


"La preuve is an apres-guard action. Most of the people who inspired it are dead or retired. Old teenagers flog their former loves. They bear witness to a bygone era, but joyously embraced, digested and spat out. Everything was still po...
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Nicolas Chedmail-vocals, guitar, bass, keyboard, trumpet, French horn, trombone, helicon, pipes, flute, siren, alto saxophone, harmonica, melodica, violin, cello, shahi baaja, sanza
Frederic Maincon-guitar, vocals
Jean-Jacques Birge-synthesizer, sampler, effects, field recording, erhu, inanga, shahi baaja, waldteufel
Benjamin Sanz-drums
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Label: GRRR
Catalog ID: GRRR 1037
Squidco Product Code: 36063
Format: CD
Condition: New
Released: 2023
Country: France
Packaging: Cardstock Sleeve, Slealed
Recording by Jean-Jacques Birge and Nicolas Chedmail.
"La preuve is an apres-guard action. Most of the people who inspired it are dead or retired. Old teenagers flog their former loves. They bear witness to a bygone era, but joyously embraced, digested and spat out. Everything was still possible. Or possible at last. Psychedelia opened the doors of perception. Romanticism wasn't relegated to a dull formatting, a cheese without a rind. The group Poudingue, which started out ten years ago, has some delectable leftovers. These are the crumbs from purgatory.
The proof (la preuve, in French) is in the pudding (poudingue, in French) is an expression coined by Friedrich Engels meaning that the value, quality or truth of something must be judged on the basis of direct experience or its results. The expression is a modification of an old saying that makes the meaning a little clearer: the proof of the pudding is in the eating."-GRRR

Artist Biographies
• Show Bio for Jean-Jacques Birge "Music composer, film director, multimedia author, sound designer, writer, Jean-Jacques Birgé considers music essentially in the audio-visual relationship, or at least in its confrontation with other forms of artistic expression. Founder of Disques GRRR, he was one of the first synthesists in France in 1973, and with Un Drame Musical Instantané the precursor of the return to the cine-concert in 1976. If his first electronic work dates from 1965, he composes as well for symphonic orchestras that he improvises freely with musicians from the most diverse backgrounds. For his "radiophonic" creations and his multimedia shows (live zapping on the big screen, fireworks, choreographies...), improvisation and preliminary writing merge, the original electroacoustic treatments are integrated with traditional instruments to create evocative musical fictions that he calls musique à propos. From 1995, he became one of the most popular sound designers in multimedia and a specialist in interactive musical composition, seeking to deepen the effects of meaning and develop an ever-wider range of emotions. As part of his work on major exhibitions, he recently worked at the Louvre Museum, the Cité des Sciences et de l'Industrie, the Grand Palais, the Panthéon, the Palais de Tokyo, the ZKM... Alongside around fifty vinyls and CDs, his website drame.org offers 105 unreleased albums (191 hours!) for free listening and downloading. He has been running a daily, activist and supportive blog for 20 years and gives conferences on the relationship between sound and image." ^ Hide Bio for Jean-Jacques Birge
4/9/2025
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Track Listing:
1. What a funny law 01:50
2. J'ai mange 04:20
3. Rame de queue 03:31
4. Je vous prie d'agreer 05:14
5. Haru 04:14
6. L'escargot 02:05
7. Les cimes 03:31
8. Lady Wallup 03:30
9. So Much 06:11
10. Manege 03:41

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