno Chamber Orchestra.

Aaron holds a B.M. in Jazz and Percussion from the University of Nevada, Reno, and a M.M. in Contemporary Improvisation from the New England Conservatory.

Currently, Aaron is composing new works for solo and ensemble performance (and occasionally poetry and prose), teaching percussion/composition/improvisation, and enjoys reading, and fine cuisine (both eating and cooking it)."

"Will Greene: Guitarist, saxophonist, composer - and recent Brooklyn transplant - Will Greene works in a variety of musical worlds and projects, all circling the notion of experimental and improvised music. From close work with composer John Zorn in the thrash-noise outfit Trigger, to holding the saxophone chair in the italo-cinema-pop orchestra Tredici Bacci, he finds a playful space between raw energy and melodic sensitivity. He has been fortunate to work with artists such as Marc Ribot, Joe Morris, and JG Thirwell amongst many others, and to perform at venues including Hamburgs Elbphilarmonie, the Paris Philharmonie, Sarajevo Jazz Festival, and The Stone."

Simon Hanes is a bassist, a graduate from New England Conservatory and has played in the then-Boston-based No(ise) Wave unit Guerilla Toss, adopting the "Luxardo" persona as an arranger, composer, conductor, and guitarist, and went on to assemble the band Tredici Bacci. He also is a member of the Zorn influenced band Trigger.